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| Carole Shmurak |
It's a pleasure to welcome Carole Shmurak as guest author here today.
We share authorship in Stacy Juba's amazing authors' anthology 25 Years in the Rear View Mirror -- and I was excited to discover the her extensive background in "academic mysteries." One of my (s)heroes is Harriet Vane, sleuthing partner to Lord Peter Wimsey, and I hoped she might make Carole's list, but a little research proved Harriet had not taught at her college (even though she may have prepared research on Sheridan Le Fanu). Welcome to Kingdom Books, Carole, and thanks for sharing your knowledge and research with us!
Academic Sleuths: A
Brief History
Before I set out to write my Susan
Lombardi series of mysteries, I had been a longtime fan of academic
mysteries. Academic mysteries are
usually set at colleges or universities, although there are some set at the
elite British or American private school, and more recently some at American
public schools. In many academic mysteries, the protagonist is a police officer
investigating a murder in the ivy-covered halls. As a cop, he or she is an
outsider and the world of academe is an alien culture. Paula Gosling’s Monkey Puzzle and Reginald Hill’s An Advancement of Learning
are good examples of this.
But there is another subset of the
genre: those in which the detective is an insider — a professor. And this is the tradition that I set out to
learn about before I published my first mystery Deadmistress. It turns out that the professor/sleuth has a long
history. The first academic detective, Jacques
Futrelle’s Augustus Van Dusen (better known as The Thinking Machine) appeared in
1906, closely followed by Austin Freeman’s John Thorndyke. Both Professor Van
Dusen and Dr. Thorndyke have multiple academic credentials, though their
stories are not often set on college campuses.
I also found several trends in the
history of academic sleuths:
·
With the exception of one classicist, the first
professor/detectives tended to be scientists.
·
The first English professor appeared in 1944 —
Gervase Fen of Oxford, the wonderful creation of Edmund Crispin.
·
The first female professor didn’t appear until
1964, when Carolyn Heilbrun of Columbia University created her Kate Fansler
series; this scarcity of female professors in detective fiction is probably a
good reflection of college faculties prior to the 1960s. (On the other hand the fictional sleuths who
were K–12 teachers were all female, again reflecting reality.)
When female
detectives started to appear in large numbers in the 1980s, they occupied every
rung of the social ladder and worked in a great variety of jobs: housemaids,
taxi drivers, lawyers, actresses, policewomen, private eyes, and CEOs. So it
was inevitable that some of these detectives would be professors, and, as it
turned out, an overwhelming number of these were professors of English.
Heilbrun had made mystery writing almost respectable for English professors,
and many of them wrote mysteries with protagonists like themselves. So the last
twenty years of detective fiction has seen a turnaround, both in the number of
women and the number of English professors with a flair for the
mysterious. The scientific detective has
been replaced by the literary one.
There are
no professors of education, like my Susan Lombardi, and, more surprisingly,
very few professors of psychology; the only one I could find among the
contemporary detectives was Maggie Ryan, an educational psychologist and
statistician created by P.M. Carlson. So while I’m pleased that Susan is a part
of a long tradition of academic sleuths, I’m also happy that she is unique as
well.
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| Carole's Susan Lombardi mysteries |
Below is a chronological list of academic detectives; it is
a representative, rather than a comprehensive, list. For each detective, I’ve
listed his/her academic field, the author who created the detective, the date
and title of the first story, and whether it is part of a series.
1900–1920
Professor Augustus S.F.X. Van Dusen, Ph.D., L.L.D., M.D., F.R.S., M.D.S.
Jacques Futrelle,The Thinking Machine (1906). (short
stories)
Dr. John Thorndyke,
Professor of Medical Jurisprudence at St. Mary’s Hospital and barrister-at-law,
London. R. Austin Freeman, The Red Thumb
Mark (1907). (series)
Craig Kennedy,
professor of chemistry at Columbia University.
Arthur B. Reeve, Silent Bullet (1912). (series)
1921–1940
Dr. Lancelot Priestley,
former professor of applied mathematics at a British university. John Rhode , Dr. Priestley’s Quest (1926).
