Showing posts with label Native American. Show all posts
Showing posts with label Native American. Show all posts

Friday, March 11, 2016

America's Revolution Begins in Murder, in BLOOD OF THE OAK, Eliot Pattison

What kinds of oppression awaken a nation to action? When do struggles for survival become a force to light a revolution? No, I'm not talking about this year's Presidential campaign, but rather, the simmering, smoky, and definitely violent build-up to the American Revolution. In the fourth book of his Bone Rattler series, BLOOD OF THE OAK, Eliot Pattison's protagonist confronts those questions -- and the investigation of multiple murders.

Exiled and shorn of his family and clan, Duncan McCallum's path during the three earlier books has meant turning his medical training into the baby steps of a new forensic science. Technically he's still a runaway from government justice, living in the forests of Pennsylvania, far from the vicious man who claims to hold him within an indenture. But readers of the earlier books have seen Duncan transformed through learning the ways of the Algonquin Nation. His friend Conawago is an elder of the Nipmuc tride, and together the men have survived brutal attacks, rescued the well-meaning and innocent, and upheld the tribal rights and customs. Duncan has, in fact, joined a New World clan, and he's well aware of how fortunate he has been. Now in 1765, he even has a woman in his life, someone he trusts and respects and who is also working for justice and, dare we say it, peace.

That may be a lot to swallow for first-time readers of this series. If it sound like further than you can imagine stretching, don't read this one yet -- go to Bone Rattler, then Eye of the Raven, then Original Death. Follow along on this remarkable but step-by-step reasonable path that Pattison outlines.

But many first-time readers of the series will find instead that the quick pace, dramatic action, and fiercely honorable allies presented here make it easy to leap into Duncan's adventures right away. Remember how William Penn thought he was creating a "city of brotherly love" in Philadelphia? Duncan's beloved Sarah Ramsey makes a smaller version possible on the western frontier (yes, Pennsylvania edged the wilderness then), in her Edentown. And Duncan needs some of that peace and tranquillity for himself.

Especially now, because he has a mission from the Iroquois. Summoning him to use his skills, Adanahoe, an elderly woman who leads the spiritual side of the tribes, needs him to retrieve a holy item that's been stolen -- before the tribes lose their ability to survive in the new age.

Almost before Duncan can reach his heart's home, though, killings erupt around him -- and without time to consider, he's thrust out into the wilderness again, chasing murderers and trying to interpret cryptic clues that surround him.

Without our hindsight, Duncan has no idea that the colonists around him in 1765 have reached a boiling point. He's been out in the forest, after all. In the taverns, and the back rooms of powerful men, rebellion is brewing. War is on the table for consideration -- and Duncan takes far too long to grasp what's at stake.

But he sees clearly enough the folly of the settlers and city men, even the ones who think they are healers bringing their art to the natives, like the young Benjamin Rush, an associate of Ben Franklin's.
Duncan eyed the tied leather roll Rush had carried through his ordeal, now resting on the pile of logs beside the young scientist. Rush sighed but did not stop him as he unrolled it, exposing a row of silvery instruments, each in its own sewn pocket. Surgical knives, tweezers, a metal rule, a small bone saw, probes, long needles with silk thread, and a reed-thin stem of metal with a tiny mirror at its end ...
Duncan eyed the tools uneasily. "What exactly in God's name are you doing here, Rush?"

"Gathering evidence, of course. With doctors in Philadelphia paying three pounds a body, there's no end of cadavers there. But it's damnable hard to find a native specimen. ... I showed them my coin. I asked about the recently dead. They did not seem to understand. Only one spoke any English and that poorly. So I pulled out a surgical blade to help him understand. He asked what it was and I told him, very slowly, to help him grasp the word. Then he pulls out his war ax and shouts at me."

Duncan stared in mute astonishment. "You must have an angel hovering over you to have survived so long. ... You come from Philadelphia, where they pay bounties for Indian hair, you show him your coin, then display your blade, naming it your scalpel." Duncan repeated the word, slowly, the way Rush must have done. "Scalp-el."

