Crime in the City: Karin Slaugher's CRIMINAL Takes Fire from the Past

Maybe you caught the great interview with crime fiction author-par-excellence Karin Slaughter today on National Public Radio, part of NPR's traditional "Crime in the City" series. If not, you can read it at the radio website here, or even click the "Listen" button there to hear it, word for word.

It's a great forum for Slaughter, whose relationship with her fiction isn't just through her characters -- it's also with the locations she's chosen: Grant County, Georgia, for one series she writes, and Atlanta for her Will Trent series. CRIMINAL is the latest in the Will Trent books. (The others are Triptych, Fracture, Undone, Broken, Fallen, and Snatched.)

But stop! This is not a guy-focused book, even though the "emotional autopsy" it offers of dyslexic and scrappy investigator Will Trent rips open many of the part-healed wounds on this long-running character. Instead, CRIMINAL rocks back and forth between the 1970s -- when Slaughter's female leads Amanda Wagner  (Will's boss in the "now" of the series) and Wagner's partner Evelyn Mitchell were among the handful of women pioneers in the city's rough, racist, and blatantly sexist police force -- and today, when Amanda's abrupt orders and detours forced on Will suggest she's punishing him.

Or protecting him.

For more than 400 pages, Slaughter spins a two-generation epic of the Atlanta investigators. Her taut narrative paints with a knife tip the look of harrassed and tortured women, then and now. Even the most incidental seeming character, like drug-addicted Lucy in an early chapter, comes through with vivid reality and piercing questions:

Just like that, he dropped Lucy like trash in the street.

Maybe she was trash. Maybe she deserved to be abandoned. Because once the rush wore off, once the highs turned less intense and the lows became almost unbearable, what was there left to Lucy Bennett but a life on the street?

With consummate craft, Slaughter opens a window into Amanda Wagner's past, her naive embrace of police work, her father's near-unbearable pressure to protect her in the force -- yet keeps the present-day female head of the Georgia Bureau of Investigation shuttered, mysterious, and nail-bitingly frustrating to Will as he staggers around the edges of a serial murder sequence that he knows far too well -- it matches what he's seen and investigated years before. Matches it exactly. So why won't Amanda Wagner let him work the case?

Ramping the tension further is the question of whether Will's survival from a nightmare infancy and a harsh childhood has room in it for emotional attachment to a young doctor, Sara Linton, who seems to be more easily allowed into his boss's life than his own. Will brings a terrible legacy to the fragile romantic opportunity:

Will Trent had never been alone in someone else's home before unless that person was dead. As with many things in his life, he was aware that this was a trait he shared with a lot of serial killers. Fortunately, Will was an agent with the Georgia Bureau of Investigation so the empty bathrooms he searched and the deserted bedrooms he tossed all fell under the category of intrusions for the greater good.

This revelation didn't help ease his mind as he walked through Sarah Linton's apartment.

Remember those fat novels that took you through generations of family in the Australian Outback? CRIMINAL has just as much emotional resonance -- in only two time periods, forty years ago and now. And you know the endless sexual harrassment faced by officers Rizzoli and Isles in Tess Gerritsen's books and in Patricia Cornwall's forensic epics? CRIMINAL digs deeper by calling up the vicious anti-women stances of "men's work" in the 1970s, when Civil Rights legislation allowed women a way to squeeze into the openings being demanded for men of color.

Most of all, most important, CRIMINAL provides a tense rapid pace, sharp twists of plot, and characters whose hope of redemption depends squarely on whether the crimes taking place can be solved and the criminals successfully brought to justice. Even though the justice might be rough.

I'll be re-reading this one. Karin Slaughter's just raised the bar for pulling the corruption and devastation of the past, into the blossoming of today's violent response. And for showing how it might -- if enough determined and vigilant officers work together -- be stopped.

Book blog note: Watch for some Q&A with Slaughter here, during the week of August 13. If you've read CRIMINAL, add a comment to this post with pertinent questions you've got about the book and the author. If you haven't read it -- you have two weeks in front of you. Ready, set -- read!

New from Carla Neggers: HERON'S COVE, On Sale July 31

When HERON'S COVE opens, FBI art-crime specialist Emma Sharpe is choking a bit as she tips back a sample taste of a powerful "smoky single-malt Scotch" in a gathering on the Maine coast that includes an Irish priest and three brothers of her still-new lover, Colin Donovan. Colin hasn't yet arrived back in town, and Emma's aware that his brothers are still digesting the news that Colin's actually a deep-cover FBI agent himself.  Mike, Andy, and Kevin doubt that Emma's a good choice for Colin, though. Skeptical, sometimes critical, their main interest in Emma seems to be whether she can do something about finding their brother, who hasn't been in touch for three weeks. Mike puts it succinctly to Emma: "I just think you have a knack for attracting trouble."

A moment later, as he rises to leave with Andy and Kevin, he says to Emma in a tone that's almost an order, "If you hear from Colin, you'll let us know, okay?"

In this suspense author's deft hands, it's no surprise that Emma tackles making sure Colin gets back safely -- but is less confident that she can persuade his brothers that she's not a danger to her own beloved, as Russian criminals, jewel theft, and deadly assaults arrive in the Maine coastal village.

We gave a full review a week ago (click here), so consider this post a sharp (Sharpe!) reminder: It's time to ask the local or online bookseller to save you a copy when the books come out of the boxes tomorrow!

And for a marvelous afternoon of talking with the author, if you can be in New England on Sunday September 9, come to Kingdom Books and meet Carla Neggers, the author of some 70 books and a bold Vermont-Maine-Ireland resident. (Yes, we do mail signed books, too!)

Newest from Eliot Pattison (Releasing in Nov.) Is MARVELOUS

I won't give a full review until the fall, since Eliot Pattison's MANDARIN GATE won't be published until November. But I finished the "advance reading copy" (ARC) this weekend and it's one of the best books I've read this summer, with a shocking first chapter and an intense and complex plot.

Dave and I are very excited that Pattison is visiting again at Kingdom Books a week from today (Sun. Aug. 5) at 7 pm to discuss his three mystery series. Pattison rarely makes any public appearances at all, so we're especially fortunate to be in the area where he takes his summer vacation. Hope you too can stop in!

Details for the season:

Mystery Authors at Kingdom Books

Mark your calendar for August 5, September 9, and October 20, and come meet these authors!

ELIOT PATTISON: Author of three best-selling mystery series, including the Edgar Award winner THE SKULL MANTRA, set in Chinese-occupied Tibet. Eliot will talk about the connections among his series (the second is in Colonial America; the third series, after a nuclear war), as well as the upcoming November release of the newest Inspector Shan detection suspense title, MANDARIN GATE. Join Elliot Pattison at Kingdom Books on Sun. Aug. 5, at 7 pm for a thoughtful evening. Books available. (Note from Dave: This author rarely makes public appearances; we are delighted that his ties to the Northeast Kingdom bring him to the neighborhood.)

CARLA NEGGERS: Picture the drive and creativity that have led to more than 70 books already for this author, whose Vermont residence isn’t well known – because she’s a national phenomenon. A specialist in “Romantic Suspense,” like Mary Stewart and J. D. Robb, she writes four series currently. Her newest release, this summer, is HERON’S COVE, a page-turner featuring deep-cover FBI agent Colin Donovan and FBI art-crimes expert Emma Sharpe – both expecting some time off at home in coastal Maine, until three significant Russians show up in the small tourist town. Meet Carla Neggers on Sunday Sept. 9 at 1 pm and enjoy the presentation that she makes across the country. Books available. (Beth says, “I mark on my calendar each new release from Carla Neggers, for the deep pleasure of her clear, bright writing and lively suspense.”)

