Scottish Noir, THE DIARY OF LIES by Philip Miller (3rd Shona Sandison Book)

Beach reading is wrapping up -- it's time for substantial and satisfying crime fiction to go with the hints of autumn rolling in. And the newest investigative reporter novel from Edinburgh's Philip Miller is perfect for the task.

THE DIARY OF LIES picks up with Shona Sandison, whose necessary walking cane (an injury sustained in The Golden Acre; more about it in The Hollow Tree) disguises her determination to get the scoop for her newspaper, no matter the risks. The promotional material for the book calls it a "paranoid political thriller." That would almost qualify it for nonfiction at this point, wouldn't it? Shona takes the situation seriously and angrily (a good definition of Shona herself), making it frustrating when her investigation takes her into what feels briefly like some adult-level fairy-tale crossover between Britain's "Green Man" and the mythic Robin Hood. Yet violence keeps erupting around her, and her narrow escapes are far from amusing. 

When a sketchy woman armed with a shotgun opts to let Shona past the gateway to a hidden Internet guru, she's still stunned from her sudden morning tumble into blood and threat. "Her path had been disarranged. Now, she barely knew her way forward." Plus, she's a city worker — how can she handle a situation that's taking her away from paved roads and GPS and all? Her abrupt passage comes with instructions from a rough woman leading her further off road:

"Over the stile and through the trees," the woman said. "Keep going straight ahead ... you'll come to a large house. The manor. The curtains will be drawn. You'll find Robin in there."

"Robin?"

"Loxley.  You'll be entering the back of the house. Wait at the curtained window — you'll hear the radio. Don't go in, love—he's armed. Wait to be let in."

Shona looked at the woman, calmly exhaling smoke. She was warning of deadly violence, yes she seemed serene.

"Okay. This way?" Shona pointed to the fence.

"I'm not repeating myself, sunshine."

What she discovers at the crumbling old mansion is a far cry from an upscale data farm, yet it offers access to the information she needs to make sense of the political corruption she's discovered. 

Shona looked at the data loading, the entwined wires, the blinking lights. This was not the journalism she'd grown up with, in which she had made her way. This was about systems, codes, data and access. Arcane technologies. ... She felt uneasy. Aware of how afraid she might be. 

It won't be easy to run, when the time comes. Not with her cane, and not without it. But bullets will soon fly.

One of the delights of this dark and well-twisted novel is the steady echo of Britain's older cultures beneath the action. There's no need to read the two preceding novels, but those who have will notice right away that the sense of ancient mythos and of a universe that's not automatically friendly is still throbbing in Miller's version of Edinburgh and its surroundings. 

Watch for the threads that tie Shona, however reluctantly, to her uncertain allies. If she's going to both survive the threats and provide a top-notch and substantiated journalistic exposé, she'll need every connection she can summon.

Soho Press describes this new release as a good fit for "for fans of Ian Rankin, John le Carré, and Denise Mina." I'd extend the list to work by Paul Doiron, Lee Child, Ruth Rendell, Jaqueline Winspear, and Charles Todd. If "political paranoia" is getting to you, racing against it with Shona Sandison may bring a sense of relief and capability, as well as the satisfaction of a soundly constructed and resonant crime novel.

New Billy Boyle World War II Mystery, A BITTER WIND, by James Benn

About six weeks from now, the latest World War II mystery featuring Captain Billy Boyle comes out. That seems like a long time in terms of what's happening in my garden in the meantime ... but this may also be a perfect moment for a heads-up about an enthralling new adventure that you could want to pre-order, or at least place on your autumn reading list, or even reserve at the local library.

A BITTER WIND (the title's from a Sherlock Holmes quote) is the 20th in this lively series. James R. Benn adeptly reintroduces Boyle and his allies for those new to the group: Billy works in a special task force for General Eisenhower, solving crimes in the Allied forces and behind the lines of battle. Who would guess that on Christmas Day 1944, as the war seems closer to ending and Germany is in retreat in many locations, England's own shores would be unsafe?

