Key West Food Critic Mystery #12, A DISH TO DIE FOR by Lucy Burdette

Key West newspaper writer Hayley Snow, foodie and food critic for the island's Key Zest magazine, is back from her Scotland honeymoon, settling in with her police detective husband and at peace with her assorted in-laws. So things should be calm and serene, right? Somehow that's never the case for Hayley, although it's hard to say she had any responsibility for her husband Nathan's dog finding a body. Still, most people would then back off and "let the police handle it"—but that's never been Hayley's style.

Even her husband realizes this, as she spills out the discovery on the phone to him. "Is it someone you know? Is there anyone else around? How recently do you think this happened? You could be in danger." Hayley hears his panic, does her best to reassure Nathan, then in spite of herself begins to cry.

And that's what makes Lucy Burdette's mysteries so engaging: Even if the murders-found-per-protagonist is a high number, the emotions involved are fiercely real, and Hayley's determination to protect Nathan from her own side investigation rings totally true: Naturally, she'd want to protect him. And it's not just so he'll try to prevent her from investigating (well, yes, but not entirely for that reason). This couple is realistically in love, working their way into a new marriage, and half the pleasure of reading A DISH TO DIE FOR is watching them solve their own issues while hunting for a murderer.

An author note at the back of the book sheds light on how the case then becomes tangled with both recipes and the Key West Woman's Club. IRL (in real life), Burdette picked up a copy of a 1949 collection of recipes from the club, and used both the food suggestions and the potential characters to generate a set of fictional frictions.

Burdette's "cozy" series goes beyond foodie themes to include that other favorite of this relaxing subgenre, pets. After all, it's a much-loved dog that found the body. And Hayley's involvement with pets of family and friends includes watching the animals for clues:

I repeated the snippets of conversation I'd heard and my reactions to the various characters I summed it up by saying that while GG Garcia wasn't well liked, he seemed to be admired for his ruthlessness, adding that I couldn't be sure I'd gotten a murderous vibe from Mr. Entwistle. "I didn't like him, though, even though some of the dogs did."

Who's picking up the relevant vibes—the dogs, or Hayley?

Burdette's plot threads are clever and make good sense, and when the case resolves—after, of course, some element of risk, because this is a murderer we're dealing with—the book offers a highly satisfying conclusion.

Summer may be half over, but the summer reading stack will sustain you through the next few weeks of heat, humidity, and the kids being home and bored. A DISH TO DIE FOR releases on August 9; if you pre-order, you'll have it ready for those muggy days when staying in a beach chair or hammock makes much more sense than mowing the lawn.

And yes, there are recipes at the end!

PS: Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

From Larry Beinhart ("Wag the Dog"), THE DEAL GOES DOWN

Tony Casella's dream life may be a lot more satisfying than the awake part. He's just been pitched a job as a hit man, while riding a train to a funeral. It's got him confused, but also tempted, because his finances have never been worse. But his thinking is pretty messed up, even in a dream about someone he's sure is dead:

I meanwhile had an ordinary, pleasant, live person's conversation with Owen. He said business was good, but not as good as it had been, big companies largely created through national security money were moving in and everything was going digital. By then, some of my own ghosts were sneaking in, some to taunt, some to make me mourn ... my wife and my son ... to tear my heart out if I'd still had one.

Part New York noir, part unexpected hero, and a big part dark caper novel, this satirical thriller is a lively return to publication for both Larry Beinhart (his previous book was in 2013) and his long-time private eye, Tony Casella. Despite a solid series of detective fiction, Beinhart's probably best known for the film adaptation of his book Wag the Dog (with an all-star cast). So it's good to see THE DEAL GOES DOWN as a solid book-on-paper, with an August 9 release date (time to pre-order it).

This will especially suit Donald Westlake and Walter Moseley fans, as well as readers who've discovered Rory Flynn. Restoring Manhattan Noir is well worth the effort! Brace for a quirky ending ... but then again, why not?

PS: Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Brief Mention: SHUTTER, a Haunted Crime Novel by Ramona Emerson

Fans of Tony Hillerman's Joe Leaphorn/Jim Chee Navajo crime novels have a new direction for their reading, as Diné writer and filmmaker Ramona Emerson offers SHUTTER, a thriller set in Albuquerque, New Mexico.