ARCHER MAYOR: Autumn in Vermont: crisp air, red-and-gold leaves, and the newest in the Joe Gunther police procedural based in Brattleboro, Vermont, from Archer Mayor. What could be better? This time, Joe and his team, heavily relying on Willie Kunkle, extend their reach to Northampton, Mass., to track down a jewelry ring. With Joe and Willie both having long-standing personal issues, can the operation still succeed? PARADISE CITY is the 23rd Joe Gunther. NPR says of this New York Times bestselling series, "Even in beautiful Vermont, Archer Mayor finds shadows . . .  and his detective, Joe Gunther, finds a way to beat them back." Catch Archer Mayor here on Sat. Oct. 20 at 2 pm and get your copy of the new book – as well as signed copies of any of the earlier 22 that you’re missing.

KINGDOM BOOKS is your mystery shop, with thousands of the latest and the classics – from thrillers to classic mysteries, to espionage, “cozy” village mysteries, international intrigue, comic caper plots, even such early gems as Sherlock Holmes and “The Saint.” Call or e-mail ahead of time to reserve a copy of a book. Seating limited to 25. At a Kingdom Books author event, you really get to know the author.

Kingdom Books, 283 East Village Rd, Waterford (half a mile from Route 2 – turn at the East St Johnsbury bridge). 802-751-8374. Beth and Dave Kanell, KingdomBks@gmail.com. Reviews at kingdombks.blogspot.com.

South African Mystery Series from Malla Nunn -- And Some Notes

Debut novel

UK cover, 2nd book

Thanks to the Atria bus tour earlier this year, during which the publisher distributed a "sampler" of first chapters from about a dozen authors, I ordered the first two books by South African-born author Malla Nunn. And they were hard to find in first printing -- apparently they weren't printed in large quantity then. But whatever printing you can get hold of, these are worth grabbing. In this case, the series is definitely better read from the first book onward. Nunn's third book, Blessed Are the Dead, was released this June.

A quick summary: Book 1 is A Beautiful Place to Die. Meet "English" police officer Detective Emmanual Cooper. He's good at the dance of politics and bias involved in his job -- which lets his partner in investigation, black Constable Shabalala, conduct much of the field work needed to assess the murder of an Afrikaner police chief. The murdered man's son explains Shabalala by saying he's "half Zulu, half Shangaan. Pa said the Shangaan part could track any animal, and the Zulu part was sure to kill it."

That mingling of respect and racism gives an instant view of 1952 South Africa, with apartheid a way of life and social structure a force of determination for life and action. Nunn draws in the added awkwardness of the local Jew as well, a refugee and discard from Europe.

But what makes her books sing is the dynamic and layered relationship of Cooper and Shabala, one that deepens and resonates through the difficult investigation. Flawlessly written, without a hint of "first book" to it, A Beautiful Place to Die goes to the top of my summer list of good reads.

US cover, 2nd book

And Nunn's second book, Let the Dead Lie, goes even deeper. This time Cooper has lost his status as a white police officer and is in personal danger, with his career deep-sixed and the possibility of career redemption elusive and probably costing more than his integrity can afford. Although the publisher blurbs on the book feature only Cooper, it's his connections with Shabalala and other South African outsiders -- who are on the inside of their own groups -- that sing. And that, in the long run, offer him a chance, if he can be both courageous and clever, to again work for the police force officially.

Nunn allows delicately timed insights into Shabalala's life too, pairing them expertly with Cooper's and portraying the charged and complex inner and outer landscape of South Africa with such intensity that I could almost catch the scent of the city -- and of the veldt.

Now I'm going to start the 2011 Malla Nunn book, Blessed Are the Dead. Probably I should warn my husband: This mystery is going to take priority. Malla Nunn's crime fiction is a terrific discovery, and I'm going to be a bit distracted from ordinary life while I'm reading the next book. (But isn't that what a good mystery is for?)

A few notes:
*Nunn now lives in Australia and is also a filmmaker. For her publisher's "interview" with her, click here. For a video on her filmmaking, click here and look for the VIDEO section.
*In the US, Let the Dead Lie was issued as a paperback original. For a copy of the hardcover (the true first), you need to look at UK markets.
*For another South African apartheid detection series, set in the 1970s but written earlier than Nunn's, see James McClure (review here).

Yours truly, and the Atria author bus.

*And for crime fiction set in "modern" South Africa, try Jassy Mackenzie (review here).

Can FBI Agents Fall in Love? Sure! But Will It Work Out? HERON'S COVE, New From Carla Neggers

I try not to review books ahead of their release date very often -- it's too frustrating if the review makes you decide you want to read the book, and you can't get it yet! But I've been waiting a while to "do" the newest Sharpe & Donovan book from the top-notch romantic suspense author Carla Neggers, and it's coming out on July 31, just a week from now. So -- here we go!

HERON'S COVE is one of a handful of books that have been on my "must read" list for summer. It's that whole idea of a good "beach read": a book where the suspense keeps you turning the pages (except for a little siesta when the sun's in your eyes), the characters are smart and quick enough to satisfy, and the complications are tangled just the right amount -- so you can guess a part of the solution to the crime, but not quite all. Plus, of course, in a Neggers book, there's always the question of whether the best "she" and "he" on the scene will be able to connect well enough to survive as a couple, after the crime's been solved.

And Emma Sharpe, FBI art-crime specialist, is already on tough ground with her new love, FBI "deep cover" agent Colin Donovan. As the two of them arrive at their home segment of the Maine coast, Colin's moving Emma to the top of his list of what he's been missing while away. But Emma's already caught up in a tangle involving a Russian criminal, a collection of jewelry he's trying to repossess, and a London-based Russian jewelry designer, Tatiana Pavlova, who won't reveal why she's in Maine or what her interest is in the jewels. Emma's brother and grandfather, both in Europe, get drawn into the research and risks. And because the details involve "Sharpe family business," Emma can't reveal them all to Colin, even when he and his brothers are under threat.

She flopped back onto the soft duvet and gazed up at the ceiling, knowing it wasn't just the whiskey that was keeping her in Rock Point. It was being here, in Colin's house. In his bed.

"Colin, Colin. Where are you?"

Her whisper sounded hollow, even bewildered. ... Her cell phone rang and she realized she still had on her raincoat and dug her phone out of the outer pocket.

A private number.

She answered without giving her name. "Hello, who is this?"

"Hello, Emma Sharpe. It's good to hear your voice."

Her breath caught in her throat at the Russian-accented voice of the man on the other end. ... "And yours," she said.

A half beat's pause. "Your man is in danger."

Mark your calendar, call your bookseller and reserve a copy for July 31, and oh yes, come meet Carla Neggers here at Kingdom Books in Vermont on September 9. Neggers is so well known as a national and international suspense writer that it's easy to forget that she lives among the Green Mountains, close enough to her beloved Maine coast, and an easy ride from Boston (the scene of another of her series of books, and the airport that launches her to Ireland, her third locale).

More delights: a video trailer for the book, here.

