Showing posts with label amateur sleuth. Show all posts
Showing posts with label amateur sleuth. Show all posts

Wednesday, March 30, 2022

Emotional Thriller, WHAT HAPPENED TO THE BENNETTS by Lisa Scottoline

 


[Originally published at New York Journal of Books]

“Scottoline’s flawless plot twists create a bond with this scrambling, desperate dad in his new-found courage and hastily recruited allies.”

Lisa Scottoline’s thrillers are always tight, taut page-turners, packed with action and risk and suspense. In What Happened to the Bennetts, she crafts fresh intensity because of the powerful emotions at stake, reassembling like kaleidoscope pieces with every fresh scene.

The opening chapter presents a parent’s nightmare: Jason Bennett, a court reporter with a specialty in lip reading, is headed home with his wife and two kids in the family car after his daughter Allison’s lacrosse game. When a truck begins to tailgate them, he’s ready to pull over and get out of the way. Instead, a couple of men attempt to carjack them, and of course Jason yields—anything to keep his family safe!

But instead, despite the family’s scramble out of the car, one of the criminals fires at them, a shot that will be fatal Jason’s daughter. Before the Bennetts even have a chance to face what’s just happen, FBI agents scoop them up, convinced that the criminals are part of a dangerous gang of drug traffickers. And for the rest of the Bennetts to survive, they’ve got to enter witness protection. Right. Now.

Special Agent Kingston pounds the urgency into them: “A carjacking usually occurs for one of three reasons. Number one, the car is stolen to flee the scene of a crime. Number two, the car is stolen because it’s a specific make, as part of an auto theft ring. Number three, the victim is in the wrong place at the wrong time.”

In this case, the FBI concludes, is option number one. Except that since one of the criminals killed the other during the attempt, there’s going to be a lie circulated that Jason Bennett shot the second criminal, and in a gang like this one, revenge will already be in motion.

So that’s enough pressure to put the family into hiding in a rural back woods, with protection. But WITSEC doesn’t have what they need to process Allison’s death (they can’t even be at her funeral!) or deal with rumors circulating about them (Jason’s wife was having an affair, Jason is killing anyone involved). Let alone the emotional distress of Allison’s younger brother, who’s blaming himself and spiraling down rapidly.

It’s Jason’s point of view that carries the book, and his self-blame, as the dad who should have been able to protect his daughter, is enormous. He could spiral down, too—but he’s already shown his courage and devotion in many small ways, so when he takes things into his own hands, determined to confront the criminal gang and somehow get his remaining family members out of this nightmare purgatory, he’s acting from love and determination. And his suspicions soar sky high when he puts together his wife’s nearly accidental affair with the law team for the criminal consortium. She hadn’t even realized this … and now, Jason finds, “I couldn’t say another word. I couldn’t stay in the room with her.” Because it’s starting to look like there’s been nothing accidental in all of this, but the FBI isn’t “getting it,” and it’s up to Jason to find a way.

“I had to get back and tell Dom [an FBI agent] everything. My family wouldn’t be safe outside the program until the conspiracy had been exposed.”

Nothing’s really prepared Jason Bennett for this kind of mission. But he has the most powerful possible reasons for pursuing it. And Scottoline’s flawless plot twists create a bond with this scrambling, desperate dad in his new-found courage and hastily recruited allies.

Clear the calendar before you start reading; What Happened to the Bennetts is so good, you may not want to put it down until the hard-won and well-earned finale.

 PS: Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Saturday, January 23, 2021

Top-Notch New "Wounded Sleuth" from Lisa Gardner, BEFORE SHE DISAPPEARED


[Originally published at New York Journal of Books]

Before She Disappeared introduces what may be the most powerful sleuth of the decade, an “ordinary” woman driven to uncover the truth at any personal cost. There’s only one thing to ask for by the time the book ends: please, please, a sequel and a series.

The new thriller from Lisa Gardner, Before She Disappeared, cuts remarkable new ground. An intense and fast-paced investigative novel—practically a police procedural—it features the compelling presence of Frankie Elkin. Sober more than nine years, Frankie’s on a hunt for the only thing that eases her personal cravings: finding the lost.

Her arrival in the Mattapan section of Boston comes hard. White and female, she might as well wear a target or a sign that says “hurt me” in the rough district. But she’s there to find Angelique, a vanished high school student. Whatever search there’d been for “Angel” ended months ago, as far as Frankie can tell. Drugs, prostitution, or just leaving town, those are the common assumptions made about a kid on the wrong side of life.

But not by Frankie. Looking straight at the situation, she sees no reason that a high-achieving Haitian immigrant determined to save her family from deportation would just vanish and not even reassure her mom or brother. And Frankie’s got a plan for investigating and trying to find Angelique, as she’s done with fourteen earlier missing persons. Only this time she hopes, as she hopes every time, to find the person alive.

Taking up a job as a bartender may sound risky for her sobriety, but although booze hasn’t lost its appeal, she’s committed to something more powerful, the surge of adrenaline from finding the lost. Her first task: persuade the local bar owner to give her the job, as well as the empty upstairs living quarters. In spite of her white skin.

“He shakes his head. With more glasses to dry, he crosses his arms over his chest and looks at me straight on. He still doesn’t say a word.

‘I work hard.’ I tick off a finger. ‘I’m on time, especially because I’m going to be living upstairs, and I won’t siphon your booze. I pour fast, I know how to change out a keg, and I’m an excellent listener. Everyone likes a good listener.’

‘They won’t like you.’

‘Neither did you, but you’re coming around. Give me a month. By then no one will notice my white skin or superior gender. I’ll just be another fixture behind the bar.’”

Why here? Because this is where Angelique and her relatives belong. And in a very short time, Frankie figures out why the hunt for this teen started late, ended early, and isn’t going anywhere. Partnering with a police detective who’s frustrated at the lack of progress, Frankie earns her way past his reluctance to trust her, and proves that her ability to listen—especially to teens and women—can reopen the case.

