“. . . [this
is] the charm of a Joseph Finder novel, tugging readers into identifying with
the PI, even without ever carrying a weapon or sneaking up on a suspect
themselves.”
In book 4 of
his Nick Heller series, House on Fire, Joseph Finder merges the
traditional private investigator role of his PI protagonist with a dangerous
form of industrial espionage: prying into the family secrets of the corporation
behind a powerfully addictive opioid. The enormous wealth of the Kimball
family, built on their share of the drug economy, is rooted in family guilt as
well. And the minute Nick starts prying, he’s a target for those willing to
protect their secrets and fortunes by any means possible.
You’d think
Nick would realize this and decline the case. But as Finder demonstrates so
deftly, Nick’s heartstrings are vulnerable to old loyalties. In this case, the
funeral of his army buddy Sean, who saved Nick’s life in the service, summons
Nick to support the grieving widow and kids—and sets him up as a target:
“One woman
stood out from the other mourners. She was a hippieish woman in her thirties,
wearing a busily colored fringed, crochet-knit shawl over a black dress. I’d
noticed her before, at the church, sitting off by herself. . . . She didn’t
look like she came from here. I couldn’t figure her out. My first thought was
that she was a journalist, but then I ruled that out—she was dressed too
nicely. I also had the strong feeling she’d been looking at me.”
Susan
Kimball, it turns out, is there to recruit Nick to infiltrate her family’s
compound and extract an important file of results: ones that showed how
addictive the Kimball fortune-making drug would be, well before it gained
approval for the marketplace. Susan, or Sukie, wants justice for the
drug-related deaths, and is willing to help Nick expose the research
hanky-panky.
In the big
crowd of guests at the grand estate, unexpectedly Nick finds his his former
colleague and lover Maggie. The two can still trust each other, and swap some
details, discovering they’ve got parallel assignments to pursue. Good thing to
have some companionship, because nothing among the Kimball crowd is as direct
or honest as it may look, and by a third of the way through this investigation,
Nick and Maggie are dodging murderous plots right and left. Even Sukie might
not be playing straight, despite what she’s got to gain from Nick’s potential
success.
Finder
provides a straightforward suspense thriller in House on Fire, turning
up the action and tension with each scene. When Nick tracks down the original
whistle-blower for the pharmaceutical scam, the tension goes global, too, with
connections to Eastern Europe. Soon one of the other Kimball family members
suggests that Nick will need to tackle a necessary murder in order to get
through the case: “‘Every document of civilization in also a document of
barbarism. The son wants to redeem the sins of the father but at the same time
he’s necessarily implicated in them, right?’”
Talk high
philosophy to Nick, and you provoke him into questioning everything else he’s
getting told—which is the charm of a Joseph Finder novel, tugging readers into
identifying with the PI, even without ever carrying a weapon or sneaking up on
a suspect themselves.
For those who
follow the latest scandals of real-life pharma companies, some of the
revelations in House on Fire will seem straight from the news. But fear
not, Finder always has another twist ready, and the best of them involve
loyalty, friendship, and compassion. Buckle up for a good read.
PS: Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.
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