And, in case you've wondered what that new "social media" thing called Pinterest might do for you, here's the best answer yet: on Pinterest, a collection of images of gorgeous Russian jewelry, presented by Neggers herself. Wow!

Fourth "Caitlin Strong" Texas Rangers Thriller from Jon Land: STRONG VENGEANCE

Jon Land's books have reached the "dozens" level -- but his Caitlin Strong series is only in its fourth title, ripping forward with action and strength and powerful roots in Texas. A martial arts pro and an associate member of the U.S. Special Forces, Land also researches his fictional landscape massively. And that, I'm guessing, is why he pulled Lone-Star hero Jim Bowie, pirate Jean Lafitte, and excerpts from the website Legends of America, Texas Rangers section, into STRONG VENGEANCE.

It's almost too much -- Land's canvas for this thriller ranges from 1820 in a Texas bayou, to today's school-linked gun violence, and from Caitlin Strong's father and grandfather as Rangers themselves, to Strong's significant other, Cort Wesley Masters, fighting (literally) for his life in a Mexican prison. Oh yes, and there's a CIA strand in here, too.

But let's start at the center: Caitlin Strong, gun maven par excellence and experienced conflict negotiator and resolver, might as well have one arm strapped to her side or one eye blindfolded. Why? Well, Cort Wesley's ridiculously long incarceration has Caitlin being the de facto parent to the two Masters boys, Dylan and Luke. Something about that situation keeps changing the way Strong makes her decisions and which actions she chooses. And her boss, D. W. Tepper, sees it, knows it, and handles a messed-up intervention by slinging her onto desk duty -- about as poor a match as there could be for Strong. Fortunately, events intervene and Tepper drags Strong along to an oil rig where mass murder has taken place -- revealing, en route, an unsolved problem from Strong's family's past.

"But you, Earl, and Jim never did solve it," Caitlin said to D. W. Tepper after he stopped.

"I'm starting to feel sick," Tepper said, instead of responding.

"How about the rest of the story? What else happened that day on Galveston Island?"

"Don't make me regret loosening that chain hitching youto a desk, Ranger."

"Not ready to cut it yet?" ...

A Coast Guard captain named Lauderdale approached looking dour and unsettled.

"We'd like permission to start of-loading the bodies, Captain," he said to Tepper.

Strong and Cort Wesley Masters soon find their situations overlapping, as modern-day terrorism with long roots in the nation's past drives the threat level sky high.

Who'll survive to parent those kids -- and why Caitlin is taking one of them to the shooting range -- turn out to matter just as much, as the team races to sort out the players and the next moves.

This is a classic Land thriller, filled with fast-paced high adventure, skilled interventions, and a modern-day Ranger whose ability to solve a case has nothing to do with being a woman. But everything to do with being Strong.

Extra goodies: Here's the start of the book, thanks to Land. And here's a great interview with Land, hosted by Deborah Crombie Hank Phillipi Ryan on the Jungle Red Writers' blog.

Why People Read Fiction About Serial Killers: John Verdon

John Verdon

Check out thriller writer John Verdon's analysis of why "we" read serial killer fiction -- those of us who do, that is. I like a couple of the points. Thanks, PW, for his post: click here.

Dracula, Frankenstein, and Other Reasons to Engage the Edge of the Mysteries Field: Books by Stephen Seitz and Dave Zeltserman

There are at least two dozen authors who are on my "automatic" list: I know that I enjoy their mysteries and/or crime fiction reliably, and I mark my calendar for when the next book by one of these is coming out. When I look over the list, I realize I've become a fan of, umm, character-driven dark mysteries in which someone has to dig deep into inner resources in order to solve the crime -- or even just to survive.

But I do read outside this core quite a bit, and that includes urban spoof/caper mysteries, cooking mysteries (I check the recipes first), plenty of espionage, lots of thrillers that start on university campuses, almost anything with a strong female lead, and probably way too many books that involve threats and death. (By the way, I've discovered that when life serves up the "real thing," I stay away from the book version. Shudder.)

Thanks to some bold authors who say "Hey! Read this!," I also find some gems that don't fit into any of my usual areas. For instance, Dave Zeltserman writes some of my favorite -- although very dark! -- crime fiction, mostly set in the Boston area. But sometimes he zigzags off into horror, a genre I normally don't endure. Still, if it's by Dave Z, I get curious. So, a while back, I read and really, really enjoyed his horror parable (yep, really) The Caretaker of Lorne Field. And that led me to his newest title: MONSTER: A NOVEL OF FRANKENSTEIN.

Set firmly in 19th-century Germany, complete with religious twists, extremes of poverty and wealth, and curious rituals of friendship and courtship. MONSTER spins out from the mind and heart of Herr Friedrich Hoffmann, broken on the "wheel" as an accused murderer of his own fiancée and soon patched together in Dr. Victor Frankenstein's obscene experiment. Yes, in case you've forgotten, "Frankenstein" wasn't the inventor's monster -- it was the name of the inventor, in the old tale. In Zeltserman's adept narrative, the Monster becomes a distraught and terrified individual coming to grips with how his soul has been installed in a terrible body, and the evil perversions of his "creator" threaten to turn him into a true monstrosity. Grief at such horrors spurs him to action:

I bellowed again in rage, and stopped only when I realized that the leather strap that had been tied around my chest had broken. The slow trickle of strength that had been ever so slowly ebbing back into my body must have turned into a raging torrent over the last few days, for in my rage I broke that strap, which was something not even a wild beast could have done. I sat up with ease and tore apart the strap that bound my legs to the table as easily as a child might have torn a paper ribbon.


I was free.

But what is the true nature of this reborn Friedrich Hoffman? May he assert the compassion of his former self? Or must the evil of his re-creator stain him and turn him into perversions that mock his best efforts?

Zeltserman kept me turning pages, aching for resolution.

MONSTER came out this spring through the audacity and continued courage of The Overlook Press, which continues to prove there are still publishers who value diversity and outrageous creativity. The press even presents P.G. Wodehouse books. Diverse!

Another such press, which I only discovered through agreeing to read its newest book, is MX Publishing. This firm is based in the United Kingdom and specializes in "NLP, Sherlock Holmes, Property, and Children's books." Turns out that NLP is neuro linguistic programming. I don't think it's connected in any way with the line of Sherlock Holmes books -- but I can't be sure.

At any rate, MX Publishing boasts "a large stable of the best modern Holmes writers with traditional stories and short fiction through to fantasy and other unusual adaptations." And its newest is SHERLOCK HOLMES AND THE PLAGUE OF DRACULA by Vermont author Stephen Seitz. If that title makes you shake with uncertainty or despair, you're not alone. I wasn't sure I wanted to open this one ... Dracula has never been a passion of mine. Vampires are great in Charlaine Harris's "True Blood" series, but the original Vlad the Impaler? Hmm.

Well, the first chapter hooked me. Who can resist prying into how Dr. Watson's relationship with Sherlock Holmes stressed his marriage -- when the take is spun at least 90 percent convincingly in that voice so familiar from A. Conan Doyle's classic detective fiction? And for the sake of more Watson-and-Holmes intrigue, I was willing to admit that Mina Murray -- the protagonist of the Dracula novel -- could actually have brought to Holmes the case of her vanished fiancé, Jonathan Harker.