When Frankie discovers proof that the teen is still alive, and seeking help, that partnership with the local detective becomes essential. But it stays charged with anger and territory, and the hunger Frankie carries with her: consuming, propulsive, and perhaps entirely destructive. That’s similar to what drives the “kids” around her, including another missing teen, revealed as “the missing girl no one even knew was missing,” yet who sets a criminal enterprise into focus and ramps up the danger to all involved.

Gardner’s fierce and skillful blending of rage and despair and unhealable wounds makes Frankie an unforgettable protagonist. She can’t be called an amateur sleuth, because her impassioned searches have shown solid results. She has families that speak for her, because she cared enough to work for discovery of what happened to their loved ones. Yet she’s not paid by any of those. And she walks a knife edge of internal haunting.

Before She Disappeared introduces what may be the most powerful sleuth of the decade, an “ordinary” woman driven to uncover the truth at any personal cost. There’s only one thing to ask for by the time the book ends: please, please, a sequel and a series.

PS: Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Friday, September 25, 2020

Cajun Country Mystery from Ellen Byron, MURDER IN THE BAYOU BONEYARD

 


[Originally at New York Journal of Books]

“If you enjoy timing your books to the seasons, Byron’s Halloween-themed Cajun mystery is a must-read for this time of year, and an enjoyable spin through the kind of sensible, clue-laden plotting that makes a good mystery—along with some end-of-book surprises for a bold finale.”

The new “Cajun Country Mystery” from Ellen Byron demonstrates that Maggie Crozat, owner of a historic bed-and-breakfast inn, can think clearly under pressure, make smart choices, and survive life-threatening guests—as well as a family that threatens to make her property and family business worthless.

Murder in the Bayou Boneyard comes with all the trappings of a classic “cozy” yet the well-plotted underpinnings of a traditional “amateur sleuth” mystery. Byron’s plotting is smooth, with well-turned dialogue and exploration. Maggie is not a fan of Halloween, but when her Cajun Country region feels pinched by an expanding online B&B app, she pulls the neighboring inns together for a month of spooky pleasures, including a theater performance in a graveyard. Who could blame her when a costumed “rougarou” (the local werewolf/vampire figure) runs onto the stage and falls dead?

Yet the investigators from the next town over manage to horn in on the action, focusing on Maggie as their prime suspect. It’s because the victim is a woman who’s already taken away Maggie’s art studio, in a property dispute gone awry. And the next death in the group intensifies the pressure on Maggie.

Her fiancé is a local police officer, and while that gives Maggie some clout and some avenues for information, it only feeds the competition from the neighboring police force. Between trying to keep guests from being scared away, and trying to keep them alive and entertained, Maggie’s got more than her hands full. And the local newspaper makes things worse:

A headline screamed, ‘Masseuse Death Ruled a Homicide.’ But it was the subtitle that made Maggie feel ill.

‘Suspects Include Local Family.’

‘If I ever do murder someone, it’s going to be Little Earlie [the reporter],’ Maggie fumed to Bo through her Bluetooth as she drove home. ‘Can’t I sue him for libel or something?’

‘I wish you could, except …’

‘It’s not libelous because it’s true.’ Bo’s silence confirmed this. ‘I guess it does look bad, with us firing Susannah and the whole property line thing.’

As Maggie turns sleuth to save her family’s inn, her mother and grandmother keep the good food rolling, and seasoned “cozy” readers will expect and be tickled by the recipes at the back of the book. Most satisfying in Ellen Byron’s tasty Cajun Country mystery, though, are Maggie’s investigative courage and her quick assessments of motive, means, and opportunity, including an easy local source of strychnine (who knew?).

If you enjoy timing your books to the seasons, Byron’s Halloween-themed Cajun mystery is a must-read for this time of year, and an enjoyable spin through the kind of sensible, clue-laden plotting that makes a good mystery—along with some end-of-book surprises for a bold finale.

 PS: Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.  

Monday, August 03, 2020

New Crime Fiction from Hank Phillippi Ryan, THE FIRST TO LIE


This thriller should raise more than goosebumps—it’s a raceway of red flags signaling the possible connections of corrupt officials and money-hungry drug developers.”

The warning is right up front in this wild-ride thriller from TV investigative journalist Hank Phillippi Ryan: “If you could start your adult life over as someone else, would you do it? … To get what you always wanted? Sure, you would. All you have to do is lie.”

And it’s obvious that Nora Quinn at the start of The First to Lie is faking a lot of things. Out on a carefully choreographed date—her own choreography—with a doctor whose clinic promises fertility miracles, she’s tracking possible misuse of a dangerous pharmaceutical. Then there’s a quick switch of narrator, to Ellie Berensen, whose new neighbor in her apartment building seems way too pushy and invasive. If Ellie’s hiding something too, new neighbor Meg Weest seems determined to find it. Maybe Meg is even getting into Ellie’s place when she’s not home. Who’s lying the most, and what are the stakes?

Ryan’s tight-twist plot careens forward, ramping up suspense every couple of pages and putting everyone in danger. When it looks like Meg intends to steal Ellie’s news job as well, the tension grows almost unbearable.

And at that pont, Ryan introduces yet another woman with something at stake: Lacey Vanderwald, marrying into Big Pharma. And her new about-to-be sister-in-law Brooke, victim of the magic drugs her family is marketing. Just how intentionally evil can one profit-motivated family become?

For a while, this thriller switches characters in flashes like a Shakespearean drama, storms and treachery rattling off stage. Then, as the dangers move to center action, the characters spin: All of these women are performing, with deep compelling motives, and none of them is who she pretends to be. “The first to lie”? It’s hard to tell who hasn’t been lying. The motives are life, death, and major money.  Never mind love. By a third of the way into Ryan’s pulse-pounding crime novel, even terror steps forward:

“Ellie stared at the coffee table, at the coffee cup, at the yellow pad and the pencils. What a reporter would use. What she would use. Did use, in fact. The cup, one from the kitchen supplies that came with her apartment, she drank from every morning. … She felt her fingers tingle, and a clench in her chest as if a vise were closing around her lungs. ‘Offi—Officer? I didn’t put that stuff there. I didn’t.’

A siren screamed by outside, the sound fading as it passed.

‘You didn’t?’ Adomako narrowed his eyes at her. ‘Then who did?’”

