The Anti-Sherlock Holmes, William Arrowood, Returns in THE MURDER PIT

Glasgow-born Mick Finlay has taken rough conditions to the extreme, including the condition of his detective, in his second Arrowood mystery, THE MURDER PIT. And it's a doozy. With twists, risks, extreme danger, and graphic descriptions of filth and poverty, it's an outrageous counter to the civilied Sherlock Holmes narratives supposedly being printed at the same time that Arrowood and his loyal sidekick Norman Barnett are scrambling to make a living. And there's a fierce rivalry between Arrowood, the "workingman's detective," and the pricey and elegant Holmes: one that's more than just the part of the city where they live, the amount they get paid, the gap between praise and vilification in the London newspapers.

For Arrowood, a man of enormous heart (and girth), opens the interior of crime by observing the personality and emotions of the person he's facing. He puzzles over Darwin, sort out early psychology, grieves for the lot of the people in the slums around him in an emotional stew quite foreign to the celebrated cerebral sleuth of Baker Street. As he warms up to a case involving a woman who can't seem to speak for herself -- she's severely learning disabled and has been married off in a suspicious financial transaction, to a disgusting farm far from home -- Arrowood depends on Barnett's initial survey of the possibly forced bride:

"So Birdie looked in low spirits in train?" he asked, shoving the last piece of warm muffin in his gob.

"That's what it looked like to me. And I felt she wanted to show me too. But I couldn't swear by it. It was dark, and she only looked up quick."

"We ca all recognize grief," he said. "Mr. Darwin says it's universal: raised inner eyebrows, furrowed forehead, lowered mouth corners. The Hindoos, the Malays, the ancient Greeks—all the same. If we couldn't recognize sadness in others we couldn't sympathize. And what would society be like without sympathy, Barnett?"

"Like London sometimes, sir."

Brace for filth, and description of disgusting conditions, from the reek of Arrowood himself, to the pig manure and malicious violence that follow when the pair dig into what's going on in a very unscrupulous medical practice. It's often ugly in Arrowood's London.

But it's also a city of passion and surprising tenderness, and Barnett himself will finally reveal the sorry state of his life to his employer, whose caring is direct and honest. (Just don't get close enough to let Arrowood enfold you in an embrace, an action that again the posh Sherlock Holmes would not condone.)

The devil may be in the details. Walking with this unusual detection team may turn your stomach every few pages. Yet the plot twists are agile, the discoveries worth the work, and yes, I'd read another in this series. I liked the first one, too (Arrowood.) Brought from the UK by the Mira imprint of HarperCollins.

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Second Bianca St. Ives Thriller from Karen Robards, THE MOSCOW DECEPTION

Move over, James Bond and Jack Reacher. There's a woman racing around the world using her genetically modified strength and hard-earned analytical skills to fight for her freedom and a bit more justice overall, and she's fast, smart, and determined. Welcome to the practiced hands of author Karen Robards:

Bianca St. Ives, a DC-area entrepreneur with an amazing tech team, just wants a chance to live and earn her living -- without the presence of her often creepy father figure and the criminal masterminds constantly searching for him. And oh yes, the American government and other special teams hunting for her, too, under her earlier names. Her biotech background, revealed fully in the first book of this thriller series, The Ultimatum, and sketched again here in THE MOSCOW DECEPTION, makes her a target for total disappearance (yes, death and more).

But Bianca's always been willing to take risks, and in this case that means getting back in touch with Mason Thayer -- not actually her father after all, but still the man who knows the most about her past and about the target on her back. The book's title refers to the trade Thayer proposes if she wants his help in surviving: an expert jewel theft she'll need to commit in Moscow, with another hand-picked team eager to share the financial rewards of what she has in mind.

If she was being targeted, if she was being hunted, her best bet might be to shut down the company, put the condo on the market, and go.

Could anybody say, run for your life?

The thought was unutterably depressing.

So don't think about it. For now, just keep putting one foot in front of the other.

Bianca's reasoning and her allies can only take her so far -- and then she'll need a bit better luck than she'd had lately. The question is, would reconnecting with the mysterious but physically alluring Colin Rogan, a presumed MI6 agent who's tracking her, improve her luck -- or send her spiralling into prison or worse?

Great summer reading, adventurous, quickly paced, and just wild enough to suspend skepticism and take the wild ride that a Bianca St. Ives thriller from Karen Robards (and Mira, Harlequin's mystery and thriller imprint) demands.