Seitz stays closer to Conan Doyle's "no spiritualist solutions" than the Holmes creator ultimately did, for Dr. John Watson tracks Holmes's insistence that the "vampire" effects must be explained scientifically. It's a great twist, and the team's journey to the hazards of Dracula's castle is well told, a great tale in classic form. Did it match 100 percent with an original Holmes story? Well, not quite. But it's so close that I could brush aside the occasional dissonance and revel instead in the adventure and solving the puzzles provided.

October 2, 1890

It is a bitter, dark day for justice.

We took photographs of the poor girl's desecration. Holmes measured every square inch of the tomb and collected several samples. We had Van Helsing in our very palms, and Lestrade despatched constables to bring him in.

Yet we have been frustrated again.

Oh yes, for those who are Holmes afficionados: Seitz has a brand new take on what actually happened at the Reichenbach Falls.

So, that's a pair of quirky new novels to try out, if you're in the mood for something very different. Let us know which parts you enjoy most -- or whether one book or the other is creepy enough to keep you checking the door and pulling out the garlic and such. It's all in good fun, I think.

Poke Rafferty #5: THE FEAR ARTIST by Timothy Hallinan

Ever since he introduced Poke Rafferty in 2007, Timothy Hallinan has been winning fans for his alter ego, a travel writer in Bangkok. In 2010, the fourth in the suspense series, The Queen of Patpong, raked in an Edgar Award nomination. And now we have the fifth -- and maybe the best yet -- THE FEAR ARTIST.

Things start out simply enough: A man being chased falls on top of him, on the sidewalk, and is shot and killed as he collapses. Rafferty hears three words from the dying man, and is abruptly surrounded by a phalanx of police officers and at least one "spook" -- government spy. Although he gets released from the scene, his troubles have barely started.

It's a good thing his wife Rose and daughter Miaow are out of the city, even though he misses them viscerally. Even his best friend Arthit is out of reach right now, caught up in heartbreak. Rafferty's actually afraid to feel his aloneness -- or not aloneness, if you count the people who seem to be following him,

He feels a bit of the old tingle, the little carbonated fizz of anticipation he'd felt all those years ago, when he first arrived, when Bangkok was just one jaw-dropper after another. When he spoke none of the language, when he might as well have been blind for all the sense the signs made to him. When he felt that the odds were fifty-fifty, each time he went down a new street, that it would be dedicated to holiness -- temple carvers, amulet makers, gold-leaf hammerers -- or hedonism -- bars, restaurants, flamboyant neon signifying the fall-off edge of his middle-class map of life.

Except now the fifty-fifty seems to apply to him: On the one hand, he might be safe until the next block, even though he's being followed. On the other, he might be shot himself or, at least as chilling, tossed into jail as an American spy. And the idea of his family being threatened makes him even more vulnerable -- and more determined to get to the bottom of the stranger's death and its ramifications.

Soon Rafferty is leaning on Arthit after all, and on a Russian, and to his utter astonishment, on a family member he didn't realize could or would walk back into his life. Even the weather becomes threatening -- and what Rafferty learns only increases the danger he's in, moment by moment.

Soho Crime released this one yesterday, so if you're headed into summer vacation -- or trying to distract yourself from not being there! -- it's time to get a copy. You won't need to read the preceding four books -- A Nail Through the Heart, The Fourth Watcher, Breathing Water, and The Queen of Patpong -- but you'll probably want to. Why not? This is what summer is made for.

PS - Do visit Hallinan's website. Lots to enjoy: http://www.timothyhallinan.com/poke.html

Summer Reading: G. M. Malliet, Bonnie Hearn Hill, Peg Brantley

Right, so maybe these aren't the blockbusters with the big publishing budgets behind them ... but each of these three could take you through a summer weekend, as they have for me. And the three are dramatically different from each other.

G. M. Malliet writes cozy mysteries, but they're not the cat-and-tea typed -- they feature mostly gentle people who are puzzled by the intrusion of crime into their lives. She began with Death of a Cozy Writer (leading off her DCI St Just series), for which she won an Agatha Award (recognizing strong traditional mysteries). I picked up her 2011 book, WICKED AUTUMN (from Minotaur), which starts a different series: Max Tudor, vicar in a small English village, has a past that he's trying to escape. No, it's not an ex-wife or a crime; Max was an agent for MI5, went through a crisis of faith, and came out of it with a calling to lead a rural church. Although he regrets the way he sees criminal actions and the dark side of some humans, he cares intensely about his village of Nether Monkslip and is getting to know the residents more deeply. Their antagonism toward bossy, manipulative Wanda Batton-Smythe bothers him, but he doesn't have the confidence to interfere. Soon enough, he wishes he'd taken action, before a deadly turn of events.

Hints at depth of character for Max and for Awena Owen, "the village's self-proclaimed New-Agey Neopagan, for want of a better description, add a light and pleasant fragrance to the crime-solving, which hinges -- ah, poor Max -- on the grubby and ungrateful side of a couple of characters. The book is a pleasant and engaging read, and garnered a lot of positive attention: recommended on NBC's Today Show, and nominated for yet another Agatha Award (2012).  I look forward to this fall's sequel, A FATAL WINTER. See the author's website, http://www.gmmalliet.com, for more details and a charming picture of Nether Monkslip.

If you're still thinking of Harlequin as only a publisher of steamy (yet straight!) romances, you've missed out on the MIRA side of the publisher -- which brings out a lot of lively thrillers these days. Michelle Gagnon (whose thrillers deserve *lots* more attention) started there; so has Bonnie Hearn Hill, whose political thriller INTERN (2003) cuts a swath between some seedy stories of California's legislators and the disappointing side of former President Bill Clinton. That's right, the "intern" in question is not the hospital type, but the political kind -- extremely pretty April Wayne, intern to politico Eric Barry, and as the book opens, missing and presumed, well, harmed, at least.

Bonnie Hearn Hill provides a page-turner that jets from one voice to another, the senator, his wife, the other women in his life, and some twisted, nasty sorts that you don't want to meet on a dark night (but you know you might, which is why you're carrying pepper spray and took a course in self-defense, right?). I'll be looking for more of this author's thrillers -- you can see the list here, http://www.bonniehhill.com/thrillers.html -- but probably won't indulge in her latest novel, which is paranormal romance.

I picked up RED TIDE (April 2012) by Peg Brantley because I recently got acquainted online with the author and wanted to sample her work. The softcover looks like a self-published or print-on-demand item, although it has a publisher, Bark Publishing of Houston, TX. Whether that's actually Brantley herself, I'm not sure -- but RED TIDE is a book where I wished a seasoned editor had put her foot down on the first few chapters, which say "not quite ready for most readers." Fortunately, the pace picks up, the main characters -- "human remains" dog handler Jamie Taylor (I really like her), and FBI Agent Nicholas Grant -- have a good balance of haunted flaws and gutsy strengths, and the plot involves a lot of danger and risk, as well as at least two psychopaths. There's a medical aspect in the murders that's stretched a bit too far, and the inner workings of the criminals are a tad clumsy. But the pace is rapid enough and the twists so interesting that I kept reading, right through, and I'm excited that Brantley is bringing out another thriller this fall. This is the kind of writer who, once firmly in control of how to craft a dark and chilling novel, can surge ahead to very good work indeed.

And you know, one of the big thrills of reading as many mysteries and crime novels as Dave and I do is: We want to spot the early-career writers who are going to give us work that rocks our world.