To anyone watching the scandals of Big Pharma over the past few years, every twist feels like it could have been reported in last week’s news. And in a world now dependent on pharmaceutical companies to develop, spread, and administer a vaccine against the pandemic disease COVID-19, this thriller should raise more than goosebumps—it’s a raceway of red flags signaling the possible connections of corrupt officials and money-hungry drug developers.

Ryan provides an extra tang of satisfaction as all the most potent characters in The First to Lie are tough, savvy, scientifically sharp women with skills that could slide effectively into the original James Bond series. Watch for the money. And then keep a close eye on who’s lying to whom. Because it’s all performance, and it’s all deadly serious.

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Sunday, June 21, 2020

Murder in the Hamptons: Carrie Doyle's Series Goes Mass Market This Summer

Good news: Carrie Doyle's mystery series set in the Hamptons (at the far end of New York's Long Island) has hit the reprint jackpot and is being reissued this summer by Poisoned Pen Press, now a mystery imprint of Sourcebooks. Bad news: Someone put a really silly cover onto the reprint of DEATH ON WINDMILL WAY (the first of the series). Good news: We all know how to ignore a cover -- and in this case, there's a good mystery inside the book. Bad news: The title sounds like this is set in either a Dutch holiday resort, or a suburb that's named the roads in its developments using too large a committee. Good news: This is actually an innkeeper mystery with a lot of pizzazz.

DEATH ON WINDMILL WAY opens with a sneaky prologue that ensures reader awareness of a malicious murderer causing a death at the inn. Then it leaps to the point of view, maintained for the rest of the books, of innkeeper Antonia Bingham. New to inn ownership and to the conundrum of Hamptons life -- the feel of a village among the year-rounders, but also acute dependence on the multimillionaires owning property in the beach-based Nirvana, and on heedless tourists -- Antonia has a lot to master: meal and snack prep that lives up to the high-end expectations of the resort area (she's a "foodie" so that's natural to her), flawless management of staff and premises (she has high expectations of herself), and of course a personal life that's sure to flip back and forth from romantic hope to business despair.

So the last thing she needs is to learn a rumor that owners of her newly purchased premises, the Windmill Inn, are fated to die under suspicious circumstances. Sharpening the discomfort is the news that her predecessor may indeed (as readers of course already know) have been murdered. "Before she had heard the suspicious deaths rumor, she had been fine. In fact, she had been sleeping in this inn for six months and never felt frightened. She wasn't a scaredy-cat ... She was the boss! ... She would not succumb to hysteria."

Doyle's writing is generally plot related, with plenty of Antonia's inner view of events and stresses. But this description she provides of the village around the inn sets the outdoor scene nicely:
East Hampton, renowned for its award-winning beaches, picturesque villages, and the ethereal light that had inspired some of the greatest American painters, is nestled on the top of Long Island's south shore, bordered by the Atlantic on one side and various bays on the other. Everything about the town is profoundly quaint: from the acres of farmland bursting with abundant crops to the shaded streets lined with windmills, shingled houses, and churches.
Then there are the characters from whom Antonia tries to pull details, including Naomi, who sold the inn to her:
"The official cause of death [for Gordon, the previous owner] was ... a heart attack," she said at last, glaring at Barbie, who still wouldn't meet her eye.

Antonia felt her heart race. "What was the unofficial cause of death?"

Naomi finally glanced in Antonia's direction. She gave a small smile, her lips curling enough so that her thin top lip disappeared into the bottom. The look reminded Antonia of a defiant child forced to lie to a teacher.

"Heart attack," Naomi repeated before adding, "but I'd bet my bottom dollar that this tramp here figured out a way to cause it."...

Antonia kept her eyes on Naomi. "Why didn't you tell the police if you suspected it?" asked Antonia.

Naomi rolled her eyes. "I wanted to make sure I could sell the inn. No one would have bought this place if they thought Gordon was murdered."
Antonia's friend Genevieve, who'd invited her East to buy the place, thinks the amateur detective role suits this new innkeeper to the max: "You're kind of nosy," she points out. "I mean, didn't your parents nickname you Snoopy because you were always snooping around?"

But the motive for the killings — yes, they multiply — begins to also threaten Antonia as she gets closer to understanding what's taken place. There's an inheritance at stake, for instance, as well as bad blood among previous employees of her inn.

Gutsy in a determined fashion, and creative in staging a situation to unravel the crimes, Antonia is a nice addition to modern amateur sleuths. And in spite of her relief at the end of the book ("glad to be officially out of the crime-solving business"), Poisoned Pen Press has two more in the series ready for this summer (amazing! three books in one summer! a treat for this who get frustrated with the slow pace of a series), and Carrie Doyle's fourth in her Hamptons murder mysteries will publish in 2021.

Just remember: Ignore the cover. Ignore the title. Go for the fun of an easy-read mystery in a charming setting. That's what summer (in the Hamptons or anyplace else) is meant for.

Note for mystery collectors: You could set up a nifty shelf of Hamptons mysteries, now that Doyle is adding so many. For instance, there James Patterson's The Beach House, Twanged from Carol Higgins Clark, even an R. L. Stine trio called The Sitter.
  
PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.   


Sunday, December 16, 2018

New Maine Clambake Mystery from Barbara Ross, STEAMED OPEN

December can be snowy and gray at times -- or even worse, rainy and gray -- and the rush toward the holidays is both exhilarating and exhausting. All of those are reasons to pick up a copy of the seventh Maine Clambake Mystery from Barbara Ross, reaching the store shelves this week thanks to Kensington Books.

STEAMED OPEN features Julia Snowden, of course, the increasingly essential leader in her family's summer island-based business off the coast of Maine. Julia's far away now from the city job that obsessed her in earlier titles in the series -- she's nurtured the tourist-based family operation to thriving, made peace with her sister, settled down with her hunky boyfriend Chris, and expects restoration to start soon on the burned shell of the Snowdens' long-closed-off grand house on the island.