Yet Billy and his girlfriend Diana, a leader in the Special Operations Executive ("dangerous work in occupied Europe"), literally stumble upon a murdered officer on a seacoast cliff on one of their few days off together. When Billy locates top-secret documents in the dead man's pocket, it's clear that espionage is underway. Unexpectedly, Diana is the senior officer in the investigation. So a pressing question is, can Billy and his own best friend Kaz, short for Lieutenant Piotr Kazimierz, keep to an agreement that Diana and the other women in this coastal secret base will take the lead?

Like Billy and Diana, readers will find almost no quiet time in this rapid-action adventure. Deaths multiply, and savvy women hold many of the threads of information that Billy needs to pull. Series fans who bonded with Kaz's sister Angelika, a recovering concentration camp victim, will see her come into her own in this book: How could she not be of value to the British, with her many languages, analytical skills, and determination to defeat the Germans?

What fun it is to discover the daughter of Sherlock Holmes author Arthur Conan Doyle as a character in this history-hugging novel! As Billy agrees not to ask officer Jean Conan Doyle about her father and she offers not to quiz him about Eisenhower, she admits, "So it seems we are bound by our more famous relatives, are we not?"

Conan Doyle decides to send Billy into occupied Yugoslavia, to connect with partisans there and track down the strands of espionage and murder, as well as prisoners who've escaped the Germans. It will be dangerous. She explains:

The north is crawling with armed bands, some young men seeking to avoid conscription by Mussolini's army or forced labor for the Germans. I imagine the SOE is actively aiding them, but that's not my department. Our job is to intercept the information and pass it on. ... While the Croatian fascists are savage, they understand how to obey their masters. The German transmissions make it clear they want the escapees captured and returned.

Billy's already aware that Yugoslavians are a conflicted bunch:

I was aware that Josip Broz Tito led the Partisans, and that they were giving the Germans a run for their money. Tito's bunch were Communists, which didn't seem to trouble anyone as long as they kept killing Germans. The Serbian Chetniks supported the former king and didn't like Communism.

Confused yet? So is Billy, but the bottom line is, once he's back in an active war area, all of those forces are coming after him. Whether he and his team can rescue the witness they need for their British murder investigation will depend on being able to dodge ammo, ride horses, and forge alliances with the "right" people.

Ties to an earlier European murder investigation will take series readers back to "the criminal who got away," with Benn supplying enough reminders or quick explanations for old and new fans to realize how the danger to Billy Boyle swiftly ramps up. We know it's a series—he's got to survive—but for a while, the outcome looks chancy.

Crime solvers won't get a full workout in A BITTER WIND because the explanations for the murder twists tumble together near the end in a set of hasty connections. But maybe Billy's got no other way to absorb them, considering the risky and challenging adventure underway. 

This is a true page-turner. Watch especially for Angelika's actions. Benn's sleight of hand reveals wartime as a season of heroes of all genders. That's part of the results of his consistently solid and astounding research, once again.

Suicide or Murder? Frankie and Her Allies Hunt Answers in FINE YOUNG PEOPLE by Anna Bruno

High school suicide destroys much more than the student who dies — it marks an entire community with grief, anger, and questions. In her last term at a high-end Catholic prep school, Frankie may look like she's got everything she wanted: acceptance into the college she most wanted, her best friend Shivani for life, and a mom who loves her, knows how to let go when needed, and is slowly starting to treat her as an adult.

But she isn't getting over the effects of Kyle's suicide -- and it's the third at her school in her family's history. When Frankie and Shiv opt to dig into one of the other suicides, that of Woolf Whiting, as their community journalism project, the revelations in the community, and even at home, push Frankie through anguish and the kind of fury that can feed a person's growing maturity, too.

Bruno takes a risk in this "crime fiction" by letting loose a literary streak that slows the pace and deepens the emotions. And this author's risk pays off. Maybe it's the kind of approach that suicide deserves: questioning the values of life, from love to religion to forms of truth.

