Showing posts with label Edgar Stephens. Show all posts
Showing posts with label Edgar Stephens. Show all posts

Monday, December 02, 2019

Magicians and Mystery, in NOW YOU SEE THEM from Elly Griffiths

When Elly Griffiths opened her "Magic Men Mystery Series," the threads and tension drew on the experience of a team of illusionists, some professional, helping Britain protect itself from World War II bombings. How the men perceived what they'd done in the war and the echoes remaining in their postwar lives deepened the suspense.

With her fifth in the series, NOW YOU SEE THEM Griffiths has already arrived in the 1960s in her seacoast once-was-resort town of Brighton, and those wartime connections have little meaning. The book opens, in fact, with a funeral for The Great Diablo, and Edgar Stephens, now the Detective Superintendent for the city's police force, sees the adventures of his youth being buried too.

But at least Edgar still has crime investigation to do! For his wife Emma, who loved her work on the police force and who's now parenting three small children, even attending the funeral and seeing Max Mephisto there is painful, as she resents the loss of her main identity:
"So, Mrs. Stephens," said Max, "how's married life?"

"We've been married for ten years now," said Emma, rather tartly. She wasn't sure that she liked Max's new habit of calling her Mrs. Stephens. As a child she'd hated her maiden name, Holmes (the source of much teasing when she entered the police force), but now she rather missed it.
Emma also has reason to feel envious of the new young WPC (woman police constable) on the force, Maggie -- who in turn is sick of the way her colleagues hold up Emma as an unattainably heroic beauty.

These frictions push Emma into her own investigations as schoolgirls in the region begin to disappear, and eventually they tip the balance on how much she'll risk to pursue the criminal and reach the girls in time to prevent more than one murder.

Count on revelations about "mods and rockers," Brighton's smuggling history, and the art of magic -- along with as strong traditional mystery framework that lets Griffiths move into the terrain she's already established so well in her other series featuring archaeological specialist Ruth Galloway: the hard choices women face daily in balancing what they want from life. (There are hints that Griffiths will also tag men's choices in her next book, as Max Mephisto and his daughter Ruby work out their own fates in more detail.)

Griffiths is a polished, tight writer, and like her other books, NOW YOU SEE THEM provides a good share of astonishing revelations. Enjoy it as a holiday treat to yourself, and shelve with women sleuths, England, postwar, and sleight of hand.

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Thursday, September 24, 2015

Magic and Murder, in THE ZIG ZAG GIRL, Elly Griffiths

I've become a devoted reader of the Ruth Galloway series from British author Elly Griffiths. Just released in the US this month is the start of her newest Magic Men series, THE ZIG ZAG GIRL -- and while I missed the abrasive and oddly vulnerable Galloway at first, the premise of this new series is fiercely exciting, and I enjoyed the book very much.

Consider the British seaside town of Brighton in 1950, a mere five years or so after the end of World War II -- bombed-out buildings, struggling economy, and a bare-bones police force, in which Detective Inspector Edgar Stephens is trying to ignore his wartime losses and move forward. But when the body of a young woman is sent in three pieces, to his specific attention -- under the rank he had during the war -- he's got to take this one personally.

Edgar's war wasn't something he took pride in afterward. Recruited (after the Norway disaster) into a small corps of specialists in magic, sleight of hand, and psychology, swiftly labeled the Magic Men, he'd helped create false armaments along the English coast to trick the German pilots overhead. But things happened that cost lives, and he's ashamed and in an odd sort of mourning, as well.

Now it's all got to be exhumed, so to speak, along with his connection with the clever stage magician Max Mephisto. Yet Edgar and his friends appear to be reliably one or two steps behind the murderous person stalking them. What's it about? Who's to blame? How can he protect his friends (and incidentally not lose his job)? It's clear almost immediately that the mutilated body is meant to suggest a faulty magic trick called "the zig zag girl," and when the victim is identified, the links to the wartime crew are inescapable.

Soon Edgar's having to show a murdered Magic Men friend, Tony, to the man's aging parents:
"Anthony had a very important job in the war," said Mrs Mulholland. "He was with the Secret Service."

"I know," said Edgar, thinking, as he had thought at the time, that the Magic Men was the least secret secret mission that he had ever encountered. Everyone in Inverness knew all about them. Tony kept himself in free drinks -- and worse -- by telling the locals that he was part of a crack commando team.
The nimble way that Griffiths paints the war, the resulting friends-with-friction, and the challenges of chasing a killer without knowing the motive -- well, it adds up to a rattling good story and plenty of genial jests among the crimes.

I didn't bond quite as tightly here as I did with the earlier Griffiths series; there's so much going on, and there are so many red herrings and twists of plot, that I think the characters aren't shown as deeply in THE ZIG ZAG GIRL. But I trust Griffiths as an author, and I'll ride along with the series, hoping that this enjoyable but fairly light introductory title will lead me into emotionally more complex and compelling waters.

In fact, since Griffiths admits her own family connection to the characters, I'm positive this is going to be a very good direction for her, and I am eager for the next book. This is one of those moments when the book in hand isn't quite as powerful as the ones that have already flown ... but there's good reason to trust that it's an opening act for an upcoming winner.
**
PS -- The author's website is not up to date, but still gives a good look at the earlier series: http://ellygriffiths.co.uk