The book offers a forensic photographer, Rita Todacheene, whose childhood with her grandmother on the Navajo reservation included a gift that nobody around her wanted her to have: She's an access portal for the dead. When contributing to an investigation, that gives Rita an occasional lift toward what's important in the crime evidence that she captures with her beloved cameras. But in her personal life, it's a harrowing experience, one that puts her at risk and even distances her from her grandmother and other support.

Consider  Rita's grandmother's explanation:

"But what always confused me was that death was so evil. It was as if when we died, we went to hell. I didn't want my mom to go there, so I cried and cried to keep her here. I watched in the moonlight as my mom parted this world in the summer night."

As a crime novel, SHUTTER is first rate: effective trains of evidence, rapid twists of the plot, and highly believable motivations and process. As a replacement for the Hillerman series, Emerson's work has the very necessary plus of being written from within tribal experience, rather than alongside it. The Leaphorn/Chee mysteries conveyed a maturing serenity that Rita Todacheene can't yet reach, although the intergenerational affection displayed is potent. Some readers may also feel torn between accepting the haunting here as a cultural reality, versus questioning whether Emerson is trying to build a set of metaphors to help non-Native listeners into her narrative. 

SHUTTER is well worth reading as both crime novel and cultural exploration. It's good to see this kind of writing skill applied to the tangled history and present grief of the American West.

PS: Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

New Tapei Night Market Mystery from Ed Lin, DEATH DOESN'T FORGET

After a four-year wait, Ed Lin is back with the fourth in his humorous and atmospheric "Taipei Night Market" mystery series. Drenched in delicious details of Taiwan food and food preparation, for Jing-nan's popular stall in Taipei's tourist-dependent Night Market, DEATH DOESN'T FORGET opens with a sweepstakes win for a minor thief named Boxer. When Boxer behaves (predictably) stupidly with the money he's won (200,000 New Taiwan dollars in cash (about US $670), Jing-nan gets roped in -- because Boxer is the boyfriend of the mother of Jing-nan's girlfriend (almost his fiancée), and Boxer's girlfriend Siu-lien wants to know where he's gone to and what he'd done with the money they were supposed to be sharing.

But no good deed goes unpunished, as they say. Jing-nan sets his own needs briefly aside to locate and check on Boxer, who's suffering a painful morning after. Not long afterward, Boxer is murdered ... and police captain Huang, who'd love to see Jing-nan suffer, tries to pin the murder on the hard-working entrepreneur.

Jing-nan shifted his stance as he tried to read Captain Huang's poker face. At the mention of murder both Frankie and Dwayne [Jing-nan's assistants] laid aside their [cooking] instruments and crossed their arms. The line of 10 people at Unknown Pleasures turned to the right to see what exactly was happening. Captain Huang recognized that these tourists understood only rudimentary Mandarin, so to help them out, he pointed at Jing-nan and said in English, "That man is a murderer!" They gasped.

Though the frame doesn't stick, it's quickly clear that Jing-nan's life and business can't be reclaimed until the crime is solved. That's the entry for a tangled plot of motives and opportunities flying around like trapeze artists, swinging past each other in midair, and incidentally featuring several persons of aboriginal descent and a public circus performance.

This mystery has the same big pluses and small minus as the earlier ones by Ed Lin: The plot is lively, the characters unusual and well motivated, and the scenes are intriguing and unusual. On the other hand, the language reads like a translation (which it isn't), perhaps an effort by Lin to add more Taiwanese feel to his storytelling. It may not bother readers who are more interested in how the threads tangle and untangle (and less in the mouth feel, so to speak).

For any shelf of Taiwan or international crime fiction, Ed Lin's books are a must. They hold up to re-reading, too. (Actually, to save on decision making, just collect all of Soho Crime's international mysteries.) Special treats are moments like Jing-nan's reply to Captain Huang, who declines to arrest him (based on evidence): "Well, to hell with that, then. I'm staying here. I have a business to run."