But it's a careful balance, and even the closing of a local clamming beach can tilt things toward perilous. Of course, the real problem is the reason for the closing: murder of the owner. Looks like Julia is the last to have seen Bartholomew Frick alive -- unless of course it was one of her clamming friends, or the tourists desperate to get to the lighthouse beyond that beach, or ... well, nobody liked the guy.
Binder leaned forward, placing both elbows and forearms on his desk. "Mr. Frick is deceased."

I'd expected it was something serious. The Major Crimes Until didn't come to town for trivial reasons. They didn't summon you to the police station at ten o'clock at night for a friendly chat. I had even suspected what that serious things was, especially when the Lieutenant had asked me about Frick. But Binder's statement hit me hard I hadn't known Frick well, and what I had known, I hadn't liked. But I had been with him that morning, talking about his great-aunt's home and her artwork. He hadn't been a nice man, but he had been a living, breathing one.
The local police are almost friendly toward Julia by this point, which helps when she decides that circumstances require her to clear one suspect, chase down others, and find out the real reason that the Herrickson mansion's got such an odd series of owners lined up. (There's a will, of course, but it makes the confused currents darker.)

Ross keeps the pace quick, with red herrings and possible victims and perpetrators slowly revealing themselves, and a second strand of mystery and tension around Julia's boyfriend Chris, once again holding his personal tensions way too close to his chest, and sleeping elsewhere when he chooses to avoid trusting her with what's going on. That's part of the charm of every Barbara Ross mystery: the braiding together of crisis outside, crisis inside, and the demand for the different kinds of courage (and loyalty) involved.

Pick up STEAMED OPEN for some relaxing and non-wintry "amateur sleuthing" on the side as you power into and through the holidays, and get an extra couple of copies to tuck into the stockings of good friends. They'll appreciate this well-plotted investigation with its cords of friendship and deeper affection, in its salt-tangy Maine setting (and oh, those clam recipes, yumm!). I've got a list going already of people who deserve a good read for this season.

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Tuesday, December 04, 2018

Crime Fiction Gems for the Gift Season: Best Mysteries

Sometimes I miss a really great book from earlier in the year -- for which I kick myself -- but I lucked out a few weeks ago when one of the Inkshares team asked me to consider A GENTLEMAN'S MURDER by Christopher Huang as a holiday recommendation. The publishing team described it as close to Agatha Christie. But that only applies to the setting (England after World War I). It's actually closer to a Jacqueline Winspear, or a James Benn. If you're not familiar with those crime novelists yet, let's try it this way: If you'd been through a year of front-line service for England in the Great War, made it home safely and with honor, yet found yourself an endless target for racist slurs, even at the exclusive men's club where your family's credentials have made you a member ... would you leap into a crime investigation, to make sure the wrong person doesn't pay the consequences?

Of course you would -- if you're Lieutenant Eric Peterson, "late of the Royal Fusiliers," and your face shows clear evidence of your sophisticated and well-educated mother ... who happened to have been Chinese.

Peterkin's increasing involvement in a murder investigation forces the biases of his time and "class" to be revealed. But even as an "Oriental" by appearance, he's better off that the morphine addict he'll tangle with, or the malicious murderer whose traces can be found, one layer at a time.

Integrity, affection, loyalty to friends and relatives, they're all in this marvelous "amateur sleuth" detection novel. Although this is Huang's debut (via Inkshares), the book is written with both polish and pizzazz, and I already have four people I'd like to give it to, over the holidays. For more on this excellent "Golden Age" mystery, check out Huang's page at Inkshares.

I've already nominated Helene Tursten's dryly entertaining Nordic noir story collection, AN ELDERLY LADY IS UP TO NO GOOD, for "Best Stocking Stuffer." Tursten demonstrates that a tightly spun story, well told, is at least as memorable as a full-length crime novel. I am still marveling at what "Maud" manages to do with the simplest of devices and efforts ... deadly and smart! All you need is to have no compunctions about murder, and you, too, can do what Maud's done. A dandy touch for this book: Soho Press published it as a "tiny" volume that will slip comfortably into a stocking at the mantelpiece, or among the folds of a festive holiday table napkin. Good one! The review is here, if you'd like  more details.

September overflowed with good books hitting publication, and I never quite got around to mentioning Denise Swanson's DIE ME A RIVER. The book belongs in her "Welcome Back to Scumble River" series, and features school psychologist Skye Denison-Boyd (on maternity leave) and her police chief husband Wally. Although it's technically a "cozy" -- small-town setting, amateur sleuth, no gory violence, no need to double-check that the door's locked and windows are secure -- the writing is top notch, the pacing and twists deft and clever, and the finale highly satisfying. Don't worry about any possible spirit presence along the way. Give this to yourself for relaxing between holiday achievements. Or to your best friend, for similar purposes. It's a keeper.

The crime novel that got most deeply under my skin this year was THE NIGHT MARKET by Jonathan Moore. Inspector Ross Carver's effort to investigate a bloody, very gory murder turns into an exposé of how marketing and high technology may easily destroy what we most prize about being human. I plan to re-read this every six months or so, to remind myself why it's so important to keep reading, keep thinking critically, and find the very best storytellers who can open us to our own misconceptions and dangerous dead ends. I have three very close friends who may find a copy among their holiday gifts. Compelling, powerful, well told, and utterly unforgettable. The full review is here.


PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

New Mormon (LDS) Mystery from Mette Ivie Harrison Tackles Immigration

[Originally published in the New York Journal of Books]


Reasons to read any mystery by Mette Ivie Harrison: (1) They’re set within the struggles of active Mormons in Utah (members of the Church of Latter-Day Saints, an all-American historic treasure). (2) They face the grim reality of what death and other crimes do within a close community. (3) The protagonist, amateur sleuth and Mormon bishop’s wife Linda Wallheim, reveals her very vivid agony over the principles of her church, her faith, and her marriage, while drawn to rescuing victims of crime around her.