The color left Rush's face. "Dear God! I didn't ... I never meant to suggest ... dear God!" he repeated.

Duncan stared at the forlorn man, wondering not for the first time how learned men could be so unwise in the ways of the world.
But this interlude is almost a gentle one, compared with what Duncan and his friends are headed toward, as Duncan's hunt for a murderous cabal puts him into the way of the most angry patriots along the New World's coast. Duncan has never dreamed that good, wise men would ever actually choose to defy the King -- and as he begins to realize how wrong he has been, lives of the people he loves are on the line. He will have to mesh his training in deduction and reason, with the canny opportunism he's learned from both of his "tribes," to have a chance at surviving.

The horrible conditions of slaveholding, of manipulative indentures, of women who have no real rights, and of invaders uprooting a land's people in order to seize wealth -- all of these align againtst Duncan in this volume.

A small caution for mystery readers: Although Duncan's forensics operate powerfully here, especially in the first half of BLOOD OF THE OAK, several major twists and his eventual fate depend more on his ability to choose the right alliances and sustain them. Thus, this is less a tale of investigation than of revelation and maturing.
His confusion was like a physical pain. He stared at the foreboding words [on a slip of paper inside a Bible], which kindled anew his grief for the young couple in the churchyard.

It made no sense that amidst the urgent, mysterious work these men were engaged in they would take the time to speak of Shakespeare, to memorize passages ... He shook his head in bewilderment.
Pattison's deep strength is in his gift of in-life autopsy of the human mind and soul. He lines up, chapter upon chapter, the forces that Duncan must face in a new way -- or lose himself in the process.

So, this one's a little less of a clue-based mystery, but instead a powerful book of transition: for Duncan, from naive to knowing; for his friends, from tribal loyalty to spiritual search; and for the settlers and their gatherings, from ruled colonies to something that dares to whisper: Independence.

There must be a sequel already in the works; I'm looking forward to watching Pattison carry this striking and passionate narrative into the explosions that will forge the American Revolution -- and Duncan McCallum's fate.

Sunday, November 08, 2015

Is It a YA Mystery? BLOODLINES, Lynn Lipinski

The cover design, the promotions, the snippets I saw about this book all had me wanting to read it. Then, before I got around to buying a copy, the publisher sent one here for consideration. So I plunged into BLOODLINES, an irresistible mystery by Lynn Lipinski. And ended up with burning question.

Zane Clearwater, age 26, is a suspect in his mother's death by presumed arson at the trailer where she and his younger sister live -- and so does he, although he's paid a deposit on his first apartment based on his job at the Tulsa (Oklahoma) Zoo. The trouble is, Zane got fired on suspicion of selling turtle eggs; lost his sobriety that day and got drunk with his mom; and left the trailer park just about 15 minutes before the trailer erupted in flames. There are a lot of reasons to consider him a suspect. Worse yet, Zane's a blackout drinker: He has no idea what happened that evening.

Soon Zane and his sister Lettie, 14, find the outlines of their lives irretrievably blurred, as they discover their mother's life was very different from what they'd thought -- basically she had a name change and is in hiding from a possible spree killer who'd threatened her life. The siblings, especially Zane, have to know more, and soon they're in touch with the man who surely was Zane's biological dad, who'd been released by the courts for lack of evidence. The discovery of a couple of grandmothers and half-brothers doesn't make this any easier.
Zane wondered if his blackouts were inherited from his father. And he also wondered what other traits he might have inherited. Maybe that dark rage that overtook him sometimes when he drank? The part of him that itched for a fight or welcomed violence? The part he tried to keep clamped down.

Learning that his life was based on a set of lies was like someone had opened a locked door, but instead of revealing a brightly lit path forward, all he saw was another closed door. He wasn't even sure he had the energy right now to open it. The adrenalin of the day had evaporated and he slump in the chair. There was no fight in him now; all he wanted was a nap.
Meanwhile Zane's hoped-for girlfriend turns out unreliable, and the police are increasingly interested in Zane -- which his newly discovered relatives are only exacerbating.