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Gritty Alternative to Sherlock Holmes, in ARROWOOD by Mick Finlay

Today's the release day for ARROWOOD, a debut crime novel from Mick Finlay. The publisher (Mira) captured the book's premise in this tag line: "London Society takes its problems to Sherlock Holmes. Everyone else goes to Arrowood."

It's a great way to enter the Holmes world without trying to craft yet another pastiche. Consider William Arrowood a rough character himself, a former newspaper man whose scorn for the chronicled super-deductive high-society sleuth peppers his conversations -- and determines his attitude toward people in his South London slum who seek his help. If they reveal they wish they could afford Holmes instead, they're in trouble!

The opening of the book, described as "South London, 1895," sets the scene perfectly, from the point of view of Arrowood's assistant, Mr. Barnett:

The very moment I walked in that morning I could see the guvnor was in one of his tempers. His face was livid, his eyes puffy, his hair, least what remained on that scarred knuckle of a head, stuck out over one ear and lay flat with grease on the other side. He was an ugly sight, all right. I lingered by the door in case he threw his kettle at me again. Even from there I could smell the overnight stink of gin on his foul breath.

"Sherlock blooming Holmes!" he bellowed, slamming his fist down on the side-table. "Everywhere I look they're talking about that charlatan!"

When a young French lady in a bonnet and billowing skirt arrives to see Arrowood's help, it takes all of Barnett's skill to keep her case attractive to his "guvnor." She risks losing the sleuth by her admiration for Holmes, of course, and also be being French ... and female. But Barnett has the bottom line in mind, and negotiates a case.

When it becomes obvious that Arrowood and Barnett will have to spy on and probably confront members of a dangerous criminal gang that's already threatened their lives, the crime novel turns into a Victorian thriller, hot with action and risk.

The book's well written, with just a hint of "debut" novel in its pacing. Most appealing is actually the character of Arrowood's sidekick Barnett (a more emotionally complicated person than Doyle's Dr. Watson). Details of gritty and sometimes grotesque Victorian poverty come through, along with a finely honed edge of violence.

Mick Finlay has an unusual background for this field, one that may bear significant importance as the promised series continues:

Mick Finlay was born in Glasgow and grew up in Canada and England. He now divides his time between Brighton and Cambridge. He teaches in a Psychology Department, and has published social psychological research on political violence, persuasion, and verbal and non-verbal behaviour. He reads widely in history, psychology, and enjoys a variety of fiction genres (including crime, of course!)

Holmes fanatics are safe in picking up ARROWOOD because it steers neatly around the established sleuth's famous cases, keeping the focus in this down-and-dirty world instead.  The feel is very similar to the series by M.R.C. Kasasian, and I enjoyed the dark humor. Well done, Mick Finlay!

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

FBI Profiler Series from Elizabeth Heiter, STALKED (#4)

It may take a while before FBI suspense fiction written by women catches up in terms of publicity with what the taller sex is writing -- Elizabeth Heiter's "The Profiler" series ought to speed the process along, though. The fourth in this series, STALKED, takes profiler Evelyn Baine into new terrain in several ways: (1) She's tracking a vanished teen, Haley, in a time period well past when such cases usually end badly. (2) She's got to liaise with a prickly local police force in order to enter the case, and that's downright hard. (3) Her romantic relationship with former Hostage Rescue Team operator Kyle McKenzie is out in the open at last -- but also under immense stress, as Kyle faces the possibility that he may never be physically able to return to the HRT job that's the center of his self image.

And as Evelyn's own case heats up, becoming more dangerous, the pain she's inadvertently causing for Kyle could cripple her investigative instincts.

Set in the DC area, STALKED twists the assumptions around lost teens into new versions, ramping the suspense. (Lee Child and Tess Gerritsen are among the suspense authors praising the series and verifying that Heiter has her Bureau facts right.) And when the questions around Haley start interlocking with issues of possible human trafficking on a nearby college campus, the book becomes a must-read, a true page-turner.

Recommended -- and for those as intrigued as I was, the preceding books in the series are Hunted, Vanished, and Seized; the paperback original's publisher is MIRA.

New Sharpe & Donovan Mystery from Carla Neggers: LIAR'S KEY

I look forward all year to each new mystery from Carla Neggers -- and sometimes there are even two of them, as she's currently writing two series at a time. Art sleuth Emma Sharpe and her fellow FBI investigator (and fiancé) Colin Donovan are my favorites. I'm also a fan of their family members and friends, whom Neggers weaves in and out of the series, sometimes focused on one, sometimes on another, and usually combining scenes in both Ireland and Maine, where the warm welcomes of small inns and dinner spots provides a charming contrast to the rocks, fogs, rutted back roads, and sometimes boats and excursions into, say, Dublin or London.