Not of This Fold is Harrison’s very to-the-moment probe of immigration issues and the treatment of darker skinned members within the church and its gospel, The Book of Mormon. Linda Wallheim tries to set a good example of how a person can question the church and its heritage, yet live within the bounds of faith in God. So at first she defends the gospel she lives with, but her difficult friend Gwen—a more outspoken and angry rebel than Linda—challenges such easy resolution:
“The idea that Latinos are the descendants of the Lamanites and that we as Mormons have a duty to bring the gospel to them, there’s an inherent superiority and colonialist attitude about it. I see it in the way that Greg Hope interacts with people every Sunday at church. He’s the white guy with the truth. They have to defer to him.”
Linda can’t deny the situation. And with Gwen, she’s quick to blame Greg Hope, who’s both a Mormon bishop (local congregation leader) and an employer of especially the Latinos in the region with uncertain immigration status. Of course, he’s assisting them in getting proper papers. Or is he?

When the Mexican mom of three small children is murdered, Linda and Gwen realize that their probing of the situation may have enflamed it further. Violating partnerships with their husbands, they struggle to investigate the roots of the crime, and of a local crime wave of breaking and entering that seems oddy parallel to Greg Hope’s security business among prosperous Mormons in the area.

As always, Harrison’s plotting is tight, her pacing compelling, and her attack on the morality of the Mormon Church sharp-clawed yet heartbreaking. As Linda continues to test the resilience of her marriage, her own faith, and her sense of responsibility to women in the area, questions and insights tumble and align. For readers of the Linda Wallheim Mystery Series, this is a must-read book.

On the other hand, those not already hooked by the characters and situation may struggle with Not of This Fold. Linda’s callous disregard of her husband’s concerns and her encouragement of risk for other women don’t make her very likeable. To the extent that a powerful mystery series shows hard-earned growth in the protagonist, Harrison is missing the magic ingredient this time around—Linda treats her husband poorly in many ways, similarly to what she did in the 2017 title in the series, For Time and All Eternities. When her husband Kurt finally demands that she drop her investigation, he says she’s got to listen to him this time:
’And if I don’t?’ I asked stubbornly. …

‘If you don’t, well …’ There was only a moment’s hesitation before he said, ‘I’m going to have to call both you and Gwen in for a disciplinary counsel.’

It wasn’t at all what I’d expected, and it made me wonder what was going on in his head. I wished I could be more sympathetic to him, but he was using his position bullying me, and I wasn’t about to put up with that.
Linda’s attitude toward Kurt eventually robs her of the chance to feel she’s solved the case and rescued someone, which also deprives the book of the satisfaction that a well-solved mystery usually conveys. Add this book to any shelf of Mormon mysteries, Utah settings, or women sleuths—but for maximum pleasure, read Harrison’s early titles first, to catch on to what she’s working to convey.

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Monday, September 03, 2018

Trees Worth Killing For? Pioneer Valley Mystery BELOW THE TREE LINE from Susan Oleksiw

Susan Oleksiw writes in eastern Massachusetts, has set her two earlier mystery series in India and the New England Coast, and with BELOW THE TREE LINE returns to the farming communities of the Pioneer Valley of Massachusetts (along the Connecticut River). The first sentence of the book gives fair warning of what's to come: "On the third night Felicity lifted the shotgun from its place in the cabinet, and this time she loaded it."

A single woman working out how to financially sustain an old farm (lease space to sheep that belong to fibre artists; charge fees to artists who want to paint the scene; a roadside stand of veggies), Felicity's far from prepared for the land scams and nighttime disturbances that take over her life. A shockingly large offer for the family farm triggers suspicion. But like a similar offer for her boyfriend's farm nearby, the money involved makes no sense. Except, of course, to hint that someone wants her off that land, fast.

Does that connect with the two local women, cousins, who've met sudden death nearby? When Felicity tries to find out whether one woman's car had been tampered with, she visits Kevin, the police investigator, at his home -- because of course, in this kind of community, he's a friend. Her visit gets a direct response:
"It's police business, Felicity. I'm not going to tell you anything."

"Okay, I won't ask. I rebuilt my farmstand this afternoon," Felicity said.

"You got it set up, too," Kevin said. "I saw it on my way home." ...

"What were you doing out my way?" Felicity asked.

"Police business," Kevin said.

"Oh, tell her, Kevin. She has a right to know," [Kevin's wife] Natalie said.
And with shock, Felicity learns that one of the murdered women already had a domestic violence complaint on file. Red herring? Or actual reason for her death?

A forest hermit who abruptly starts visiting national parks, a nasty neighbor or two among the good ones, a bobcat hanging out near her home -- there are a lot of distractions for Felicity as she struggles to uncover why death and threats are suddenly part of her daily life. Eventually they form a pattern that she almost understands.

Readers of traditional mysteries will appreciate Oleksiw's careful laying out of plot and clues, as they will indeed have a chance to get close to who the murderer is and why, through paying attention. And though the very last twist is pulled out abruptly, it's a clever one, worth appreciating.

Plot and pace are well done, in a workmanlike "amateur sleuth" form that's comfortable and satisfying. It's good to see the Pioneer Valley feature in this debut to a series, too -- lots of possibilities for future books.

One intriguing twist to BELOW THE TREE LINE is Felicity's gift of healing hands, something she applies to diagnosing whether an animal is healthy, and assisting her boyfriend. Counter to expectations, though, there's no explanation of the gift and it plays no role in unraveling the murders. And the final scenes are a bit hasty, compared to the rest of the book. But these are small gripes, considering the overall pleasure of this mystery. Add it to the reading stack for relaxation and a chance to solve a well-posed puzzle of crime and motive.

The book releases September 8, from Midnight Ink.

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Tuesday, July 24, 2018

New Key West "Foodie" Mystery, DEATH ON THE MENU, Lucy Burdette

Wouldn't you love to be a food critic? Talk about not counting the calories, for a good reason! Hayley Snow putters around Key West, that southern Florida island haven, on her motorbike and checks out the latest restaurants, food carts, and other delights as part of her reporting job at Key Zest magazine. In DEATH ON THE MENU, number 8 in the delicious series from Lucy Burdette (aka Roberta Isleib), Hayley's job and her mother's catering business overlap, since both send her into tasting and writing about traditional Cuban food. (Yummy recipes at the back of the book include a Mojito Cake. Really!)