This is a well-written mystery, with plenty of energy and good plot twists. Zane and Lettie are indeed engaging, and memorable. I'm really glad to have read the book, and I'd recommend it to .... well, there's that burning issue I mentioned. Zane is the protagonist who's viewing the action, and his issues are coming-of-age issues: naive belief that a parent will solve a situation, that a first girlfriend will become a wife, that the warmth of his newly discovered father means he has a "real family" to depend on -- and, of course, that he can somehow drink like his father and not screw up his life.

So this is a "young adult" (YA) mystery. Even the language in it, the sentence structures, the dialogue, say young adult. In fact, I don't buy Zane as 26: He acts and thinks like 18 or so.

And that means I'm recommending this for teens -- and for the many adults who enjoy YA mysteries. Share it across generations for extra pleasure. It won't make you double-check the door locks as you read, although Zane's dad is one nasty character. (Native American issues do rise up here, since the villain of the book is Cherokee. I leave that for others to probe, but please be aware of it.)

This is Lipinski's debut novel, and I look forward to reading more of her work. Her website is intriguing -- check it out here. The book is a paperback original, published by Majestic Content Los Angeles, and also available as an ebook.

Monday, October 12, 2015

Vivid History, and Reasons to Honor "Indigenous Peoples Day"

Nonfiction mystery this time!

Sometimes the mysteries of the U.S. mail baffle me. A page-proof copy of GLOOMY TERRORS AND HIDDEN FIRES by Ronald M. Anglin and Larry E. Morris arrived here a month or so ago, and when I saw "October 10" as the release date, I assumed it meant 2015. Actually the book was published a year ago. But I'm very glad it arrived here anyway, with its compelling U.S. history and narrative of the life of an early explorer.

John Colter, who traveled with Merriweather Lewis and William (Bill) Clark in their famous early-1800s expedition sponsored by Thomas Jefferson, could almost have had his own book on the strength of his work with the noted explorers "West of the Mississippi." But he became far more recognized for the generously mythologized episode in his life that happened in 1808, when he supposedly accepted a challenge from a group of Blackfeet (Native Americans). He ran -- naked and shoeless -- for his life, outracing the indigenous people he had already deeply offended by trespass, theft, and the deadly shooting done by his partner. Not only did he make his way through the "wilderness" alone for eleven days, half starving en route -- but he became known as the man who'd bring Yellowstone itself to national notice, and he survived a few more years, to become legendary.  "Colter's Run" is still observed as a race today.

What Anglin and Morris do with their book is trace and retrace Colter's sparsely documented life. Working from records kept by others -- Colter left none -- they build a forceful tower of speculation that eventually stands on its own, to describe the frontiersman himself.

But far beyond hanging flesh onto the bones of legend, these authors outline bluntly the repeated, deliberate, and deceitful treatment by the explorers, of the tribal peoples who welcomed, guided, supported, and often rescued them. By the time I'd finished the first three chapters, I was mightily sickened by the actions of the "white men" who'd probed the Western lands, and even more horrifid by the actions that followed, whether by settlers or by politicians. In the words of the authors:
Four short years into the nineteenth century, Lewis and Clark had failed to understand the Lakota for want of an interpreter -- and also for want of a desire to treat the Indians as equals. Sadly, this misunderstanding prefigured an entire century of false impressions, misreadings, distrust, and tragedy. On that pleasant day of September in 1804, when Colter looked up to see his horse gone, he could not have imagined what that missing horse would someday symbolize.
So I'm recommending GLOOMY TERRORS AND HIDDEN FIRES as a book to open on "Columbus Day" (today) or any time this coming winter. Ignore the flawed introductory material -- the chapters themselves are full of detail and well written. The passion of the two historians rings clearly, and they document their narrative and assertions -- and in particular their view of the interactions of the early invading entrepreneurs and the Lakota Sioux nation -- in abundant detail. It's a page-turner, and may also be a mind changer. It was for me -- I think it's long past time to make the change from Columbus Day to Indigenous Peoples Day. It's the least we can do to acknowledge the presence of the nations of tribal peoples who were so terribly dealt with for so long, and who still struggle for the treaty rights that once seemed legally binding.