 PS: Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Sixth Jeremy Logan Speculative Crime Fiction from Lincoln Child, CHRYSALIS

 [Originally published at New York Journal of Books]

“Fans of this series will enjoy the extended romp with Logan and his demands for revelation; newcomers can relax into Lincoln Child’s lively narrative.”

It’s not unusual for crime suspense to incorporate cutting-edge technology—from DNA to facial recognition to global databases, many a novel has hung its plot on a radical change that hasn’t quite come into real use. In Chrysalis, the sixth Jeremy Logan thriller, Lincoln Child pushes this cutting edge into a whole new dimension, as he spins together media, medicine, and moguls. Buckle in, because the warp speed of this ticking-clock plot gives no relaxing interludes.

Jeremy Logan isn’t a conventional crime solver. He’s an enigmalogist, a nearly psychic investigator of inexplicable phenomena. His ability to make unexpected connections in data, including among human motivations, makes him particularly valuable.

So when Chrysalis, a technology and advanced science company embedded in its own city-like compound in western New England, falls victim to a blackmailer and significant individuals among the company’s projects suddenly die, the pressure’s on Jeremy to move swiftly. Even aided by Chrysalis’s own outstanding virtual reality, it doesn’t look like he’ll be able to outmaneuver the demand for a billion dollars in cryptocurrency. Because if the blackmailer’s not paid, thousands more lives and the company’s entire future are at stake.

But payment alone couldn’t persuade Logan to immerse himself and risk his life on such a mission. It’s who’s asking him—a living phantom of entrepreneurship, John Christie IV himself, who tells Logan, “The work being done here is precious. It’s the future of technology—the future of man. We have our own people looking into this tragedy, but the time element is critical. … You’re the only person in the world I felt comfortable contacting. You’re our Hail Mary, Jeremy. You’re our just in case.”

The pressure to solve both the technical and the human forces arrayed against the company is enormous, and Child maintains the race against time for all of Logan’s efforts. That said, there’s little room for character development, and as the mechanics of the threat are gradually unraveled, they lead to a shorter fuse and more compressed action. Perhaps it’s not a surprise that the ending falls a bit flat—nobody’s sacrificed anything of value (other than a couple of quickly ended lives) and there’s no growth or deep resolution that will light up a reader’s energies afterward. Yet Child is adept at tying together all his threads by the finale, with a neat and not expected solution.

Watch for quirky scraps of humor, like the moment when the “Alexa” figure in the programming absorbs Jeremy Logan’s orders quickly so he can take action. As he rises, he tells the voice of the software, “Grace, you’re a peach.” Her reply: “No, Jeremy. I am a virtual assistant.”

Fans of this series will enjoy the extended romp with Logan and his demands for revelation; newcomers can relax into Lincoln Child’s lively narrative and marvel at how a little stretch of current technology can create a scary world of possibilities.

PS: Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Scottish Crime Fiction With Art/Heart, THE GOLDENACRE by Philip Miller

In a collaboration with Penguin, Soho Crime has now brought out an American printing of THE GOLDENACRE, a deeply mournful novel of art crime and greed, set in today's Edinburgh, Scotland. Denise Mina, the doyen of "tartan noir," calls the book a riveting, brutal journey into the high stakes world of inherited art and wealth, and it can certainly be read that way. But if your season allows time to enter Philip Miller's novel slowly, there is a wealth of literary depth to savor as well.

Two principal points of view dominate: that of sardonic reporter Shona Sandison, seeing her lifelong career at the Edinburgh Post melting away as digital platforms take over the news business, and that of the rather ineffective Thomas Tallis, designated to authenticate the provenance of a work of art called "The Goldenacre." The painting, fabulously valuable, is being donated to the Scottish government in lieu of back taxes owed by the mansion-rich, cash-poor family that owns it. Thomas needs to verify that it's really "the last precious work of Charles Rennie Mackintosh, the artist and architect" -- and sign off on the deal.

But Thomas is hesitant, uncertain, a weak reed in many ways. Which makes him almost the total opposite of his father, Sir Raymond T. Tallis, former deputy director of MI6. 