LIAR'S KEY is a delight -- a traditional mystery with reliably smart sleuths and just enough danger to season the development of Emma and Colin's sturdy romance. Actually as the book opens, their wedding is mere weeks away, and Colin's struggling to decompress from his most recent undercover work while also setting up a honeymoon location. But it's Emma whose skills must cut forward first, when former FBI legend Gordy Wheelock turns up on her turf. Gordy's supposed to be retired, making a civilian life with his wife in the South. But when he lands in Emma's Boston office, he's sniffing for details of a presumed art crime, a heist of a mosaic. The part that has him back on the trail of a crime -- when he shouldn't be! -- is that he caught word of the theft during a London party that involved way too many memorable people: Emma's parents, for instance, and her wily grandfather, as well as the sophisticated and probably criminally minded Oliver York. Plus an agent from Britain's MI5, complicating the gathering to a level of suspense and intensity that Gordy just can't resist.

His attempt to probe Emma for news of the crime or of her noted family members, owners of Sharpe Fine Art Recovery, falls flat. But Emma has to work hard to make sure that's the case:

Gordy started past her but stopped abruptly. "I hoped you'd level with me, Emma."

"That's a two-way street, Gordy."

"I always believed there were no secrets between us. I should have known better. You're a Sharpe, after all."

"Sorry the fishing expedition didn't work out for you."

He laughed. "I had that coming. You're tougher than you used to be."

Emma needs to be tough, for the perils of her job on the HIT (High-Impact Target) team of the FBI, "focusing on criminals with virtually unlimited resources." Readers of the series will recall her risky efforts in Ireland to nail the brilliant Oliver York for art theft ... and will enjoy York's abrupt reentry into her casework. But this isn't the moment she wants to be on the job, with her wedding so close and the need to create a safe harbor in Maine for Colin's return.

As in the earlier books in the Sharpe & Donovan series, there are budding romances here, blossoming around the passion and joy that the engaged couple share with their community of sleuths and family members. Count on some intriguing scenes with Father Fin Bracken, too. Most importantly, the challenge of figuring out whether there's actually been a mosaic theft, and why it might affect Emma's hometown, is central to the investigating that Emma pursues. The twists are clever, the pace relentless, and the clock's ticking toward the wedding -- if all the wedding party can arrive at that point, alive, healthy, and ready.

Why the title, LIAR'S KEY? Neggers doesn't reveal that until nearly the end of the mystery -- but from the start there is at least one consistent liar on scene, and several who doggedly mislead. Emma Sharpe's task is to figure out the danger -- before it can spoil her big celebration ahead.

The book's now on sale (August 30 release date); although Neggers has few events scheduled for signings (see http://www.carlaneggers.com), she's highly accessible through the website, where other 2016 releases are also described. Let me know if you, too, get hooked on her neat plots, warm and sensible sleuths, and gorgeous backdrops. Good storytelling, from MIRA Books.

Suspicious Airplane Crash, Feisty Investigative Reporter: FREE FALL from Rick Mofina Hits the Thriller Buttons

Rick Mofina's FREE FALL is the fourth in his Kate Page series (1, Whirlwind; 2, Full Tilt; 3, Every Second; 4. Free Fall), and should absolutely not be read during high-speed travel!

With 18 books under his belt, Mofina's a pro at pacing his thrillers and picking out the areas where readers will echo the disturbance and mounting fear in the story, thanks to ordinary experiences we've all had: hearing the airplane captain talk about oncoming turbulence, reading a report of a bus with mechanical malfunctions, realizing how rapidly today's trains take the curves of the tracks.

This time, Mofina places journalist Kate Page in a frightening position personally as well: A hostile internal takeover of the newsroom at the paper where she works is threatening her reputation and her job. When Kate hears the police scanner report a jet landing with a mysterious malfunction, she almost gets the entire story stolen from her. Malicious colleagues want her slot. She knows darn well she's good -- and that she's given a piece of her soul to each major story and the victims she's interviewed. Can she be forced out?

Luckily, the just-in-time return to Newslead of a former boss who knows Kate's skills gives her a chance to jump back into the story. Her investigations soon have her chasing across the country to pull together tips, interviews, and enormous possibilities, in collaboration with the very worried FBI agents on the case.

Mofina's pace is rapid, and FREE FALL reads best if it's not interrupted often. His writing has earned praise from Michael Connelly and Tess Gerritsen, although it differs from both of these -- closer to an early James Patterson. No need to read the books in sequence, although, as always, it's a good way to appreciate a character's growth (and the author's). This one is from MIRA; Mofina is himself a former crime reporter, and I'm betting he has a dozen or more plots already spinning for sequels!