Sunday, August 09, 2015

Vidar Sundstøl, THE RAVENS, "Minnesota Trilogy 3"

Some books don't belong in the summer reading pile. THE RAVENS, the satisfying concluding volume of Norwegian crime fiction author Vidar Sundstøl's "Minnesota Trilogy," is one of these. It's solid, nuanced, complex -- and heavy. But what could you expect, after the heft and intrigue of the two earlier volumes?

As a quick recap, The Land of Dreams took Lance Hansen, a U.S. Forest Service ranger who should never have been involved in investigating a crime of murder, to the dark side of suspicion and spiritual distress. Hansen's hope of amassing an impressive genealogy of his family takes a nosedive as he stumbles across possible evidence of a deadly crime in his family's past -- while struggling to make sense of a brutal killing in "his" forest terrain, along the North Shore of Lake Superior. More details here. Both Scandinavian roots and the tragic past of Native peoples along the lake are soon entwined, along with Hansen's desperation to sort out the threats he's finding and the way his life is crumbling.

The second volume, Only the Dead, is unique among modern crime fiction, as it dwells within a single hunting trip made into a nightmare while Hansen and his brother maneuver in a killer ice storm in the dense woods. It shouldn't be read alone, in my opinion -- which makes it a very good thing that the entire trilogy is now available.

With THE RAVENS, Sundstøl binds together the deadly threads and soul illnesses revealed in the earlier books. And if the end result is a bit less haunted, and a bit more of a traditional crime investigation, it still has shocking moments that make it clear why this unusual crime trilogy is published by the University of Minnesota Press. To resolve his crisis, and eventually untangle the crime, Hansen grapples with his personal hauntings by both Swamper Caribou (the long-dead Ojibwe victim) and the women in his life. To reach the truth, he puts himself and his possible future at risk, and confronts the secrets within his nearest family circle. He even seeks his former father-in-law's instruction:
"The important thing is to fast."

"But I won't be able to sleep if I'm hungry."

"Hungry?" Willy sounded annoyed. "Do you think this has anything to do with going to bed hungry? I'm talking about self-deprivation, Lance. Torture. You need to suffer until you have a vision ... you have to choose to do this. And make it part of your reality."
Don't get just one book (unless you want to start with just the first one; and when you finish it, I think you'll want the others). It's handy in some ways to have this be three volumes, but it's one massive and intense story, engaging, compelling, and lingering. I'll never enter the winter woods, or an ice storm, or a news story about a killing, in the same way again.

Sunday, February 23, 2014

Brief Mention: Frances Washburn, THE RED BIRD ALL-INDIAN TRAVELING BAND

Frances Washburn's new mystery, released this week, will shelve in many a collection with the mysteries of Margaret Coel and Tony Hillerman, for its setting in Indian Country and its characters who speak for reservation life. But THE RED BIRD ALL-INDIAN TRAVELING BAND belongs in two other groups more closely, I think: It's a gritty, dark, often violent, yet sometimes very funny work of noir, featuring especially Sissy, the singer of the band, who has the unfortunate family curse of being the one everybody tells their secrets and losses to. And it's also a literary work built as a cascade of stories, one episode after another, thick with the details of shared meals, work pressure, people examining the edges of new experiences.

Washburn has the chops for the work -- this is her third novel; she was born on Pine Ridge Reservation in South Dakota and grew up there; and she's an associate professor and director of graduate studies in the Department of American Indian Studies at the University of Arizona. As she takes singer-guitarist Sissy Roberts through unraveling the death (presumed murder) of Buffalo Ames, she also fingers the pulse of both Sissy's individual life shifts and the changes in Indian Country. It's far from a quick read -- the literary side of the pacing means more detours and meanders than usual -- but it's worth the lingering. And it's published by the University of Arizona Press, one more indication of growing acceptance for the mystery genre as territory where life's complexity can be probed and tested.