That's the good news -- that the food she's preparing, serving, and tasting (my stomach growled most of the way through this mystery) is doubling up for helping her mom and keeping her job at the magazine. Readers of earlier books in the series know Hayley's job hasn't always been secure, especially when her dating life and her boss coincided. But now she's head over heels in love with the right man for her, Nathan, who's also a police detective. Of course, friction ramps up when Nathan asks her to back off from the Hemingway Key-West-and-Cuba conference where her mom is catering. A "negative event" is part of the information Nathan has, and he wants Hayley safe.

But that's never been her key passion. Instead, she goes for loyalty to family and friends, which in this case directly counters that request. Gulp. Other stresses include how her adorable elderly roommate Miss Gloria would manage on their houseboat if Hayley ever gets married and leaves it ... her mom's business survival ... and of course the effects of the conference.

In the spirit of a traditional "amateur sleuth" mystery, there's soon a death on the catering crew. It's the brother of Cuban-born catering worker Maria, and soon Hayley's drawn into her own investigation, since the police have few clues and seem likely to blame the Cuban community for its own losses -- in this case, Maria's afraid her murdered brother Gabriel would be accused of a Hemingway-related theft at the historic "Truman Little White House":
"Why in the world do they think he was responsible for the theft?" I asked her. She bit her lip and shook her head. "If you want me to help, I have to know the truth. Is there any chance that he took it?" ...

"Please, please," Maria moaned as I started to walk away. "Closure is the only thing that might help my mother right now. It's not right that a mother's son should go first. It's not bearable.

I could only nod in agreement. I also wondered again how in the world the missing gold medal fit into his death.
Hayley's heart and mind both push her into committing to find the killer. Which will, in turn, put another of Gabriel's relatives at risk -- and then Hayley herself.

Tightly plotted, with plenty of island-style red herrings and mouth-watering food-prep descriptions, DEATH ON THE MENU is also full of friends helping friends, and the sweetness of love. I had a great time reading it, and I dream of the weekend when I'll be testing some of the recipes for the traditional delights that Hayley and her mom present along the way.

No need to read the preceding books in the series before plunging into this one -- double back to them later. DEATH ON THE MENU is a great choice for the summer reading stack, lively and evocative with plenty of action. And if I add that Jimmy Buffet makes a cameo appearance, I'm sure you'll nod in appreciation -- but you'll never guess the other celebrity guest until you turn the page and gasp. Have fun!

[Crooked Lane Books, July 31 publication date.]

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Tuesday, July 17, 2018

Summer Mystery, Clever and Cute Debut, LIVE AND LET CHAI by Bree Baker

Two cover images for this new mystery.

Debut author Bree Baker set up her dandy summer mystery, LIVE AND LET CHAI, with plenty of secrets to explore! Everly Swan's return to her seaside hometown of Charm (off the North Carolina coast, but way more rustic than Hilton Head) looks like a new chapter in her life, which just had a rough patch with a collapsed relationship. Here she is, though, in her own home at the beach, with enough room to open up the sweet tea and lunch shop she's dreamed of, and her doting aunts (who raised her) close enough to give her a hand; oh, but what's the story on her own parents, and the Swan family curse? Hold that thought.

Before she's even reached her grand opening, she's got trouble -- an elderly town council member who's tried to block her business is murdered and there's no doubt the poison reached him via a take-out glass of Everly's own peach tea. Rumors run rampant, and customers not only won't come indulge, they're downright hostile. So, initially, is the town's new police officer, whose hunky body and wounded heart appeal to Everly -- but not so much, while he's questioning her:
"I'd like a list of anyone else who you believe might have a reason to harm Mr. Paine."

"Anyone else? Like, besides me?" I scoffed. "I just told you I couldn't have killed Mr. Paine. It's illogical and mean."

"And you're always what?" he asked. "Reasonable and kind?"

"I try to be," I admitted. Though buying a fixer-upper home on a whim and arguing with an old man didn't support either notion. ....

Eventually, I turned to the notepad and began to recount the events of my evening, logging them as neatly as I could with shaking hands, the memories as vivid and visceral as if I were reliving each awful one.
It's soon clear that the only way Everly can retrieve her business, her role in the community, and even her own safety will be to speed up the discovery of the real criminal. Of course, that means interfering in police business a bit. And rubbing some people the wrong way. Sigh. Thank goodness, she'd got supportive friends and family, because things will be tough until the murderer comes to justice.

No signs here that Baker, who lives in the Midwest, is a novice -- this is a tightly paced, well put together mystery with just the right balance of suspense and sweet tea. Although it's a an amateur sleuth mystery in the cozy area, the possibility of romance never distracts from the clues and their pursuit, and Everly is a plucky and smart young woman determined to do whatever it takes to put her life back together. Even if that means she'll have to reveal a little of her own past disappointments, not to mention her family's so-called curse -- all of which looks full of material for future books in this "Seaside Café Mystery" series.

From Sourcebooks, new for July and perfect for the summer reading stack. By the way, the author's already a member of Sisters in Crime, International Thriller Writers, and Romance Writers of America, good confirmation for her own determination and her mystery skills!

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Sunday, May 27, 2018

Intense Lowcountry Mystery from C. Hope Clark, NEWBERRY SIN

What a delight to sink into the fourth Carolina Slade mystery from award-winning author C. Hope Clark, NEWBERRY SIN. Well actually, this is the kind of sometimes chilling murder mystery that makes me jump up to check that the door is locked, on my way to put the kettle on. But that's all good, when suspense and risk are supposed to be lining up!

And with Carolina Slade, an amateur sleuth despite her job description that includes "investigation" on behalf of the US Department of Agriculture, suspense and risk are necessities -- they keep Slade happy, and they connect her to a pro investigator, her romantic partner Wayne Largo.

So when a radio host takes Slade along to witness a newly discovered corpse and pushes her to follow the trail of possible corruption within the USDA, that should be a happy moment, right?

Ooops. Not this time. Slade's seriously confused about her relationship with Wayne (and it's getting worse), her boss is determined to strip her of any investigatory possibilities, her co-workers are under threat because she can't handle all of this, and the crime field is widening with every moment that she's forced to spend detouring around those roadblocks.