(series)
Henry Poggiolo,
professor of psychology, Ohio State University.
T.S. Stribling, Clues of the Caribbees (1929).
Cyrus Hatch, professor
of criminology.
Frederick C. Davis. Coffins for Three (1938). (series)
Theocritus Lucius Westborough, professor of classics.
Clyde B. Clason, Man from Tibet (1938). (series)
1941–1960
Peter Utley Shane,
professor sociology and criminology, University of Chicago.
Francis Bonnamy, Dead Reckoning (1943). (series)
Gervase Fen, professor
of English language and literature, Oxford University.
Edmund Crispin,The Case of the Gilded Fly
(aka Obsequies at Oxford) (1944).
(series)
Professor Pennyfeather,
professor of literature. D.B. Olsen, Love
Me in Death (1951).
1961–1980
Kate Fansler,
professor of English, large prestigious university in New York City. Amanda
Cross, In the Last Analysis (1964). (series)
Nicky Welt, professor
of English language and literature, a New England college. Harry Kemelman, Nine Mile Walk (1967).
Dame Millicent Hetherege,
professor of medieval literature, Wilton University, New England. Robert
Bernard, Deadly Meeting (1970).
Peter Shandy,
professor of botany, Balaclava Agricultural College, MA.
Charlotte MacLeod, Rest Ye Merry (1978). (series)
1981–present
Nan Weaver, professor
of English, University of California Berkeley.
Valerie Miner, Murder in the English Department
(1982).
Sarah Deane, professor
of English, Bowmouth College, ME.
J.S. Borthwick, The Case of the Hook-Billed Kites
(1982). (series)
Roz Howard, professor
of English, Canterbury College, ME.
Susan Kenney, Garden of Malice (1983). (series)
Maggie Ryan,
educational psychologist and statistical consultant.
P.M. Carlson, Murder is Academic (1985). (series)
Loretta Lawson,
professor of English at London University.
Joan Smith, A Masculine Ending (1987). (series)
Carl Burns, chair of
English department, Hartley Gorman College, TX.
Bill Crider, One Dead Dean (1988).
(series)
Beth Austin, professor
of English, Midwestern University.
Edith Skom, The Mark Twain Murders (1989). (series)
Joanne Kilbourn,
professor of political science, Canadian university.
Gail Bowen, Deadly Appearance (1990). (series)
Nick Hoffman,
professor of English, State University of Michigan.
Lev Raphael, Let’s Get Criminal
(1996). (series)
Karen Pelletier,
professor of English, Enfield College, MA.
Joanne Dobson, Quieter than Sleep (1997). (series)
Susan Lombardi,
professor of education, Metropolitan University, CT.
Carole B. Shmurak, Deadmistress (2004). (series)
Bio:
Carole B. Shmurak, Professor
Emerita at Central Connecticut State University, is the author of eleven books,
including Deadmistress, which introduced professor/sleuth Susan Lombardi, Death by Committee, Death at Hilliard High
and Most Likely to Murder. Under
the pseudonym Carroll Thomas, she is the co-author of the Matty Trescott young
adult novels, one of which (Ring Out Wild
Bells) was nominated for the Agatha for best young adult mystery of 2001.
You can find Carole
online at:
Facebook author page, http://www.facebook.com/carolemysteries
It's no exaggeration to say that early on, Connelly established a high standard for American crime fiction. Each of his subsequent books has been compared against that standard. No wonder we race for each new title. On November 26, the newest will release in the United States: The Black Box. It's a Harry Bosch title, dipping into 20 years of Bosch's career and files. After this Dilys week is over (and I hope you're reading ALL of our posts for it!) and the signed copies of S. J. Rozan's Ghost Hero have been awarded (here at Kingdom Books, we'll give them on Sat. Oct. 20 as part of Archer Mayor's 2 pm event), there will be about five weeks until the new Michael Connelly. Think you can fit in re-reading all the earlier titles?
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