Thomas Tallis hasn't had much of his father's attention, and he's not getting family support right now, either. In fact, despite a small son in common, his wife seems to be divorcing him and taking the boy, and Thomas is doing nothing about it, despite enormous pain and grief. Slowly this comes into focus as a parallel to the wistfulness of the painting -- which portrays a pastoral area of Edinburgh still known as the Goldenacre. So when a hint of impropriety reaches him about the painting, this too is something he fails to take much action on.

Shona Sandison, though, is already linking the pieces, including the death (murder?) of a local artist, and the mysterious circumstances behind Thomas's recent change of jobs.

And then poor Thomas receives a very threatening message in the form of a human body part.

His collapse comes amid shimmering descriptions of Edinburgh, where he'd lived as a child. When he finds himself needing a drink, he knows to abandon the modern commercial part of the city:

There had been a place he had gone to as a boy. He would go there: the bend in the river. In the town where he had been sent to school, there were woods that followed the river up to its source A mile outside the town, the river—wide and slow—slowly turned. There was a beach on the slow side of the bend, and a broken viaduct. There, the shadows of the trees plunged into moving water and oaks grew. There was cool shade in the summer, and in winter the river ran swollen, and covered the shingle beach. He dreamt of it often.

Stepping back into his dreams, Thomas loses his grasp on the threats around him, and what to do about them. It's just as well, considering what takes place when the paired movements of this art investigator and the investigative journalist put pressure onto the major crime being organized around them.

There are several strands to the book's conclusion, and one might quibble with the forcing of some aspects. Yet it's undeniably a powerful and enjoyable read, and places Miller among the must-read authors who bind the tragedy of their crimes to Scotland's cities and feudal history.

PS: Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Brief Mention: Deluxe Edition of THE THIEF by Fuminoro Nakamura

THE THIEF is a remarkable work of crime fiction built on postmodern narrative, issued by Soho Crime as a powerful translation from the Japanese by Satoko Izumo and Stephen Coates. Our review from 2012 is here.

Now Soho Crime (an imprint of Soho Press) has reissued THE THIEF in a deluxe edition that includes a new introduction by Duane Swierczynski to put this thriller into perspective. There's also an afterword by the author to mark this 10-year retrospective.

If you're intrigued by how crime fiction maneuvers across language and culture, this edition definitely belongs on your shelf.

PS: Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

High-Stakes Summer Thriller, THE LIES I TELL by Julie Clark

Most of the great confidence men (con artists) of mystery and thriller fiction are exactly that -- men. In THE LIES I TELL, Julie Clark establishes two powerful and compelling women willing to play any necessary game to achieve their goals, and turns the tables on the classic form. Moreover, Clark lets these women address us in alternating first person, telling their own stories. Yet she still manages to hide her final twists until they become startling and irredeemable.

Meg Upton is obviously out to manipulate situations and set up her targeted men for pain and loss. She's blunt  about her methods:

I spend hundreds of hours on observation and research. Profiling the different people in your life, finding the one I can befriend, the one who will lead me to you. When I'm done, I know everything I possibly can about you, and most of the people around you. By the time you're saying nice to meet you, I've already known you for months.

Does this worry you? It should.

Kat Roberts, an investigative reporter, has been watching for traces of Meg's operations, and hopes to save her finances through an exposé of the high-rolling criminal. But Kat's life has stresses that make her career increasingly difficult, even hazardous. The closer she gets to Meg -- who knows herself well enough to say "I was born to be a grifter" -- the more Kat's got to face her own mistakes and the way she's allowed life to run another sort of con on her.

Still, it's the conniving Meg who most often puts it all on the line:

I'm not a fool. I know Kat plans to write about me, exposing who I am and what I do. I see beneath her soft sympathy ... I have a plan too, and Kat will be a useful part of it. It's easy to pull her in and feed her the pieces I need her to have.

Does Kat guess this? Her boyfriend warns her: "A con artist isn't going to just let you walk away. She's going to want to make you pay."

Clark's gift lies in holding each character's needs so close to the surface that a surge of empathy for either is immediately countered by a wave of concern over what threat each of these women will impose on the other. As with her earlier suspense, The Last Flight, this author pulls the threads of tension tighter with each new action and revelation, until, like a deck of cards cut and arched upward against the fingers, the patterns suddenly rearrange in a shattering set of revelations.

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.