I've been a fan of C. Hope Clark's mysteries since the start of her Carolina Slade mysteries, set in the coastal Lowcountry of South Carolina, where community has Kevlar-strong threads and knotted webs of connection, much like my home terrain of Vermont. For example, Slade's contacts tug her into a coffee gathering right away, to set her straight on what she needs to resolve (as well as the murder):
I then studied the women. "Hello, I'm Carolina Slade. Which one of you is Mrs. Cassie Abrams?"

The one who raised her hand held the coarsest stare. Gray-headed, hair up in a bun, the charcoal pants outfit hinted her new role as widow. "I am she. And you have some accounting to do."

"Pardon me?" This felt more like an ambush. Made me wonder how much Lottie had exacerbated her story to draw this crew.  ... [I turned my] attention to Cassie, who chose to continue speaking in lieu of letting me give the accounting she'd just demanded.

"That vamp y'all put in your office here. Despicable. Manipulative. You planted her, I say. Using her ways to entice our men to come in, sign on more debt, then y'all take all this credit for serving Newberry. Even confiscate our land."
And that's the least of the misstatements, accusations, and threats Slade's going to have to cope with. Meanwhile, she may mess up her personal life even further.

C. Hope Clark is a pro with lines of tension, twist of plot, and above all, a protagonist whose courage and pain are front and center. I couldn't put this one down.

No, you don't need to read the others in the series (or Clark's other series, the Edisto Island books) to enjoy this one. And they do keep getting better ... but I'm guessing after you savor this one, you'll want the set. Classic amateur sleuth work, with extra high suspense and personal challenges. What's not to like? (As long as it's in the book, not in the living room, right?)

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here

Tuesday, May 08, 2018

The New Quaker Midwife Mystery from Edith Maxwell, TURNING THE TIDE


It's 1888 and the presidential election furor is heating up in Amesbury, Massachusetts. No surprise, then, that the skillful and strong-minded midwife Rose Carroll is prepared to join a protest on behalf of women getting the vote -- not in any offensive way, of course, but standing up with her friends, relatives, and especially other members of the Society of Friends, aka the Quakers.

Of course, any time Rose stands up publicly, her patients/clients worry whether she'll be on hand for their birth-related needs. And taking a stand for a "right" that wealthy men in the region may consider illegitimate can mar her carefully built reputation. Still, you know Rose ... or you do if you've been reading the excellent amateur sleuth series that Edith Maxwell provides as the Quaker Midwife Mysteries. The 2018 title is TURNING THE TIDE and it applies to a lot of the action, but especially to the force of public opinion. And that of Rose's mother-in-law to be,  who is not happy about the planned match for her son (Quakers are a step down socially!).

In the sturdy tradition of amateur sleuth mysteries, this time Rose sees an accusation of murder leveled against someone she suspects is innocent. Simple commitment to justice requires that she address herself to solving the crime, so the real criminal can pay the consequences instead.

I enjoyed the vibrant historical feel, as well as the many adept twists of plot here. Most of all, I appreciated the connection with Whittier, insight into the suffrage movement, and following Rose into the bedrooms of her ladies-in-labor. There's just enough suspense to keep the pages turning rapidly, yet nothing that would make me check the locks on the doors at night. A perfect balance!

Later this month (May 22), I'll share a book event with this very active author of three to four mystery series (at Water Street Books in Exeter, NH). The second book cover shown here relates to my own "Quaker connection" and part of what I'm eager to converse about with Edith Maxwell. If you're in the New England area, I hope you'll join us.

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here

Friday, April 06, 2018

Yummy Debut for a New Series from Denise Swanson, TART OF DARKNESS

I'm late discovering Denise Swanson -- her mysteries are already well known, and she's written many! Last September she released the first in a new series, "Welcome Back to Scumble River," jump-starting an existing run of books but with fresh energy (the first title was Dead in the Water).

Now she's started a second (!) new series, and this one is has many yummy moments. The series is called "Chef to Go" and it opens with TART OF DARKNESS. Count on Swanson, a true pro in the "amateur sleuth" mystery genre, to keep the red herrings splashing and suspenseful twists multiplying. In the classic mode of, say, an Agatha Christie mystery, the tension for the entrepreneur Dani Sloan is steady from the start, but not creepy in any sense ... you won't need to check that you locked the door, or turn on extra lights. Instead, with Dani, readers can chase the clues and try to figure the killer a few heartbeats ahead of Dani's own discovery.

The opening situation fits plenty of daring young entrepreneurs today: Dani's quit her corporate job, lucked into an inherited house practically perfect for a cooking-related business, and scraped up just enough money to get her catering business launched. Except it's a bit short after all, so when three young women attending the nearby college propose to bunk in her spare rooms, contribute rent, and provide kitchen and house maintenance labor, Dani's got an ideal solution. If, of course, the "girls" behave.

She's not much older than they are, but with collaboration from one of their uncles -- a charming unmarried security pro on the campus -- things seem to be working out.

That is, until her first major catering job, for a wealthy and spoiled young woman the same age as her boarders, Regina Bourne, turns dangerous, when a drunk knocks over a bamboo torch and lights the buffet table coverings on fire:
Dani's pulse raced, and for an instant, she froze as the dried grass fiber blazed. Then instinct kicked in and she dropped to her knees. Searching under the table for the fire extinguisher she kept handy anytime she used Sterno to keep the food in her chafing dishes warm, she nearly cried in releif when her fingers brushed the metal canister.

Yelling for everyone to stay back, Dani held her breath and sprayed the flames until the foam ran out. Shakily, she put the extinguisher down and sucked air into her starving lungs.

Before she could catch her breath, Regina marched up to her and demanded, "Clear off this table, and get new trays of desserts out here right now."

Dani blinked. She'd been expecting Regina to thank her, not issue impossible orders.
But that's Regina's way -- so when Regina turns up murdered, there are plenty of suspects with motive to sort through. And Dani needs to make sure the crime is quickly solved, before word of mouth and mean rumors can take away her barely opened business in the community.

It's a pleasure to ride along with Swanson's tight plot and smooth writing, with a side plot (of course) of mild romance. She's a truly skilled mystery author, and the suspense rises just high enough to make the pages turn quickly, while avoiding anything truly gruesome. I enjoyed every page -- and by my favorite test of a book, the number of people I'd like to give a copy to, this gets a very high score!

