Henry Chang's "Chinatown Trilogy" Concludes with Book 5, LUCKY

International mysteries pull me into new places, with intriguing histories and cultures, illuminated through the characters and their choices. I grew up reading "British" mysteries -- then was astonished when the French, German, and Spanish ones came my way. What a delight!

And then Soho Crime -- an imprint of Soho Press -- came into my bookshelves, and I delved into the lives and perils of characters in Scandianvia, Africa, Asia ...

But one of Soho Crime's intriguing "international crime" series turns out to be set almost entirely in New York City, in and around Chinatown, through the eyes of police detective Jack Yu. Because of the detailed cityscapes that author Henry Chang provides for Yu's investigations, I've come to see those red-bannered shops and streets full of Asian voices entirely differently -- perhaps most especially as far more diverse than just a crowd from one modern nation. Mandarin and Cantonese languages, Toishanese dialect, centuries-long family bonds and loyalties and conflicts, traditions and obligations that require fresh understanding and sometimes are far beyond everyday American experience -- all this is enfolded in Chang's mystery series.

With the publication of LUCKY this spring, the Jack Yu series appears to be wrapping up (although I never assume a detective's pages are done for good ...). It's been a series well worth anticipating, and in this fifth book (two more than the envisioned "Chinatown Trilogy" of the early ones), some important threads from the earlier books are pulled tight. The most important is that of Jack Yu's childhood friend and then criminal connection, "Lucky" Louie, who's been lying in a hospital apparently comatose, without a chance of recovery, through much of the series.

LUCKY opens with a few chapters from Jack's point of view, as he visits his father's grave in a regional cemetery, to observe the customs of Ch'ing Ming, a time of year when it's important to feed the connection to deceased family members. Of course that puts Jack in a reflective mood, but he doesn't have long to enjoy it, as his schedule pulls him into a mandated psych appointment, then a quick undercover visit to his sweetheart (big reasons why it can't be public). Meanwhile, surprising changes are happening in Lucky Louie's hospital room.

This crime novel swiftly transforms into a heist thriller, as a crime spree unfolds that involves Jack Yu on levels he'll never be able to admit to his superiors. Here's the author commenting on the tight, intense pace of LUCKY in an interview at the Mystery People blog:

"The tightness of the pace was an adjustment to the storytelling style. Lucky‘s written more like a thriller than a mystery, where you can’t wait to see what Lucky does next. Unlike Jack’s usual investigative mysteries, which can meander culturally as the clues arise, Lucky is an escalating conflict-driven crime world drive-by. Lucky’s actions drive the narrative."

It's easy to slip into spoilers, so I won't say more -- except that this is a really good read, worth adding to either the summer reading stack or this weekend's diversions. No problem stepping into this fifth and final book of the series without reading the other four, but it's definitely a richer work if you've followed Jack Yu's career and struggles with his mixed identities.

Wonder what Henry Chang is writing next? Because I'm sure he is. It's been too much fun! By the way, his author webpage is pretty much bare bones and often out of date -- for insight into Chang and his books and the causes he's championing, "Friend" him on Facebook. Worth the effort!

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Henry Chang, DEATH MONEY: NYC Chinatown Series, Jack Yu

Henry Chang's Chinatown series, set mostly in New York City's Chinatown, is maturing and becoming very strong indeed. In the fourth Detective Jack Yu investigation, DEATH MONEY, Chang keeps the action focused in New York's five boroughs -- and if that seems larger than you're picturing the Chinatown influence, think again. Chang paints vividly the action of the 1990s, with its self-help and legal defense movements on one side, the dark criminality of gambling and prostitution and bribery on the other, and Jack Yu as token Chinese police detective, sent to deal with any Asian deaths that look suspicious. (The book's time period gives Chang space from his own life and from his sources, who sometimes were on the "dark side" thirty years ago but are aging retirees now.)

This time, Yu pairs the evidence, including a corpse in the river -- neatly executed with a precise cut to the heart -- with his own understanding of how the Chinese groups rub against each other and raise big money from people's urges to play, whether with numbers or games or sex. I especially appreciate the way Yu's perceptions highlight the separate factions among "the Chinese": immigrants from parts of "one country" that might as well be multiple nations, with different dialects, habits, expectations. I'm starting to tune in to my own time and place, asking, "Chinese from where?" when I meet someone new.

Chang takes a classic noir approach to his form, posing short, tight chapters that follow through on one of Jack Yu's actions or guesses. Action, threat, and the wages of curiosity push the pace. And then there's a breath, a pause, and Chang deepens the background detail, the way Yu sees the crowd at the notorious nightclub Fay Lo's:

The betting was moderate, mostly Chinese men chain-smoking around the tables. They looked like the workers he'd seen in the Golden City and China Village and in Chinatown, throwing down their tip money, the hustle pay of sweaty dollar bills, looking for the long odds -- twenty, thirty, a hundred to one.

The gang boys stood out from the civilian players. ... Swagger. Willing to fight and die for the gang family. Though it all aided law enforcement in identifying members by their gang tats and nicknames.

Yu's usual Chinese companion (on the other side, but able to keep their friendship) is still in a coma, so DEATH MONEY sees Yu tackle his assignment alone, barely accepted among the police, and taking a stand against people who connections make them powerful and strong. His only chance is to cut one out of the crowd at a time, and force the play.

Chang is clearly set for a long series at this point, well beyond the Chinatown trilogy he started with. That's good news for mystery readers, collectors, and armchair explorers alike. Oh yes, it's from Soho Crime -- thanks again, S.C. team!