Three Kinds of Crime Fiction/Mystery, 3 Settings: Hamburg, Fiji, Maine

Catching up a bit ...

I picked up HAMBURG NOIR over the summer, as it had an August release date. Part of the top-notch and provocative Akashic Noir series, it's edited by Jan Karsten and mostly translated -- 11 out of the 14 stories -- by Noah Harley. The book's presented in three sections: Water & Schnapps, Dream & Reality, Power & Oblivion. The 10-page introduction is extraordinary in itself, an introduction to the German city from a lover's lips.

When I opened the book, I expected to taste something of the city where my father was born, in 1925, to parents "just Jewish enough" to need to leave their homeland. But that Hamburg is not in the book, and the reason's clear in looking at the author biographies: Most of the authors were born in the 1960s, long after war had changed their landscape. I was eager to read what Zoë Beck would contribute ("Abreast Schwartzonnensand"), as I'd read some of her other fiction. Hers turned out to be a courtroom scene shaped as a play, all dialogue, one of the most interesting works of crime fiction I've read. Other stories, more conventional in form, range from a handful of pages to a story of almost 30 pages by Matthias Wittekindt. And all of them, as expected, are dark, often twisted, even malicious.

I liked this passage from Katrin Seddig's tale, set in the Altona district:

I wasn't Miles Davis. The world wasn't a film noir, the world was gloomy and foolish, it had no beauty. That was the difficulty: to track down the beauty in it all. Wasn't that the essence? Everything always looked like something else to me—that, or I was left searching for it something that I already knew and hoped to find in what I was seeing.

If Hamburg is one of your love languages, pull this onto your bookshelf. If noir is how you wrestle with the world, ditto. And if you just want to play tourist -- well, this book will prevent you from going to Hamburg. So maybe take a pass, unless perhaps you're longing to feel better about New York by contrast.

Nilima Rao's second Fiji mystery featuring Sergeant Akal Singh came out in June. SHIPWRECK IN FIJI (Soho Crime), set in 1915, with the Great War echoing from the other side of the world, is indeed (as its press release claims) "brimming with warmth and humor." The Indian-born police officer is way out of his comfort zone, still struggling to grasp the culture in which he's been pinned. Chasing down possible Germans on a nearby island should seem familiar, but instead Akal lands in more confusion as he meets native villagers whose tribal customs may prevent pursuit of the criminals he's after. For the sake of his friend Taviti, ready to translate the local customs, Akal takes on a mentor's role in policing, and learns a great deal about the "true stories" that men tell each other. I couldn't put this one down. (And you don't need to have read the first in the series, A Disappearance in Fiji, but you'll probably want to catch up with it after Akal has you applauding his efforts.)

I didn't realize at first that Scott Carson was the pseudonym of Michael Koryta --  if I'd known, I might not have tried the new title under the Carson authorship, DEPARTURE 37, for fear it would be "too terrifying" for my taste. That would have been my loss! It's rare that an author can provide underpinnings to time travel as part of a crime novel or thriller and have it all make sense. This book, set in coastal northern Maine, takes 16-year-old Charlie through a naval experiment that tears open her life, starting with the moment when her deceased mother's voice speaks to her from the cockpit of a wrecked plane, saying what hundreds of pilots across the country are also hearing in the voices of people they love: Don't fly today. I refuse to offer any spoilers ... that should be enough to let you know whether this is your kind of good read. To my delight, it was one of my best treats of the season, and goes onto my "let's read this again" shelf, for sure, with its attachment to "the most famous moment in the history of artificial intelligence."

More reviews soon, as I'm now writing them for two other publications, just figuring out my footing. Or pagination.

 

News! English Translation of BLUE NIGHT, Excellent Police Procedural from Simone Buchholz

German author Simone Buchholz began scooping up major awards in European crime fiction a few years ago, and has an armful of titles -- and US readers this weekend can finally access one in English (lively and smooth translation by Rachel Ward). BLUE NIGHT is one of the most intriguing police procedurals I've read. It caught me within the first few chapters, not for the plot twists (although there are plenty), but for the piercing portraits of what friendship among big-city investigators can mean: having each other's back no matter what, celebrating together, and struggling to endure a high-stress and often high-alcohol life with little sleep and rare praise, in the midst of risk and loss.

Hamburg State Prosecutor Chastity Riley loves her job - but she's boxed out of it for now, demoted for having accused a superior of corruption and firing her weapon. So when we meet her trudging away from her broken-down car on a highway, her mood stinks for multiple reasons. It looks like she has an assignment though, if she can get back to the city: A smashed-up man in a hospital, pretty clearly the victim of a criminal-network beat-down, is unconscious and without identification. Her assignment is to figure out who he is and what happened, so the wheels of justice can start to grind.

First, of course, she'd got to find a way back in the darkness. She calls a friend, Faller, who agrees to collect her, but it will take at least an hour for him to reach her, which is why, disgusted and puffing on a cigarette, she's heading west on foot. She admits to herself, "I feel like a cowboy whose horse has been shot." Lucky thing Faller's own beat-up vehicle is temporarily running.

Chastity Riley's friends are mostly messed up right now: Faller himself is clearly having a midlife crisit, Calabretta's in mourning for a departed girlfriend, Klatsche -- whose bed she often shares -- has barely gotten to sleep after a long night at his bar, the Blue Night, and her buddies Carla and Rocco don't drive (and anyway, they're supposed to be taking care of Calabretta in his horrible depression).

When the man in the hospital wakes, he's clearly not interested in helped Chas solve the crime that landed him there. Of more concern is that Faller's midlife crisis seems to be heading into revenge mode, chasing the head of Hamburg's biggest crime/drugs syndicate.

As a group of seasoned investigators, Chas and her friends know Faller's in trouble if he's trying to become a superhero avenger:

I sigh; we clink bottles.

'You're worried about Faller,' [Klatsche] says.

'He's starting to crack up,' I say. 'He feels too strong. It's not good to feel too strong. You forget to take cover. I mean, we've been through all that. ..'

'Has he done anything that could be dangerous yet?'

'No idea,' I say. 'According to Calabretta, he hinted that he's planning something soon.'

Once Chas wins a few words from the man in the hospital, she begins to suspect his beat-down could be related to the same crime operation that her friend Faller is trying to target, run by an Albanian who humiliated Faller in the past. Unexpectedly, the powers that be allow her to step back into a bit more action when they send her to connect with to another police operation, one tracking drugs through the East German badlands, all the way to the Czech border. Yes, overlap, again. Big time.

Buchholz inserts short passages of character comments on their situations, including ones from the criminals involved. Interestingly, they don't slow the pace -- they just deepen the wrinkles and show how the plot is twisting yet again. Looks like Chastity Riley's irascible hospital patient is determined to take a role in the showdown, wheelchair and all. With a little help.

This is a slim crime novel, only 182 pages, but memorable and worth a second reading, too. Many thanks to Orenda Books for bringing it across the Atlantic, and giving us hope of more adept translations of Buchholz's dark and popular Hamburg police investigations.

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.