Backstory #2: Criminal Masterminds Cut Loose in SIGNAL LOSS, by Australian Author Garry Disher

Garry Disher lives on Australia's Mornington Peninsula, southeast of Melbourne, and his Challis and Destry police procedural series often takes place right there. The seventh book in the series, SIGNAL LOSS, came out in late 2016 in Australia, reaching American readers via Soho Crime in late November. Now that the holiday season is wrapping up, it's a great time to treat yourself to a copy of this well-written and lively traditional crime investigation -- with the wry, dark twists of humor that are particularly Disher's own.

The book opens with an intro that could have come from that classic wisecracking mystery master, Donald E. Westlake himself:

Lovelock and Pym. They sounded like some kind of show-business duo -- magicians, maybe; folk singers.

In fact they worked for Hector Kaye, who used to run the Finks out of Kings Cross. That was before he set up as a legitimate businessman and started importing crystal meth from China. They didn't come cheap, Lovelock and Pym. Kaye paid them well and he'd bought them each a house and a car in the past year.

When the pair tackle a murder-for-hire and get overly ambitious, though, their fumbles turn deadly for more than just the intended victim. Add to this chaos the more dangerous threat of an Australian bush fire, and "mistakes are made." The kinds of mistakes that, for investigating Inspector Hal Challis, crack open the past conflicts of a crime ring and turn a small case into major impact.

Meanwhile, Challis's lover Sergeant Ellen Destry -- recently made the head of her department's sex crime unit -- realizes her own investigations are revealing a serial rapist with more skills than most. She and her team tug at each loose thread, working the details until they develop into solid leads. But Destry's distracted at times by another ambitious woman in the force, Sergeant Coolidge (Destry names her Sergeant Cleavage at one point!), who's trying to lure Hal out of Ellen's circuit.

They looked at each other, faintly challenging, bringing back old academy memories to Ellen but probably nothing at all to Coolidge.

"Haven't seen you for ages. You're sex crimes now," Coolidge said, as if that were a side path to nowhere in policing terms.

"And you're drugs," Ellen said.

Coolidge gave her a slow-burning smile and Ellen wondered at the intent: to tease me, unsettle me. She returned the smile, a quick hard nastiness in it, and opened the door of the car. "Good luck," she said and got in and drove out of there. Not much of a victory -- not much of anything -- but why get bogged down fighting the woman? 

As it turns out, Hal is the one who'll get bogged down by Coolidge's interference, but that's jumping a ahead some. Pick up this fast-paced investigation and you'll get the details quickly, because even though it would be great to have a Disher crime novel last a long time, the tension pushed the page turning. In fact, clear the schedule if you can -- here's your winter vacation between the covers in a 345-page "Down Under" romp through twinned cases that are hard to control, and incredibly satisfying to solve.

This is Disher's more accessible, easy-to-enjoy series (read chapter 1 here if you like); his other is the Wyatt series, darkly reminiscent of the Dexter mysteries yet somehow likeable (but, please note, very very dark). He also offers occasional stand-alones and "young adult" (YA) books, which Soho Crime doesn't yet bring across. Check the Soho website for the American releases of Disher's books. So far, I've appreciated all of them (Disher reviews here).

PS:  Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.

Garry Disher, WHISPERING DEATH: Police Procedural with Depth

Australian Garry Disher writes two series of mysteries that I follow closely: his very dark and violent Wyatt group, where the protagonist is a sociopath that Wyatt manages to present in ways that let readers sympathize with (what does that say about our inner selves?); and the Hal Challis/Ellen Destry series, in which WHISPERING DEATH is title six.  I look forward to each Challis/Destry mystery, both for the Australian police procedural aspects (Disher usually include cross-jurisdiction conflict and challenges within the police force, such as sexual discrimination and political pressure), and for the warmth of Challis as a conflicted yet committed person of "good heart."

Reading WHISPERING DEATH will be a spoiler for some of the earlier books, so if you haven't yet read them, I strongly recommend starting at the beginning, with Dragon Man, which Soho Crime brought to the US in 2005. But if you're headed directly into this newest book instead, you'll find plenty of background to let you enjoy it directly. The only part seriously missing is Challis's lover Ellen Destry herself, as she's headed away on a European training in her newly embraced field of solving sex crimes. But her role as investigator of this aspect is quickly assumed by the edgy and sharp sergeant Jeannie Schiff, on hand to help deal with the crime that Challis's team needs to rapidly resolve.

"Thanks for coming down," Challis said. "As I said on the phone, our sexual offences team isn't in place yet, so we could do with some help."

"Well, yeah," drawled Schiff. "Abduction and rape? A bit different from some sad bloke waving his penis at schoolgirls." Her voice was raspy, low, not unpleasant, but sharp underneath.