Father Michael had called us "fine young people." How a priest could know what was hidden in the recesses of our teenage hearts was beyond me, but I had no doubts about our collective character.

What troubles me now ... is not that he was wrong about us, but that he was right. We were fine young people. But one day, in the not-so-distant future, we might find ourselves in the midst of some business transaction or political maneuver, in service of someone or some profit, only to find that we have quietly, and perhaps unknowingly, turn a corner and become the adults we had once dismissed with contempt. 

So, what are the biggest pitfalls of high school, besides the frictions that can happen between the closest friends? Drugs has to be number one, right? And sex, the kind you fall into when you think you're in love, or when you're more drunk than you realize. The deeper their investigation goes, the more Frankie and Shiv find that high school heroes can be broken, damaged — and at risk of death. But was Woolf's death at his own hand or someone else's? For most of this compelling and emotionally revealing novel, it looks like the answer will never be found. Be a savvy crime-fiction reader, though: Watch for the tiny threads that Frankie overlooks. See whether you can reach the real answer before she does.

That competition for reader versus sleuth may be the heart of the modern mystery genre, and it's where the author's skills are fiercely tested. Anna Bruno gets an A on this one ... maybe even an A-plus, if they're still giving those in Frankie's high-school world.

The book, published by Algonquin, is newly available this week. It will make a terrific book-group book, and raises powerful questions about religion and community as well. 

Football? FBI? Woman Taking Risks? and Southern! Dip Into MISSISSIPPI BLUE 42, by Eli Cranor

Eli Cranor moves toward the middle of the field, away from some of the gore and violence of Don't Know Tough, Ozark Dogs, and Broiler, to spin an entertaining crime novel in MISSISSIPPI BLUE 42, available August 5. 

Set, of course, in Mississippi, the plot tests how a college football team can excel and make it to the top tier -- when the money pushing it forward is unquestionably dirty. FBI rookie Rae Johnson, whose life as a top coach's daughter makes her a pro at analyzing the sport, doesn't yet have field experience in her new career. Six days of crawling through documents about team performance and the thriving success of its hometown hasn't thrilled her, but it's made her certain that no bunch of college players could possibly be as clean as the records show. No DWI? No speeding? No partner issues? Someone's cleaning things up.

Her partner Frank agrees. But unless they can find the threads to the man manipulating the situation, and fast, they'll have to wrap it all up and go back to the office.

Rae's determined to do better than that. 

A month ago, the FBI Director had been handing Quantico's Leadership Award to Rae, top of her class again, but where had that gotten her? Stuck with a past-his-prime field agent investigating a possible NCAA fraud case in Compson, Mississippi. The White-Collar Crime division of the FBI wasn't exactly the trajectory Rae had imagined for her career. A Joint Terrorism Take Force would've been more her speed. More contact. More action. A badass in a black jacket with JTTF stamped across the back, chasing down leads, collecting counterintelligence, and nullifying national security threats. Then again, how many agents' daddies were college football coaches? Rae knew why she was in Compson; she was there because of her father.

The death of rising star quarterback Matt Talley pushes Rae into overdrive, determined to solve a murder as well as track down the stink of dirty money. Her father's maxims are her go-to wisdom: at this point, "In case of doubt, attack." Is it wise for her to pursue the bad guys (hint: a noose is involved) or to fake a background in order to get close to the replacement quarterback? Will her pursuit of an "inside man" break the case, or break out in naked moments? (Come to think of it, how did her field-agent partner stay calm when Rae accidentally answered her door without pants on?)

Under the great action and the quick shots of humor, there's a beguiling protagonist here whose choices may not be wise, but are still smart, strong, and very understandable. The ultimate disaster for Rae comes with a stunning twist, and her ability to save herself -- and the case -- will depend directly on what kind of FBI agent she really is.

You don't have to know a field goal from a touchdown to love this one. And diving into it could be the best break of your summer vacation. Thanks, Eli Cranor and Soho Crime.

PS - Cranor is an Edgar winner. And Soho Crime/Soho Press calls this a series debut! I'm in.