Showing posts with label Arrowood. Show all posts
Showing posts with label Arrowood. Show all posts

Friday, February 08, 2019

The Anti-Sherlock Holmes, William Arrowood, Returns in THE MURDER PIT

Glasgow-born Mick Finlay has taken rough conditions to the extreme, including the condition of his detective, in his second Arrowood mystery, THE MURDER PIT. And it's a doozy. With twists, risks, extreme danger, and graphic descriptions of filth and poverty, it's an outrageous counter to the civilied Sherlock Holmes narratives supposedly being printed at the same time that Arrowood and his loyal sidekick Norman Barnett are scrambling to make a living. And there's a fierce rivalry between Arrowood, the "workingman's detective," and the pricey and elegant Holmes: one that's more than just the part of the city where they live, the amount they get paid, the gap between praise and vilification in the London newspapers.

For Arrowood, a man of enormous heart (and girth), opens the interior of crime by observing the personality and emotions of the person he's facing. He puzzles over Darwin, sort out early psychology, grieves for the lot of the people in the slums around him in an emotional stew quite foreign to the celebrated cerebral sleuth of Baker Street. As he warms up to a case involving a woman who can't seem to speak for herself -- she's severely learning disabled and has been married off in a suspicious financial transaction, to a disgusting farm far from home -- Arrowood depends on Barnett's initial survey of the possibly forced bride:
"So Birdie looked in low spirits in train?" he asked, shoving the last piece of warm muffin in his gob.

"That's what it looked like to me. And I felt she wanted to show me too. But I couldn't swear by it. It was dark, and she only looked up quick."

"We ca all recognize grief," he said. "Mr. Darwin says it's universal: raised inner eyebrows, furrowed forehead, lowered mouth corners. The Hindoos, the Malays, the ancient Greeks—all the same. If we couldn't recognize sadness in others we couldn't sympathize. And what would society be like without sympathy, Barnett?"

"Like London sometimes, sir."
Brace for filth, and description of disgusting conditions, from the reek of Arrowood himself, to the pig manure and malicious violence that follow when the pair dig into what's going on in a very unscrupulous medical practice. It's often ugly in Arrowood's London.

But it's also a city of passion and surprising tenderness, and Barnett himself will finally reveal the sorry state of his life to his employer, whose caring is direct and honest. (Just don't get close enough to let Arrowood enfold you in an embrace, an action that again the posh Sherlock Holmes would not condone.)

The devil may be in the details. Walking with this unusual detection team may turn your stomach every few pages. Yet the plot twists are agile, the discoveries worth the work, and yes, I'd read another in this series. I liked the first one, too (Arrowood.) Brought from the UK by the Mira imprint of HarperCollins.

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Tuesday, July 18, 2017

Gritty Alternative to Sherlock Holmes, in ARROWOOD by Mick Finlay

Today's the release day for ARROWOOD, a debut crime novel from Mick Finlay. The publisher (Mira) captured the book's premise in this tag line: "London Society takes its problems to Sherlock Holmes. Everyone else goes to Arrowood."

It's a great way to enter the Holmes world without trying to craft yet another pastiche. Consider William Arrowood a rough character himself, a former newspaper man whose scorn for the chronicled super-deductive high-society sleuth peppers his conversations -- and determines his attitude toward people in his South London slum who seek his help. If they reveal they wish they could afford Holmes instead, they're in trouble!

The opening of the book, described as "South London, 1895," sets the scene perfectly, from the point of view of Arrowood's assistant, Mr. Barnett:
The very moment I walked in that morning I could see the guvnor was in one of his tempers. His face was livid, his eyes puffy, his hair, least what remained on that scarred knuckle of a head, stuck out over one ear and lay flat with grease on the other side. He was an ugly sight, all right. I lingered by the door in case he threw his kettle at me again. Even from there I could smell the overnight stink of gin on his foul breath.

"Sherlock blooming Holmes!" he bellowed, slamming his fist down on the side-table. "Everywhere I look they're talking about that charlatan!"
When a young French lady in a bonnet and billowing skirt arrives to see Arrowood's help, it takes all of Barnett's skill to keep her case attractive to his "guvnor." She risks losing the sleuth by her admiration for Holmes, of course, and also be being French ... and female. But Barnett has the bottom line in mind, and negotiates a case.

When it becomes obvious that Arrowood and Barnett will have to spy on and probably confront members of a dangerous criminal gang that's already threatened their lives, the crime novel turns into a Victorian thriller, hot with action and risk.

The book's well written, with just a hint of "debut" novel in its pacing. Most appealing is actually the character of Arrowood's sidekick Barnett (a more emotionally complicated person than Doyle's Dr. Watson). Details of gritty and sometimes grotesque Victorian poverty come through, along with a finely honed edge of violence.

Mick Finlay has an unusual background for this field, one that may bear significant importance as the promised series continues:
Mick Finlay was born in Glasgow and grew up in Canada and England. He now divides his time between Brighton and Cambridge. He teaches in a Psychology Department, and has published social psychological research on political violence, persuasion, and verbal and non-verbal behaviour. He reads widely in history, psychology, and enjoys a variety of fiction genres (including crime, of course!)
Holmes fanatics are safe in picking up ARROWOOD because it steers neatly around the established sleuth's famous cases, keeping the focus in this down-and-dirty world instead.  The feel is very similar to the series by M.R.C. Kasasian, and I enjoyed the dark humor. Well done, Mick Finlay!

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.