Later this week, books from Malla Nunn, and a look forward at Michelle Gagnon's powerful "young adult" thriller, DON'T TURN AROUND. Plus a comparison of two very strange items, one from (oh yeah) Dave Zeltserman and the other from Stephen Seitz.

Scandinavian Crime Fiction: UNWANTED by Kristina Ohlsson

What happens when a counterterrorism officer with a political science background in Stockholm turns her hand to crime fiction? For Kristina Ohlsson, the move was literally life-changing, as her three-book series of investigations featuring analyst Fredrika Bergman garnered awards and praise in Europe.

Thanks to Atria (a Simon & Schuster publishing house), Ohlsson's books are finally arriving in the United States. The first one, UNWANTED, was released earlier this year, and it's a winner -- you can pick up an occasional awkwardness or loose thread that reveals this is a debut (with an impressively smooth translation by -- believe it or not -- Sarah Death), but the blend of crime-solving and investigative team friction is deft, the twists of the plot are rapid and intriguing, and the characters are unforgettable. That goes especially for Fredrika Bergman herself, the new civilian on a crack police team where each of the officers has reason to devalue the analyst's comments and suggestions.

But Bergman, unskilled in shifting the balance of power within the team meetings, independently investigates a strand that the team is ignoring: the young woman with a sick dog who seems to have lured a mother away from her child during a routine train stop, so that a psychopath can seize the small girl. It's clear she didn't wander off on her own; her shoes are still sitting next to her bench on the train.

Bergman's initiative wins reluctant respect from the other investigators. It's not enough to make her feel at home with a group of badge-toting experts who still think she's mostly in the wrong field. She doesn't intend to stay with this job placement anyway, so she's wasting no time on alliances, but following her own conclusions instead. Her co-worker Peder hopes she'll fail:

Peder cursed the fact that he'd been passed over in favor of Fredrika yet again ... Even so. Hadn't Alex sounded confident that the case of the missing Lilian would soon be solved? ... So the Lilian case was not to be considered particularly major or important. Seen in that light, it was more understandable that Fredrika was going with Alex to interview Sara at home. It was actually a good thing that she and not Peder had been asked to go, because she was the one who needed to hone her skills, not him.

I could disagree with Ohlsson's decision to give large chunks of narrative from the points of view of perpetrators, but it clearly raises the tension in UNWANTED. And by the time Bergman and her boss, Inspector Alex Recht, realize what lies beneath the crimes, the pace of the narrative is intense enough to interfere with the ordinary life of a reader.

Luckily, those of us who read crime fiction regularly don't get upset when a book begins to cut into our sleep time (or even a bit of work time) -- instead, we celebrate, right? I'm celebrating finding Kristina Ohlsson's work.

The next in the series comes out in the US in March 2013. Hurrah for good translations of Scandinavian thrillers! There are at least five more Olsson books already -- see the author's page within her agency's website. We've got more good books coming our way.

YA Mystery Author Carole Shmurak: Guest Post Tomorrow on the "Other Blog"

I try to keep my hats on separate blogs -- after all, I have to take turns wearing them! -- but this time, there's no getting around the issue: Author Carole Shmurak is providing a guest post tomorrow, and it pertains to both mysteries (this blog) and "young adult" writing (the author blog that I host). So ... tomorrow, check out BethKanell.blogspot.com for Shmurak's post.

Not familiar with her work? She co-authors the Matty Trescott series under the pen name of Carroll Thomas. In her novel RING OUT WILD BELLS, teens solve a murder case -- in 1865.  In her guest post, find out about the book's genesis, as well as the author's research and decisions.

Martin Limón's Newest Korean DMZ Police Procedural: THE JOY BRIGADE

Actually, no, it's not a police procedural after all. And that's why THE JOY BRIGADE didn't suit my taste as much as the seven books that preceded it, which featured Sergeant George Sueño and his buddy Ernie Bascom, working for the U.S. Army in Korea's demilitarized zone (DMZ) in the scary 1970s, solving crime and doing their bit to ensure some kind of justice for the Koreans around them.

But Ernie doesn't show up until the closing of this one -- and the action during the rest of the book requires a substantial amount of patience and suspension of disbelief, as Sueño works his way into a North Korean splinter group while also trying to catch up with his beloved, Doc Yong, who -- he is pretty sure -- has given birth to a baby. Their baby. His son. Along the way, he ties his fate to that of -- well, this person:

His name was Hero Kang. He showed me the photograph hanging from his neck. It was framed in varnished wood and showed a much younger version of himself standing in full military uniform next to the Great Leader of North Korea, Kim Il-sung, shaking hands. Both men were smiling. Hero Kang told me that the photograph was taken in Pyongyang in the Great Hall of the People almost twenty years ago, after the end of the Korean War.

"You must've been very brave," I said, "to receive such an honor.

His round face grimaced. He changed the subject.

The premise is interesting. But there were quite a few moments when I stopped and said things like, "Why wouldn't he wrap his feet in something?" Or "He thought he could do WHAT with his version of martial arts?" Or even "Doing that, while carrying a baby? Are you crazy?"

In the long run, THE JOY BRIGADE is a tall tale, a wished-for adventure for an investigator who dreams of ending the Korean standoff, and seeing Confucian values and family affection knit together a divided nation.

The thing is -- I really, really like Martin Limón's rough and friendly Army-based police procedurals (Jade Lade Burning; Slicky Boys; Buddha's Money; The Wandering Ghost; G.I. Bones; Mr. Kill; I haven't read The Door to Bitterness).  So THE JOY BRIGADE doesn't suit me very well. On the other hand, Martin Limón is such a good writer that I'll keep a copy on my shelf, and hope that the next book in the series goes back to the ground of buddies in trouble together, solving crimes and restoring some measure of justice. Like, umm, yeah, Hero Kang.

ROUND MOUNTAIN by Castle Freeman Jr.

We grow from where our wounds are -- I'm convinced of this. And after reading ROUND MOUNTAIN by Castle Freeman Jr., I'm ready to apply the same idea to small, rural communities. In this case, the community includes second constable Homer Patch and his gently, sadly, tenderly confused life. Married to a woman who acts out sexually, parent to a child who can't stand, talk, embrace ... Homer carries more losses than seems fair. And yet, so do the others around him. And like Homer, the other people in his circle -- the Captain, Alva, Clay, Raymond -- have reasons to mourn, but also reasons to feel very much at home, with people who more or less understand them.

As a second constable -- a Vermont town position that usually has very little clout, other than being often called on to come collect stray dogs -- Homer's intervention in crises depends on who is willing to call him, who want to listen to him. With the same sense that knows whether a deer will come closer or spook and run, with the same dedication that tills the garden patch year after year, Homer's neighbors realize that calling him will bring more than just a badge into the situation. Here's Homer addressing one for a woman who wants a vagrant arrested or even shot, for the crime of sleeping in her barn:

"See, what it is you're asking me," he said. "You want me to come here and, what, shoot some kid for using your shed to get in out of the rain. That's what it comes to. You want to make a lot of trouble here that needn't be. My advice to you is what I said: lock the door. He will move on, and you won't be bothered. There's no need to bring an army out here for something like this."

"I don't want an army, Mr. Patch," Gretel said. "I only want you."

Homer sighed. "Could I get a glass of water?" he asked.

It is, of course, a mild ruse. Homer knows how to handle the situation, but he can't do it with Gretel looking over his shoulder.