Top Summer Suspense: THE GOOD GIRL, Mary Kubica

THE GOOD GIRL is a debut thriller from Mary Kubica, a married mom of two who lives outside Chicago and has a degree in history and American literature. Now, forget the author details and focus on the book -- because this is one of the summer's big winners.

When wealthy but unhappy Chicago socialite Eve Dennett gets a phone call from one of her daughter's colleagues at an inner-city school, she brushes off the caller's concern about Mia Dennett not showing up for work. As far as Eve and her judge husband are concerned, Mia is a disappointing daughter, confused about her role in the world, unwilling to meet her parents' expectations, and a bit of a flake. If she's not at her art-teaching do-gooder job, well, maybe she forgot.

Detective Gabe Hoffman's main concern at first is meeting his sergeant's demands on a maybe-missing-person report that involves such powerful people; "Don't f** this one up," was the order from above. Not that Gabe would do so deliberately. But balancing the unpleasant emotions of the two Dennett parents with their reluctant and partial information is a challenge, for sure.

And then there's Mia herself: We meet her early in the book, through her mother's eyes, in a jump of the timeline as the two of them head out of a post-trauma psych appointment, with Mia's impatient and abrasive father ready to drive them home. Clearly, Mia's badly damaged by whatever it was, and whoever it was, who caused her abduction. Where has she been? How did she get there? Who is responsible for this?

Kubica uses a highly unusual framework to pry open the story in all its emotions and facts, alternating not only the narrators and points of view, but also the time at which they are communicating: "Before" Mia's return, and "After." Each chapter is neatly labeled with speaker and time zone -- and tightly packed with tension, shock, anger, and mixed motives. It's clear that only discovering what really happened is likely to free up Mia, whose amnesia includes a new name for herself, as well as multiple levels of fear, even to as small a thing as the radio being too loud.

But getting to the truth requires opening the layers of Mia and her life, and Kubica holds these layers tightly in suspense, even as winter's ravages push the urgency of the discovery process. It isn't until the final chapters that all of the details so painstakingly assembled build to "what happened."

There are two minor drawbacks to the book -- the sometimes challenging before/after framing (you have to pay close attention), and the present-tense narration, which is coupled with each character missing a lot of information that the others have. Yet those become gradually part of its power as a narrative. And the book's positives -- its relentless pace, its flawless peeling back of the psyche, its sometimes shocking but always acutely portrayed versions of what love is and what love does -- make this an amazing debut, and a mystery I expect that I'll always remember and compare others to.

The publication release date is July 29 (two days from when I'm writing this); that's enough time to place your own pre-order, or, if you want to think about things a bit further first, to explore the author's website, here. THE GOOD GIRL reveals a lot of pain, and a comparable amount of love and loyalty. Definitely worth reading, whether you get to it within the summer reading season or let it linger on the shelf until the long evenings of autumn or even the fierce windy winter in which its memorable chain of actions is set. Published by Harlequin's mystery arm, MIRA -- another example of how this imprint is bring out some of today's best mysteries.

Brief Mention: Andrea Kane, THE STRANGER YOU KNOW

During this very strange Super Bowl game evening, I confess I've been distracted -- I hope my lack of attention didn't contribute to the Denver disaster. Sigh. Superstition runs rife among sports fans and writers. There is one sports fan in the house, and one writer who makes sports-related kitchen efforts. You can probably guess which of us is which.

In the process of fine-tuning the chicken wings recipe and excavating a heap of books in the kitchen (hey, you know how distraction goes), I found a title that I should have reviewed back in October, when it was released: THE STRANGER YOU KNOW by Andrea Kane. It's the latest to feature the "Forensic Instincts" team: headed by Casey Woods, and specializing in behavioral and forensic psychology. I like the generous and strong characters, the quick thriller-style pacing, and the carefully shaded modern noir note here. Kane's earlier titles brought out by Mira (the crime fiction side of Harlequin) are The Girl Who Disappeared Twice and The Line Between Here and Gone.

While I'm sorry to be late mentioning Kane and this latest title, I am glad to see the book is coming out in paperback in March. If you're a pre-order person and you'd like to sample this line of well-crafted psychological sleuthing, here's a good moment to mark Kane onto your list.

Kane is a long-time author of romantic thrillers and historical romances as well, and she's a Jersey Girl; I hope we'll see another title from her soon. Author website here.