Bruce Kader's first novel, MIGUEL'S GIFT, takes place mostly in the 1980s -- a good way to distance the issue of illegal immigration and enforced deportation from today's difficult political climate. At the same time, this crime novel, told mostly from the point of view of INS (Immigration and Naturalization Service) agents, offers a fascinating view of the issues that have become today's fuel for flame.
Joining the INS in Chicago in the late 1980s without having taken the "old boys" route through Border Patrol first, Nick Hayden has the rookie cards stacked against him. Idealistic and "overeducated" for the job, Hayden really wants to fit in anyway. His enthusiasm and remain edgy and uncertain.
Still, he's almost managed to fit in with the investigative teams, when the recruitment of an inside agent among the "wets" (illegal Latin American immigrants) and his own commitment to the man at risk derail his confidence in the work. But he's been harboring some odd doubts anyway -- some from a secret past of his own. They show up in his subconscious, long before he meets Miguel Chavez:
Hayden usually didn't remember his dreams and made little effort to do so. To him they were mere flights of the imagination, not to be taken seriously. But there was one dream he'd begun to have almost every week, and it disturbed him. It would always begin in a desert, the sun blazing through a cloudless sky -- the peaks of dry, craggy mountains looming hazily in the distance. Several figures in brown robes, like those of Franciscan monks, shuffled slowly along a sandy path. ... Nick, from a distance, would call out to get their attention, but they couldn't hear him.
Kading's own pre-novelist career as a federal special agent took him into the INS, the EPA, and the FBI (what a combination!). So I was fascinated by the emotions and choices he provided for his fictional agents. Knowing some people who work on this side of today's enforcement issues also kept me glued to the pages, even when the writing was a bit too much "telling" instead of showing, and conversations felt overly predictable. I found the mild suspense of the novel was heightened by my curiosity over how Kading would bring about the climax and where his protagonist would end up -- as well as Miguel and his family, of course!
So I recommend this book strongly as an emotionally honest way to look at both the human and the criminal sides of immigration crime. It's not always a strong book, but it's a much-needed one, and I'm glad it came my way -- from Academy Chicago, an imprint of the Chicago Review Press.
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