Still, as Homer contributes his quiet "handling" to local matters, there are deep currents swirling. Among the twelve stories in ROUND MOUNTAIN, Castle Freeman Jr. unfolds the silken threads and Kevlar ropes that bind community and the heart. I expect to re-read this whenever I can't quite make sense of life. Like calling Homer, re-reading the collection won't necessarily make things better. But it may provide a calm reassurance that's very much needed.

Interested in a copy of the book? As of today, its publisher, Concord Free Press, is still willing to send you a copy, for FREE, anywhere. Check the details (and your reciprocal obligation) here.http://www.concordfreepress.com/roundmountain/

Peter Lovesey, COP TO CORPSE: More Peter Diamond Crime-Solving

Peter Lovesey is a master storyteller. Tucked within this police investigation, under the aegis of long-running series character Detective Superintendent Peter Diamond, are tension, intrigue, humor, affection, and neat layers of theory, crime scenes, police politics, and struggles with the humanity of both villains and victors. COP TO CORPSE is a good read that pushes insistently from one scene to the next, and one trail of crime to another, without once making me get up to check that the doors were locked.

Here's how it all starts:

Hero to zero.
Cop to Corpse.
One minute PC Harry Tasker is strolling up Walcot Street, Bath, on foot patrol. The next he is shot through the head. No scream, no struggle, no last words. He is picked off, felled, dead. 

Fortunately, after a brief scene-setting in the present tense, the stoytelling in this Lovesey classic resumes a more usual format, and familiar conflicts emerge: between Diamond and other branches of the police, between the Detective Superintendent and his politically inclined superior, and even within his team, where the eager forensics attempts of DC Ingeborg Smith sometimes shine, and sometimes make her, along with Diamond, the topic of the latest joke.

I actually wished at times that I were reading this one aloud, because when entertaining moments come up in the plot twists, they're often truly funny -- the kind that make you choke on your iced tea and snort unexpectedly. I didn't keep count, but I think Diamond got injured four times between the start and end of the sniper case he's investigating, and at least twice it was the fault of someone on the police force.

Is COP TO CORPSE deep? No. But it's delightfully successful. Pack it in the beach-reading bag, or set it near the couch for the rainy week that was supposed to be your vacation. I'm going to give a copy to my sister.  It's that good.

By the way, this is the twelfth Peter Diamond investigation -- and there's no need to read the others before this one. But since I enjoyed this one so much (and number 11, Stagestruck), I think I'll line them all up for next winter. It will be a pleasure.

Writing the Good One: Skill, Passion, and the Right Place

More mystery reviews this week ... watch this evening for what else is being published in June, or what's perfect to add to the summer reading stack.

Meanwhile, for those who are writing this summer/fall, or thinking of it: Author Julia Shipley in Craftsbury, Vermont, offers a "farmhouse studio" for the perfect writing vacation. Called The Writer's Retreat, this peaceful and richly rural opportunity for "writing on the farm" even comes with the possibility of adding coaching from Julia, who is a gentle yet powerful teacher of writing skills and whose poetry, short fiction, and elegant letterpress work appear at workshops as far away as Wisconsin.

Here are two samples of what Julia recently crafted, perfect for the writing life:

* * *

And another reminder: Writing is a craft. (Yes, an art, too, but that's a subject for another day.) A craft depends on specific skills, learned, practiced, valued, and strengthened. Undertake all of that at your own writing retreat in Vermont -- or indulge in learning from an assortment of writing professionals just outside Boston, at Pine Manor College, which now allows auditing of the summer workshops:

The Solstice Low-Residency MFA in Creative Writing Program invites writers to audit graduate-level creative writing courses during its summer residency, scheduled from July 6-15, 2012 on the Pine Manor College campus in Chestnut Hill, MA.

Classes include several sessions taking place as part of State of the Union: Diversity & Poetic Craft, a two-day colloquium designed to encourage cross-pollination between styles and approaches to poetry, open up a broader discourse about the art of writing poetry, and encourage experimentation across poetic “camps.”

Classes are open to serious writers working at all levels; the registration fee is $30 per course for Solstice graduates/$40 per course for the general public. The State of the Union: Diversity & Poetic Craft panel discussion & keynote speech by Stephen Dunn are FREE and open to the public.

For course descriptions, dates and times, a detailed audit policy, and a downloadable registration form, go to: http://www.pmc.edu/mfa-classes-for-audit. The deadline for enrolling as an auditor for summer 2012 Residency is Friday, June 22, 2012.

Summer 2012 MFA classes that are open to the public include:

Fiction:
• Fragmented/Fractured Narrative
• Creating a Sense of Place
• Writing the End

Creative Nonfiction:
• Writing Personal Essays
• Nonfiction as Fiction
• Dateline Zanzibar: Travel Writing 101

Writing for Stage & Screen:
• Writer-in-Residence Dennis Lehane on Writing for Cable Television

State of the Union: Diversity & Poetic Craft:
• Where I’m From: Identity & Subjectivity in Poetry
• Oulipo: Experiments in Potential Literature
• FREE: State of the Union: Panel Discussion featuring all faculty & guests
• An Eye For An I: Lyrical Elements In Poetry—For The Prose Writer
• Incorporating Sound Into Poetry
• FREE: State Of The Union (Or Disunion) Keynote with Stephen Dunn

The Business of Writing:
• Publishing in Literary Magazines

ABOUT SOLSTICE & PINE MANOR COLLEGE
As an undergraduate institution consistently ranked among the most diverse in the country, Pine Manor College emphasizes an inclusive, community-building approach to liberal arts education. The Solstice MFA in Creative Writing reflects the College’s overall mission by creating a supportive, welcoming environment in which writers of all backgrounds are encouraged to take creative risks. We strive to instill in our students an appreciation for the value of community-building and community service, and see engagement with the literary arts not only as a means to personal fulfillment but also as an instrument for real cultural change.

www.pmc.edu/mfa includes all contact info.

New Thriller from John Gilstrap: DAMAGE CONTROL

I promise there will be some beach reads mentioned this week. But John Gilstrap's vital new Jonathan Grave thriller, DAMAGE CONTROL, is not going to work for an hour of sleepy, sunstruck browsing. Here's why: From the moment Jonathan Grave steps forward on page 3, there's no good place to stop reading in the entire book -- it's the best page-turning thriller I've grabbed in ages. Repeat: There is no place to put this one down.  You know what that's going to mean for your life.

It's a perfect summer read, though, if you can manhandle your schedule to leave good long blocks of time. For one thing, that sweat trickling down Jonathan Grave's face as he sets up a rescue of a bus full of students in the tropics pulled me directly into the hottest form of summer. What a relief to find his partner Boxers nearby, ready with covering fire -- and the voice of Venice, better known operationally as Mother Hen, giving Grave tips from her observation by satellite and her swift computations back in the home office. In moments, gunfire explodes from all the wrong locations, and it's clear that the standard rescue-the-kidnapped-victims plan is way off base for what's really happening. And Grave and his team are in as much danger as their "precious cargo" being rescued. Grave lets Venice know, as he presses his mike button:

"Mother Hen, Scorpion."

"I'm here."

"We've got a pretty significant change of plans here." As he detailed all of the careful planning that now was meaningless, Jonathan tried to shake away the growing sense of dread that blossomed in his belly.