Wednesday, July 24, 2013

Armies, Power, Murder, Manipulation: Eliot Pattison's New Bone Rattler Mystery, ORIGINAL DEATH

Is it true, as Lord Acton wrote in 1887, that "Power tends to corrupt, and absolute power corrupts absolutely"? If so, the many forces entering battle in Colonial America must have hosted a lot of corruption -- because each of them struggled wildly to seize power in the New World. The French, the British, the newly developed Colonists ... But what about the Native Americans?

In author Eliot Pattison's hands, the tribal forces of 1760 may demand an exception to the rule. Knowledgeable about their land and its seasons and weather, wise in the movements of animals and growth of plants around them, and carefully balanced against each other's tribes -- or clans, as Scottish exile Duncan McCallum sees them -- the tribes of the Iroquois federation want power over themselves. But not over the Europeans. Without that hunger for absolute power, they'll avoid the depths of corruption already sweeping through the military forces around them.

At least, it seems that way to Duncan, traveling north toward a village by Lake Champlain with his aging but gentle and wise friend Conawago, who may be the last of the Nipmucs. That's how others know this sage. Yet Duncan knows the contents of the letter Conawago has, the one that's pulling him north. It says there are two other Nipmucs alive, in a settlement of Christian Indians.

Heartbreak! The pair of travelers arrive to find a murdered settlement -- including Conawago's nephew -- and increasing evidence that robbery and more murder have spread among the Scottish forces working for the British. Duncan even discovers a roped and drowned clansman under the lake's waters: "Duncan could not bring himself to touch the body, but he gripped the wheel to study it wuth the more deliberate gaze of the doctor he had trained to be. ... The death had a slow, organized aspect to it."

This is the frame Pattison has used in Bone Rattler and Eye of the Raven to turn Duncan McCallum into a forensic expert and investigator. Skilled in "hearing the voices of the dead," McCallum's observations and experience add up to a hyper-awareness of the evil that people can do. Wouldn't it be nice to blame it all on the British, or at least on the French, reaching down with other Native allies -- especially the Huron -- to challenge the ownership of the rich lands of New England?

Pattison, who also writes a series that involves Tibetan Buddhist lamas in Chinese-occupied terrain, crafts a many-layered plot that hinges on evil being possible for anyone, no matter what their origin or "clan." Soon McCallum and Conawago find themselves chasing a tribal leader named The Revelator. And the Iroquois council puts an added burden on them, one that McCallum discovered and would have embraced anyway. They are to rescue a group of kidnapped children.

Turning the tables on classic "Indian Wars" tales of white settler children being kidnapped, Pattison instead reveals a daring plot that involves holding the young children of tribal leaders, for ultimate leverage. Then he winds McCallum in accusations from so many directions that it seems everyone is willing either to kill him or capture him (or both). As evidence of criminal activity gradually adds up so do the deaths of McCallum's friends and allies. Battle is about to begin, and it's unlikely that rescue of the children can take place in the midst of such death and destruction: that absolute form of corruption of life, after all.

Parallel to his Inspector Shan/Tibet series, Pattison's Bone Rattler books dare to compare forms of spiritual wisdom and pathways, looking not just at evil (crime fiction, after all!) but at the nature of good. This third Bone Rattler "mystery of Colonial America" raises intriguing questions and insight into the clash of cultures in the New World -- even as it sets up McCallum and Conawago to risk everything for the chance to keep the Native tribal cultures viable for a generation longer.

A good read -- and one that's left me thoughtful and ready for a long, long walk in the forest.

MEET ELIOT PATTISON at Kingdom Books on Sunday July 28 at 7 pm; or if you can't be here, reserve a book or two, signed, and we'll ship them to you the next day. Also featured in this event is Pattison's newest book in his Inspector Shan series (see yesterday's review). We'll have copies of both of his newest books -- Mandarin Gate and Original Death -- but in limited numbers, so please contact us (802-751-8374 and KingdomBks at gmail.com) if you'd like to reserve copies of these or other Pattison mysteries for signature and purchase.