Sourcebooks Landmark is the publisher, and knowing this is the start of a series makes the slight awkwardness at the end into a promise of plot twists to come in the second title. I'm marking the series as "get the next one ASAP." By the way, there are no recipes included -- something of a surprise for a "foodie" mystery -- but there are plenty on Swanson's website.

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Tuesday, March 06, 2018

Can a Murder Mystery Be Tender? Yes, with RAINBIRDS by Clarissa Goenawan

Soho Crime has just added to its Japanese mysteries by publishing the debut novel of Clarissa Goenawan, RAINBIRDS. It couldn't be much more different from the work of Fuminori Nakamura, whose spare, literary noir with crime twists (also from Soho Crime) comes with both power and significant darkness -- instead, Goenawan (born in Indonesia, now living in Singapore) has taken the formalized and gender-forced culture of Japan and embedded in it a work of deep tenderness and ardent storytelling.

The young man who narrates RAINBIRDS is named Ren Ishida; he is about to take his graduate degree in English literature when he gets word that his sister Keiko, whom he hasn't seen in years, is a murder victim, stabbed in the street on a rainy night in a small city quite distant from the siblings' original home in Tokyo. Since he's not needed in Tokyo -- his grad work is all done except for the final ceremony -- he races off to the scene of Keiko's death. And, in a quirky follow-up to the mystery of her life of the past few years, he agrees to temporarily take on her duties teaching English at a cram school. Will he discover who his sister was and why she was killed?

Goenawan clearly has written her own English language here -- no translator involved -- but there is a slight stiltedness to the prose that reminds me of well-done translations from the Japanese. I suspect this also reflects a difference in how a Pacific-Rim novel described different levels of thought and action, in contrast to an American or British one. Here's a sample from one of the more moving moments of RAINBIRDS, when Ren leaves his unexpected housing in the middle of the night to experience what his sister might have, at the same time of night, in the park where she was murdered:
I lay down on the ground, panting. The rain hit my face, but I stayed still and closed my eyes. All I could hear was the sound of rain.

My sister should have been able to guess nobody would come in this kind of weather. She would have known she was about to die. What was on her mind in those final minutes?  Had she thought about Mr. Tsuda, or the guy she had gone out with in Akakawa? Had she thought about me?

Since the day my sister had left Tokyo, I'd hoped for her return, but I'd never told her that. Had I been too proud, or too indifferent? If I'd asked her to come back, would she still be alive?

I clenched my fists. No use asking myself that now -- no answer would bring her back. The day my sister died, a part of me died, too.
Ren's continued probing of his sister's murder will give him a fresh view of who she was and what the relationship between the two of them, stranded by their embattled parents, had really, meant. At the same time, he questions his own behaviors -- perhaps very Japanese ones in terms of having sex with prostitutes and casual partners for one-night stands, but also his inability to commit to the woman who wants to marry him.

I would certainly read another book from Goenawan, and wonder whether the Japanese feel of her writing would continue if she places future novels in other locations, or whether it is somehow part of her personal style. Mystery readers who feel strongly about the conventions of the genre may not be happy with the way RAINBIRDS carves out its terrain. But those who already enjoy Asian literature (including work by Kenzaburo Oe and Haruki Murakami) and those accustomed to the genre bending that takes place in modern noir work will find themselves unexpectedly at home in this less dark, yet self-inquiring, work. Released today by Soho Crime (Soho Press).

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.



Tasting Cuba Through a New Mystery, Teresa Dovalpage's DEATH COMES IN THROUGH THE KITCHEN

Exploring another place and culture through an enjoyable mystery in that setting has a long tradition -- readers have long appreciated vintage English village life through Agatha Christie's books, and many who will never reach Italy treasure Donna Leon's Venice. Scandinavian noir takes us to Sweden, Denmark, Finland, Iceland; the Brazilian series by the late Leighton Gage showed us a tender love of place and people coupled with the horror of crime driven by poverty and corruption.

Now it's a delight to be able to look inside Cuba in 2003 in DEATH COMES IN THROUGH THE KITCHEN, the first mystery from accomplished Havana-born author Teresa Dovalpage (Soho Crime). Dovalpage calls her book a literary mystery -- I'd rather liken it to the classic "recipe" mysteries, including the current Maine series by Barbara Ross and two food-focused series that Massachusetts author Edith Maxwell (aka Maddie Day) provides.

DEATH COMES IN THROUGH THE KITCHEN opens with the arrival of totally inexperienced, unskilled tourist Matt Sullivan, who hasn't really thought out how complicated his situation is -- but he's coming through customs with a slightly used wedding dress, a gorgeous one, that he plans to give to his Cuban sweetheart Yarmila in hopes of gaining a loving commitment from him.

The problem is, Matt really doesn't know Yarmi all that well -- she writes a cooking blog that describes delicious Cuban dishes and he's been following her via the Internet, in his role as a San Diego journalist trying to promote Latin cuisine. And his arrival during the height of Fidel Castro's police-maintained power means he'll be an under-the-table guest at a fiercely proletarian guest house, and an illicit suitor.

But by the end of the second chapter, we readers know that Yarmi has been murdered -- and Matt, the ambitious American who thought he'd found his lifeetime sweetheart, is now both bereaved, and a murder suspect ... to both the police and Yarmi's, ahem, other connections.

In fact, he's even imprisoned for a bit, and of course his passport is seized:
"Let's see. You meet this citizen, spend ten days with her, don't see her face to face again, send her tons of money," Lieutenant Martínez paused here for effect, "and come back ready to marry her. Is that correct?"

"Yes, compañera," Matt let the reference to "tons of money" slip "That's correct."
Soon Matt's desperation leads him to accepting help from a former police detective turned Santeria practitioner. But will the assistance be enough? And could there be too much benefit for all involved, by tagging Matt with the crime?

I thoroughly enjoyed this romp through Cuba via Matt's naive perceptions, and look forward to the next in this series from Dovalpage -- because there's sure to be more about this set of wild and eccentric characters. New from Soho Crime (Soho Press), released today.

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.