Jonathan and Boxers have been a rescue team for three of John Gilstrap's books, and they're impressive, with their complimentary skills in the field. (I especially like Hostage Zero.) Most intriguing for those who've enjoyed the earlier books is that in DAMAGE CONTROL, we get into the minds and memories of these two ultra-capable but still heartbreakingly human characters, as they teach some of this to a youngster who absolutely must keep up with them, for the sake of his life and those of others. Power, greed, manipulation -- those are countered by loyalty, commitment, and determined investigation by the
"good guys."

When I reached the end of DAMAGE CONTROL, I realized I'd been gone from my ordinary life for as long as it took to devour the book. And at the same moment, I realized this thriller is actually one extended crisis that lasts for more than 400 pages. Gilstrap is one of the very few writers who can position a set of characters in a situation, ramp up the tension, and -- yes, keep it there, all the way through. Whew! Good thing I've got a bit of time off until the next Jonathan Grave adventure.

Post-Flood Wilmington, VT: Hurrah for Bartleby's Books

When we talk about the survival of independent bookstores, it's usually financial survival that's under discussion -- but in Wilmington, Vermont, last fall's devastation from Hurricane Irene literally washed out Bartleby's Books on West Main Street. So it was great yesterday not only to visit the thriving and very well-stocked rebuilt shop, but, even more important, to hear the story of how owners Lisa Sullivan and Philip Taylor reached out to their town as they struggled to emerge from the wreckage. As the Preservation Trust of Vermont celebrated RESILIENCY for Vermont's recovery, Taylor (speaking in this photo), Sullivan, and others from Wilmington received awards for their work.

Of course, after snapping this photo, we visited the shop to buy a book!

Crime and Conversation with Joseph Olshan

Joseph Olshan and CLOUDLAND at Kingdom Books

Many thanks to Joe Olshan, who traveled north today with friend and fellow writer Barry Raine (author of Where the River Bends) to visit Kingdom Books. We enjoyed hearing about his adventures with his new Vermont-set mystery, CLOUDLAND -- and caught up on some details of what he's writing next (oh yeah, sounds like a winner, crime, secrets, friendship ... and a touch of baseball).

To catch some conversation with this New York-born, Cambridge and Vermont-living author, listen to Olshan's recent radio interviews:

VPR: click here.

NHPR: click here.

Both interviews offer written material on the radio websites, as well as the chance to listen to Olshan's literate and thoughtful path and process.

And, of course, we happen to have a few signed  copies now on hand -- your chance to get one for your collection. As soon as Dave's placed them onto ABE, I'll post the purchase link here. Thank you, Joe and Barry.

Looking for a chance to meet Joseph Olshan? Mark your calendar for Bookstock in July in Vermont, or the New England Crime Bake in November outside Boston.

International Mysteries from Atria

Dave and I drove to Brattleboro last month to meet the Atria Books "Great Mystery Bus Tour," with authors William Kent Krueger, Liza Marklund, John Connolly, and M. J. Rose -- it took two hours to get there, and much longer to get home (we stopped to visit friends), but it was worth it. Kind host David Wilson at Mystery on Main Street swapped stories with us, too.

The cream in the coffee (well, really, it was more like that final swirled heart that the barista magically creates on the top of the cappuccino) was a modest paperback handed out to exiting readers by one of the bus staff: The Atria International Books of Mysteries, Your Passport to a World of Murder and Mayhem; Circle the Globe with 15 First-Class Mystery Writers.

This, of course, was one of that strange breed of "free" books known as "samplers." It contains chapter one -- ONLY chapter one -- of each of fifteen mysteries (crime fiction in this case) presented by authors that Atria (a Simon & Schuster imprint) publishes. How nice that it was a gift, and a softcover one at that. I knew Dave wouldn't mind if I toted the book around casually, reading on the couch, in bed, on the deck. Matter of fact, I barely put it down. Because every single chapter one in this sampler is a good one.

So my "free" book ended up costing me quite a bit, as I scrambled to purchase the books that were started within it. We already had plenty on the shelves by John Connolly and Liza Marklund and Walter Mosley, and a growing section of William Kent Krueger (because I enjoyed finding his books at the mystery shop in Madison, Wisconsin, a few years back). And Spencer Quinn is a regular in the Kingdom Books collections, as is M. J. Rose.

But Paul Cleave, of New Zealand? New to me. And his book Collecting Cooper is a wonderfully dark investigation, a cross between Garry Fisher and Dave Zeltserman with maybe more bodies. Malla Nunn of South Africa? Wow! Kristina Ohlsson, a Swedish author I'd missed in the new Scandinavian fiction craze, is going to be a new favorite, too.

(And don't worry, I'll get to talking about the other authors in there, too. Just not all at once, OK?)

I am ready for a long, long summer of reading. Thanks for the nudge, Atria Books.

Oh, almost forgot -- if you didn't get to one of the bus tour events, you can STILL get a free copy of this sampler, if you don't mind receiving it as an ebook. Here's the link. Go for it!

Slow, Moody, Penetrating: The Spring Mystery by Joseph Olshan, CLOUDLAND

Looking at a list of Joseph Olshan's novels and their publishers, it's clear this Cambridge, Mass., author has long been associated with literary fiction -- the kind that slowly eats its way into you, through the tenaciousness of ordinary people grappling with extraordinary stresses. Here are the titles that preceded this spring's publication of CLOUDLAND:

• The Conversion (St. Martin's Press, 2008)
• In Clara's Hands (Bloomsbury, 2003)
• Vanitas (Simon & Schuster, 1998)
• Nightswimmer (Simon & Schuster, 1994)
• The Sound of Heaven (Bloomsbury, 1992)
• The Waterline (Doubleday, 1989)
• A Warmer Season (Bloomsbury/McGraw-Hill, co-pub, 1987)
• Clara's Heart (Arbor House, 1985)

At first glance, that's the genre for CLOUDLAND, too, with its epigraph in French that translates as "The first love is the only love" (we know that's not true), and its opening chapter that's rich in description of the grainy snow of late March. But it is in fact a corpse that's discovered in this opening -- the corpse of Angela Parker -- and our protagonist, journalist Catherine Winslow, may be writing household hints these days, but she was once a major news reporter with crime knowledge of her own.

I sank into the book with something of the same discomfort as tramping in a Vermont early spring, one moment in wet, icy snow, the next in sticky mud or a cow pie. Catherine's life now isn't much different from what she once described as she waited for her daughter's precarious mental health to perhaps turn toward something better: "I lived from day to day in a stupor of anxiety, hardly eating anything myself, waiting for bulletins that were never very promising ... What they didn't tell me, couldn't tell me, wouldn't dare to tell me was, 'She wants to kill herself.'"

Nor is she the most reliable detective. She admits to us, in this first-person narrative, that the absence of a book from its familiar spot on her shelf confuses her. "I began to worry that I'd somehow lent it out and completely forgotten to whom. Perhaps my memory wasn't so good after all."

Yet these twinges of doubt are equally clues to what's gone wrong on the mountain ridge known as "Cloudland," where Catherine and her sparse neighbors barely speak, yet attempt to still be neighborly somehow. Drawing from some of Vermont's unsolved and unfinished murder cases, Olshan crafts a haunted -- and haunting -- progression from unease to risk to deadly danger.

This is a a book that requires readerly attentiveness and patience. But the rewards are powerful and unforgettable. CLOUDLAND will last on the shelf.