Disher sets up, at the same time, a different sort of serial criminal in action in the same terrain: a career burglar with an eye for high-value items, including artwork. Grace -- clearly a pseudonym for some of her crimes, but still significant as a name -- is a highly trained pro, with rules for her operations, and plenty of financial success from them. But on the inside, she's desperate for the connections that her career forbids, and she's also close to being a sociopath herself: isolated, with feelings cut away, and a past that speaks of abuse and loss. Because she tend to rob empty houses in carefully planned heists, she isn't as violent as Wyatt, the grim criminal in Disher's other series. Yet I kept hearing Wyatt's voice in Grace's. So the two series are echoing in each other.

If you explore the series in sequence, you'll have the delight of seeing Disher's writing become ever tighter, every more impeccably paced. Even the dialogue, inner and between characters, ascends in skill, to the point where conversations in WHISPERING DEATH have clearly been fine-tuned, one word at a time, for maximum impact and elegant revelation of character. Disher is now being called a grand master in the field, and I agree.

One last note on this book: Sure, there's violent crime in it. But what drew me through the pages, turning me antisocial for the weekend, was the affection, comradeship, and commitment that Disher's characters exhibit. And that's what I'll remember most about WHISPERING DEATH: the goodness in the ordinary police detectives, that positions them in true opposition to the forces of evil.

PS -- Click here for other Kingdom Books reviews of Disher's books.

Australian Crime Fiction: Garry Disher, Again

Dave and I have both written about Australian author Garry Disher's books. There are two crime series to follow, among Disher's more than 40 books; both series have been available in Australia for quite a while. Here they are:

The Wyatt Series
Kickback 1991
Paydirt 1992
Deathdeal 1993
Crosskill 1994
Port Vila Blues 1996
The Fallout 1997
Wyatt 2010

The Detective Inspector Hal Challis Series
The Dragon Man 1999
Kitty Hawk Down 2003
Snapshot 2005
Chain of Evidence 2007
Blood Moon 2009
Whispering Death 2011

In some ways it's a bit strange that the books have taken so long to reach the US market, but there are two factors to note: the gaps of years in the series (especially the 13-year gap in the Wyatt books), and the relative youth of international crime fiction imprint Soho Crime. It's hard for a publisher to make good progress when releasing more than one book per year by a given author (although see the recent blog post on Timothy Hallinan's "Junior Bender" series -- NOT a young adult series in spite of the word "Junior"). When the Wyatt series took flame again in 2010, Soho Crime began bringing the rest of Disher's books here.

Most recently, in August 2012, Soho Crime brought us PORT VILA BLUES. It's a fascinating look into Wyatt's life, a life that's remained mostly mysterious through the series. And we don't get details of his childhood or any other normal "sheet" on a criminal. What we see, though, through the quiet consistent narrative from Wyatt's point of view, is how the world can make sense to a psychopath. Wyatt knows his emotions are not "normal" but they are normal for him and he has no choice -- he operates on a basis of well-planned criminal activities, spread apart by stretches of a mostly uninteresting and anonymous life. Without family, without close friends, he's almost safe from long-term identification, other than the scary rumors about him that circulate in the underworld.

At the opening of PORT VILA BLUES, Wyatt is neatly conducting a technologically savvy, methodically planned burglary, based on a tip from a  dying colleague. In an almost compassionate move, Wyatt's linked himself to Jardine, who still has the capacity to connect Wyatt with a good fence. Or so the two men think.

Wyatt watched Jardine carefully. Jardine's face had grown more elastic in the past few minutes, as if his mind worked well if he had something to stimulate it. Wyatt even recognized an old expression on Jardine's face, a mixture of alertness and absorption as he calculated the odds of a problem.

"Fine."

But the burglary wasn't as simple as it should have been, and the fence turns out to be a "sheila," Liz Redding, who's also not what she appears. Eventually, despite the opposition that will rise between Redding and Wyatt, there's also realization of a similarity: Redding's drive may oppose Wyatt's, but it comes from an interior that's nearly as emotionally stripped. When someone on the side of law enforcement verges on being a psychopath, do we name that tendency, or do we label it an asset instead?

I'll be reading this again. Disher's steady-fingered probing of Wyatt's psyche and of his reluctant connections to others creates a back-music to the books that stays fresh even during a second or third reading, and continues to raise questions about the criminals among us today.

There's a "new" book from Disher releasing in the US on December 18, in the other crime series, the one featuring Hal Challis and Ellen Destry. It's called Whispering Death and I'm about to order a couple of copies for Kingdom Books. I started out more deeply drawn to the Challis and Destry series -- it probes a warmer, more "human" part of the psyche -- but by now, after comparing Wyatt favorably with Donald Westlake's darker books and also Lee Child's Jack Reacher, I'd say I want both Disher crime series on my shelf. And my desert island.