Coming Soon: Summer Mysteries

I plan to post a long-ish description tomorrow about the effects of reading a recent ATRIA books sampler, crammed with first chapters of international thriller/mystery authors.

Also, here are some of the reviews coming for this summer, with the publication months of the books:

John Gilstrap, DAMAGE CONTROL, June 
Peter Lovesey, COP TO CORPSE, June
Timothy Hallinan, THE FEAR ARTIST, July
Alexander Campion, KILLER CRITIQUE, July
Martin Limón, THE JOY BRIGADE, July
Jon Land, STRONG VENGEANCE, July
Lisa Jackson, YOU DON'T WANT TO KNOW, August
Barbara Cleverly, NOT MY BLOOD, August

In general, I aim to post a review about a week before a book will release, although sometimes I wait until a little while after the release date. Let us know if there are reviews you'd like to see earlier than that.
Oh yes, the photo here? Well, we don't do "coffee reviews," but we vote with our orders, which we continue to send to Café Grumpy in New York, with great pleasure. The sack of coffee shown here (with blossoming apple branch) is from Rwanda, and each time I've ground the beans and Dave's savored the beverage, we sighed with pleasure and marveled at what the new international connections offer us.

Think about it: International mysteries. International coffees. Oh yes, we buy LOTS of American, too. But isn't it nice to have such wide choices?

As you can tell, it's a happy day here at Kingdom Books.

Joyful News: David Downing's Fifth Berlin Thriller Is Available Now!

Want to know the downside of being a bookseller at Kingdom Books? Here it is: The books we love the most, that are really, really well written, are the ones we talk about enthusiastically with collectors and readers who stop in - and as a result, we keep selling them off the shelf!

That's been the case for every one of David Downing's John Russell novels. Set (mostly) in Berlin, as World War II and its close aftermath unfold, they feature British journalist John Russell and his family: his somewhat estranged teenage son living with Russell's divorces wife; his creative and strong-minded lover, Effi, an actress forced to work for Hilter's propaganda machine, while secretly fostering a Jewish child and helping Jews to escape almost certain death; and most of all, the city of Berlin itself, beloved by Russell and Effi and their friends, but occupied, bombed, shattered, dangerous -- and somehow inescapable, no matter how much safer John Russell would be if he stayed back in England or even Russia, where his travels at one point take him.

LEHRTER STATION opens with an ominous scene from December 1943, then leaps forward into 1945, as Russell discovers that the rash trades he's made during the war, in order to secure the safety of his family members, now require payment -- in a set of obligations that force him into espionage in the most distasteful ways. Effi too is caught in the pinch of threats from international spy forces, end-of-war trade-offs, and the need to track the surviving remaining parent of the child she's taken to her heart. As organized crime enters the picture, thirsting for the spoils of war, Russell and Effi find increasing threats to their safety, their family members, and their honor.

Powerfully and skillfully written, with constant suspense and sudden surprises of satisfaction, LEHRTER STATION is one of the vital 2012 books that I'd pack for a desert island -- or a beach vacation, or a rainy weekend.

Do you need to read the other David Downing John Russell novels first? Well, not exactly ... but it will add a lot of depth and resonance, so I'd recommend it. Look at the bright side: If Downing is new to you, you'll have five rainy-weekend delights ahead of you. And if you already have his earlier titles -- Zoo Station, Silesian Station, Stettin Station, and Potsdam Station -- now you can re-read and refresh before you cruise into this fifth and possibly final in the series. Or will John Russell rise in new ways, with the new Berlin? I wonder.

Donald Hall Celebrates New England Summer

Last winter I found a story on National Public Radio on the 82-year-old poet Donald Hall. Dave and I try to get to at least one of his readings each year. He names the vivid, the deep, and the truthful, all within precise images and stories within his poems. Mostly they say "New England" to us -- but they also speak of honoring what we've seen, who we are, where our lives are taking us.

Today I photographed dandelions, the rock garden by the garage, lilacs budding and blooming. I hope Mr. Hall sees all of those today too, whether out in spring himself, or through his farmhouse window, or in the tender lens of linked memories.

Click here for our list of Donald Hall books on the shelves.  Make it a day to treasure.

Maurice Sendak, Age 83, Died This Morning

a PBS image of Maurice Sendak

What a loss for every reader, and especially every parent who ever shared one of Maurice Sendak's book, over and over again (because the kids demanded it!), with a child or grandchild. To my grandson, Where the Wild Things Are is the must-read book of every Skype visit -- "Grammy, read the monster book!" I love the sweet ending, as much as the wild rumpus.

It's raining in Vermont today, a soft gray farewell of the heart.

Publishers Weekly notice here.

New York Times obituary here (first of many).

Wikipedia page here.

Collector's Corner: A Special Subset of Donald E. Westlake Books

Here's a piece from Dave today:

I collect titles written by the late Donald E. Westlake (1933-2008) and his many other pseudonyms such as Richard Stark. As part of the Richard Stark series Westlake wrote four Grofield Mysteries. In 1990 Foul Play Press/The Countryman Press in Vermont published the four Grofield Mysteries and they are becoming very difficult

to find in very good to fine condition. They were only published in soft cover.

 

The four titles are:

Lemons Never Lie, 1990

The Dame, 1990

The Damsel, 1990

The Black Bird, 1990

[Want to know more? Click HERE to see our Westlake books available.]

Clea Simon, CATS CAN'T SHOOT: Dark and Delightful

I dare you to read Clea Simon's CATS CAN'T SHOOT -- because it's the only way you'll be convinced how good this mystery author can be, if you've already sworn to reject any book that might involve a talking animal, or a cat that picks out criminals from a line-up. Oh, I understand: Dave and I get touchy about animal mysteries, too ... But Simon's Pru Marlowe "pet noir" series doesn't purr or meow. It scrapes against bone, dark and sharp, asking hard questions about people and the malicious things they often do. The things that can involve their pets.

When Marlowe gets a call to assist the police in a "cat shooting," the animal expert is understandably furious. Who's been shooting cats? She knows people can be cruel. But it turns out that the white Persian cowering in the corner is literally a killer kitty: Evidence indicates her paw pulled the trigger on a valuable firearm that's caused the death of her owner, Donal Franklin.

Marlowe's more than just good with animals -- she picks up their thoughts from time to time. It's a mixed blessing. After all, what does a dog waiting to go outside think about? (Hint: He's gotta go. Fast.) And how much do you really want to know about a hunter's feelings toward prey -- that is, a cat toward food? Or a cat toward a weakness in its "owner"? Pru Marlowe has had reason to regret her relatively new ability to overhear animal commentary (and their insults of her), especially since she can't explain it to even her closest friends without risking being locked up, herself.

Simon's sharp, quick plotting, sturdily mixed motivations, and decisive characters move this crime fiction along briskly. And if the idea of a pet psychic is a bit outside normal beliefs, it's the only notion the reader will have to swallow against the grain; this title, like its predecessor Dogs Don't Lie, is a thoroughly enjoyable traditional mystery with a likable twist.

And actually, now you mention it ... didn't you say your cat knows which sweater is your favorite, and always chooses to curl up and shed on that one?

Simon's created a worthy shelf companion to the great early titles by Lilian Jackson Braun, with shades of Agatha Christie in the character analysis that eventually solves the crimes. I'm looking forward to more in this series.